Sentences with phrase «scale photographs through»

Calling his approach «a little bit messy and experimental,» Matthew Brandt produces large - scale photographs through labor - intensive processes recalling the 19th - century origins of photography, often incorporating the physical matter of the subject itself.

Not exact matches

«In his third exhibition of photographs at Marc Straus, photographer Thomas Bangsted presents large - scale photographs that recreate historical maritime scenes through a painstaking process of shooting, collecting, and aggregating present - day images.

The work investigates the history of race, ethnography, and portraiture through large - scale photographs.

«In his third exhibition of photographs at Marc Straus, photographer Thomas Bangsted presents large - scale photographs that recreate historical maritime scenes through a painstaking process of...

Cosmo Whyte presents several large, sumptuous charcoal drawings in Starting a Bush Fire at Marcia Wood Gallery through November 25, along with installation works and large - scale photographs.

Her video diptych, Bowery Highlights (2008), returns to the site of her earlier work but generates a second report through the juxtaposition of photographs and real estate documents, rooflines and certificates of occupancy, displaying the radical ascent up the social scale of the residents of the area and the conversion of the living spaces of earlier eras.

«Vik, 2 Years Old,» a 2014 photograph by Brazilian - American photographer Vik Muniz — This large - scale photograph (approximately 8 by 6 feet), which entered the collection through the High's 2016 Collectors Evening, is from the artist's «Album» series, for which Muniz builds replicas of familiar moments with small pieces of discarded vernacular snapshots pasted together to form scenes.

Through new large - scale paintings, photographs, and a collaborative site - specific installation, Lavar Munroe and Rodrigo Valenzuela create a dialogue between their very different styles and mediums.

To experience Bishop Good's large - scale, digital photographs is to fall between antipodes — cut through the center of the Earth on the straightest path between diametrical opposites — slip from memory to lived experience.

While the 70's Narrative works engage senses beyond sight through evocative language and color photographs, the wall pieces from the 1980s are immersive, incorporating elements of texture, sound, and monumental scale.

In Locke's large - scale photographs, an oblique, almost imperceptible form of self - portraiture playfully addresses what is both hidden and revealed as the viewer sorts through an elaborate array of objects that adorn the body of the artist in his studio.

Studio 10 announces a solo exhibition of large scale photographs by New York artist Susan Silas entitled love in the ruins; sex over 50 opening on Friday, March 7th, 2014 from 7 p.m. to 9 p.m., through April 6th, 2014.

Sarah Hobbs's large - scale color photographs represent psychological spaces through which she explores the human psyche, relishing the idea that we are all beautifully flawed.

The act of painting further amplifies the ambiguity between loss and lingering presence: through his act of meticulous transcription on a grandiose scale, Stingel not only redoubles the photographs» quality of «pastness», but also imbues their subjects with a contrary sense of immediacy.

Her photographs, large - scale installations and immersive, multichannel video rooms address the viewer through an intensely spatialized visual display.

The final gallery also features such works as «Holiday Ruse (Night Shade)» (1991) and «Mirthday Man (Anagram [A Pun]-RRB-» (1997), which show Rauschenberg developing new printing techniques to reproduce his own photographs at the grand scale of painting, refusing through his very last works to segregate artistic mediums from one another.

In her Black Mirror Series of experimental large - scale photographs, Salerno creates a sensual journey through a visionary landscape.

Aron Gent's photographic - based installation Not Quite As Good Because of You uses photographs and a large - scale installation to reveal consumer habits as seen through the eyes of an ex-grocery store bagger now putting his own wares on public display.

Through the configuration of digital colour photographs in a larger than life scale, this series conveys a collection of private stories from experience in dealing with love, loss, distance, and evolution.»

Openly gay, he started selling his large - scale digital photographs — including pictures with multiple images of himself running naked through the streets of Beijing or copulating with his double in public places — even before he graduated from the Central Academy of Fine Arts in 2005.

Together, the exhibited works shift in scale from room size installations to small, quiet photographs, transporting the viewer through a variety of locations, memories, and emotive experiences.

