Sentences with phrase «scale photographs depict»

The large - scale photographs depict inhabitants and places, providing deeply human narratives.

Gursky's monumentally - scaled photographs depict grand urban and natural vistas and large format architecture from a dispassionate point of view.

Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.

Not exact matches

The exhibition also includes a series of large - scale photographs that depict the audience members, some of whom are former Paris Opera Ballet dancers, from various vantage points.

His method is often described as highly experimental: typically working on a large scale, Ruff has said that he likes the physical presence of a monumental work, making size just as much a part of the viewer's experience as what is depicted in the photograph itself.

Rhode's nine - panel photograph Carry - on (2013) depicts a figure gesturing with what appears to be a piece of luggage, outlined by a scaled - down geographical map of South Africa.

Three photographs and forty - six labor - intensive, mostly large - scale drawings, depicting everything from Kenneth Noland-esque...

His exhibition Roy McMakin: A Breadbox and a Mug, Each Depicted in Sculpture and Photography (2007) involved the artist painstakingly photographing quadrants of home furnishings then splicing them together to make a 1:1 scale whole, revealing the imperfections of the objects and our perceptions.

It consists of fifteen large scale photographs which depict refugees and their guards, beyond the fences of the Softex refugee camp in Greece.

Exhibition highlights include Muxima (2005), a video work by Alfredo Jaar, featuring fragmented vignettes of landmines, the AIDS crisis, and remnants of colonialism in Angola; Jenny Holzer's large - scale color - blocked painting Water - board 14 U.S. government document (2010), which depicts a redacted, confidential U.S. government document; Omer Fast's film 5000 Feet Is the Best (2011), which grapples with drone warfare; An - My Lê's photographic depictions of war and military culture that play with fact and fiction; and photographs and a film by Eric Gottesman that are inspired by his exploration of the dissident Ethiopian novel Oromaye.

Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.

(New York, USA) A section devoted to large - scale color photographs depicts the largely untouched rainforests that are now endangered by Brazil's explosive economic growth.

On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion piece, an immersive three - channel film installation starring the actress Elizabeth Banks.

The exhibition will include approximately 24, large - scale color photographs that depict the river's look and culture, including its distinct channeling and the people drawn to its banks.

These four, large - scale, color photographs depict a collection of objects ranging from feathers, skulls, clips, chains, and photos.

Installed in the middle of the Yokohama Museum of Art, Michael Landy's massive Art Bin (2014) was the exhibition centerpiece — matched in scale and exuberance by installations such as Miwa Yanagi's mobile stage truck, which provided a site for gravity - defying pole dancing performances, and Shinro Ohtake's wheeled shed assembled from scrap materials and photographs — but many of the other works were distinguished by intimate reserve, apparent, for example, in René Magritte's small, black - and - white photographs from the portfolio «The Fidelity of Images» (1935), and Melvin Moti's film No Show (2004), depicting an empty Hermitage Museum through a single image accompanied by a voice track.

Earlier this month, a 2010 series of Polidori's photographs depicting the interior of the Convento di San Marco in Florence went on display at Paul Kasmin Gallery in New York, allowing audiences the chance to enjoy the full power of the image - maker's large - scale works in person.

This is the Argentine - born, Brooklyn - based artist's first solo exhibition in New York and it will feature a suite of unique, large - scale C - print photographs depicting the clear blue sky.