Sentences with phrase «scale photographs show»

Taken in both black and white and colour these intimately detailed, large - scale photographs show circus performers relaxing while off duty, practising, getting ready to perform, part made - up and costumed, and revealingly off - guard.

Not exact matches

Figure 1 shows the smooth intensity scale for both a photograph and test pattern that are visibly free of artifacts on the Droid.

My photographs show the vast scale of transformation our world is under from human - made stresses.»

This show of 50 small - scale drawings, photographs and collages, free from the shadow of its myth, allows us to consider DeFeo's wry improvisations and neo-Surrealist approach.

Having shown a series of large - scale ink drawings that re-created photographs from her father's early childhood in her 2003 graduation exhibition at the Royal University College of Fine Arts in Stockholm, Wåhlstrand continues to investigate other motifs from her family photograph albums.

Her solo show at Max Hetzler titled «Bet Your Sweet Life» features Scale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other CatastroScale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastroscale drawings from the series Hurricane and Other Catastrophes.

The focus of this show, however, is on a group of photographs, drawings and small - scale sculptures which together reveal the formal sensibility that clearly informs Fleischner's larger works.

The show begins with the «Hurricane Series,» a collection of 14 large - scale, 6 - by -11-foot ultra-high-resolution photographs of magnificently violent storm waves shot by the artist himself while perilously tethered out to sea.

These «other» works were displayed against backdrops of enlarged black and white photographs from 1966, together with a scale - model replica of the original show.

They could be on the scale of Andreas Gursky's or Thomas Ruff's work, but these photographs show that images don't have to be blown up to huge dimensions to be monumental...»

Ben Brown Fine Arts is showing seven of Thomas Ruff's large scale Sterne (Stars) photographs in the gallery space as an installation.

The exhibition includes a selection of large - scale posed family portraits from his first one - person show The Good Life in 1994 along with images from his Ektachrome Archive, which the artist photographed between 1986 and 2000.

«One can't have it both ways and both ways is the only way I want it,» says Czech of this show of large - scale photographs from two discrete series, «Critics Bouquets» and «Poems by Repetition.»

This exhibition of large and medium scale works features photographs that plumb the depths, showing what the naked eye does not always see, as well as unusual dreamlike images, resulting from water, heat and time working to deconstruct archived slides.

In addition, the first large - scale photographs by Voerman will be shown.

Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale photographs and sugar sculpture references the history of sugar, race, migration and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to display oranges.

This large - scale retrospective — the artist's second posthumous exhibition in India — of 135 drawings, paintings, and photographs by Karachi - born Nasreen Mohamedi (1937 — 1990) stands out among a trio of shows the museum has ambitiously organized to explore links among artwork by women of South Asian descent over the last century.

The exhibition, Eye Level with the Smallest Leaf will show five large - scale multi-panel photographs taken in the forests of the Hudson Valley.

Though she has created previous installations and photographs for Metaphor, this exhibition marks her first full scale solo show at the gallery.

Close's last one - person show at Guild Hall was in 1991 and featured his large - scale Polaroid photographs.

The show displays a selection of pieces displayed salon style as both a reference to early modernist salons but also to the clutter and natural chaos of her own workspace.The show includes photographs, collages, drawings, and large - scale Polaroids, displaying for us a more personal, introspective viewpoint that we haven't seen yet from the artist.

This show explores Wayne Source's (b. 1946) large - scale colour photographs of the urban environment.

For her first solo show in the States, the far - flung American presents a selection of large - scale analog prints and small painted photographs of saturated scenes and dynamic patterns that are drawn from the highly diverse African continent.

Recently Josephine Pryde had a large - scale model freight train constructed for visitors to sit on as they rattled past her photographs in a show in San Francisco, but it is her enigmatic, often staged images that count: hamsters, young women pretending to be pregnant, hands holding objects and gifts.

Inspired by latest aeronautic technologies, the German photo and video artist will show a collection of large - scale photographs that give us a futuristic vision of the forthcoming space tourism.