Ranging in scope and scale, the commissions will include a public street intersection that Jessica Stockholder will transform through color and form; photographs by Alec Soth that explore the emptiness and possibility of Silicon Valley, from the Googleplex to Steve Jobs's garage; and others currently in development.

For Nolan this exploration happens through making things — whether these things are sculptures, textiles, photographs or texts, monumental or intimate in scale, they are presented to us as tentative and precarious markers of the experience of our place beneath the sun.

Front Room: An - My Lê, on view October 9 — February 23, 2014, investigates ideas of war and the military through 21 large - scale black - and - white and color photographs.

Chuck Close Photographs, on view from March 20 through October 2, 2016 features 86 images from 1964 to the present and illustrates the full range of the artist's exploration of photography — from early black and white maquettes, to monumental composite Polaroids, to intimately scaled daguerreotypes and recent Polaroid nudes.

For her debut, Mohamoud further develops her large - scale installation recently featured at The Art Gallery of Ontario, through her continued investigation into binaries and aesthetics of sports culture as it relates to race and gender, through industrial sculpture, text, and printed photographs on varying...

Featuring nearly twenty large - scale color photographs taken between 2011 and 2014, the exhibition marks Graham's second solo show with the galleries and will be on view at 510 West 25th Street from September 5 through October 4, 2014.

Among the unexpected holdings of the New Mexico Museum of Art collection are a series of Cubanborn artist Ana Mendieta's Silueta photographs; Delilah Montoya's exploration of Chicano social issues through the vehicle of a home altar; a large - scale display of 158 pieces of ceramic blackware by Eddie Dominguez; a protofeminist wax sculpture by Louise Bourgeois; and Meridel Rubenstein and Ellen Zweig's multimedia installation about New Mexico's atomic legacy.

Through his vividly colored, large - scale photographs of architectural structures and landscapes across the world, including Cuba, Russia, Detroit, and the Great Plains of the American West, Moore captures a strong sense of place while also complicating our linear understanding of time.

The exhibition consists of 23 large - scale black and white photographs of New York and its people, and evokes the experience of moving through the city with great intimacy and subtlety.

All of which made this type of large - scale back - to - nature populist art rather elitist, especially since art galleries and museums proved more than adept at exploiting the commercial opportunities offered through photographs and video.

Yayoi Kusama: Infinity Mirrors provides visitors with the unique opportunity to experience six of the artist's Infinity Mirror Rooms — her iconic kaleidoscopic environment — as well as additional large - scale installations, sculptures, paintings, works on paper and archival photographs and films from the early 1950s through the present.

The exhibition's second room, accessed through a door at the back of the space, includes three new large - scale photographs.

Currently on view: Edward Burtynsky Essential Elements 1981 — 2012andSalt Pans 2016 (through December 31) presents an overview of Burtynsky's work across four decades, including both iconic and previously unpublished images from his series Quarries, Oil and Water, as well as new large - scale photographs from his recent Salt Pans series made in India at a barren, salt - producing area in Gujarat.

For his Earthworks, he staged large - scale interventions to the landscape and documented his works through photographs.

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.

Strangers on Common Land (2012), a large - scale work made from black and white photocopied enlargements of a photograph, shows two strangers standing in an open landscape, connected by the line of bunting that they hold and the common land on which they stand; a metaphor for the possibility of coming together through cultural celebration.

Installed in the middle of the Yokohama Museum of Art, Michael Landy's massive Art Bin (2014) was the exhibition centerpiece — matched in scale and exuberance by installations such as Miwa Yanagi's mobile stage truck, which provided a site for gravity - defying pole dancing performances, and Shinro Ohtake's wheeled shed assembled from scrap materials and photographs — but many of the other works were distinguished by intimate reserve, apparent, for example, in René Magritte's small, black - and - white photographs from the portfolio «The Fidelity of Images» (1935), and Melvin Moti's film No Show (2004), depicting an empty Hermitage Museum through a single image accompanied by a voice track.

Made at bus stops throughout the city, the large - scale black and white photographs capture the isolation of the urban metropolis through formally composed and carefully detailed views of desolate boulevards disappearing into the horizon, peopled only by the Los Angeles underclass waiting for the next bus.