The final gallery also features such works as «Holiday Ruse (Night Shade)» (1991) and «Mirthday Man (Anagram [A Pun]-RRB-» (1997), which show Rauschenberg developing new printing techniques to reproduce his own photographs at the grand scale of painting, refusing through his very last works to segregate artistic mediums from one another.

The billboards show photographs of a cardboard scale model of the museum's main gallery space that I had made in my studio.

Also on display are short films, large - scale prints and paintings using onomatopoeias, as well as a slideshow of Christian Marclay's photographs of onomatopoeias (Zoom Zoom), and the large - scale video installation that shows onomatopoeias cut from comic books and animated in a dynamic composition that corresponds to each word (Surround Sounds).

A good architectural photograph of a very large public housing project, its scale well conveys the monumentality of the building and Gursky's decision to shoot the building with an overcast sky permits the building's excellent use of color to show forth well.

á says his «photographs show the vast scale of transformation our world is under from human - made stress.»

Her debut solo show, entitled Disco Ball Soul is a testament to this, formed of more than 90 small collage works created over a decade from photographs and journal entries, as well as 14 large - scale photographs.

In his artist's statement, Beltrá says his «photographs show the vast scale of transformation our world is under from human - made stress.»

«English Magic» showing at Turner Contemporary includes large - scale murals, drawings, photographs, film and historical materials, all to explore the question of what Englishness really means today.

Atterbury's first solo show consists of 12 new, small - scale photographs of impermanent constructions and 2 dimensional compositions arranged and shot in the studio.

The show features 26 large - scale, black - and - white photographs illustrating Latham's unique perspective and technique.

Among them, Lehmann Maupin will show new photographs by Catherine Opie; Cheim & Reid will unveil new large - scale sculptures by Lynda Benglis; at PPOW, Dotty Attie's subversive gridded narratives painted from photographs are on view; and David Zwirner continues the gallery's 25th anniversary celebration with gallery artists including Annie Albers, Ruth Asawa, Marlene Dumas, Sherrie Levine, Alice Neel, Bridget Riley, and more.

There is a gem - like little show of work by Vik Muniz, the Brazilian - born artist famous for large - scale photographs of images composed out of non-traditional materials — chocolate, glitter, dust, trash — at Whitebox, the pocket gallery that rests at the heart of Whitespace, the innovative, West Palm Beach exhibition space.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.

Sarah Charlesworth's Stills (1980), most recently exhibited in 2015 at the New Museum in New York, consists of fourteen large - scale black and white photographs, each showing a found photograph of someone falling from a building.

Printed on unbound pages, this publication shows the development of Ray's sculpture alongside a set of life - size details that can be reconfigured into two full - scale photographs of the work.

Featuring nearly twenty large - scale color photographs taken between 2011 and 2014, the exhibition marks Graham's second solo show with the galleries and will be on view at 510 West 25th Street from September 5 through October 4, 2014.

The show features large - scale drawings of nudes in idyllic settings, photographs of dreamy tabletop dioramas made from collaged porn images and family photos and paintings of tulips that reference Dutch masters.

The show will include drawings, an editioned screenprint, a large - scale photograph and a life - size sculpture of a deceased astronaut.

Now being showcased at the Whitney Museum alongside photographs by Deana Lawson, Henry Taylor's large - scale paintings will be featured among works by artists like Julian Schnabel and Yoshitomo Nara in Blum & Poe's group showing.

There was nothing outwardly difficult about Talia Chetrit's second New York solo show; eight modestly scaled, soberly framed black - and - white photographs — all but one made this year — ranged evenly around the walls of a small gallery.

Front Gallery: Anonymous Mechanisim The large scale photographs comprising this show are of a series of posters executed anonymously by the Toronto artist over a period extending from April 1978 to June 1979.

These include a selection of Kuba textiles, a photograph of which Vulsma takes as a motif for a series of large - scale Jacquard - woven reproductions shown in SMBA.

The photographs are being shown for the first time in the photographer's adoptive city; printed on large scale they will cover inner and outer walls of the gallery.

Shown alongside these large scale images, small format silver gelatine prints are also titled after the places the photographs were taken, mostly in areas of Tokyo.