Sentences with phrase «scale photographs use»

Not exact matches

The NOC's robot - sub, Autosub6000, used seafloor photographs to create the first landscape - scale map of marine snow patches in addition to a map of the abundance of life on the sea - floor (also known as biomass).

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

The exhibition looks at the various subjects which Learoyd photographs in his studio, including portraits, figure studies, and still lifes, and how his use of camera obscura influences the overall impression of his large - scales works.

In addition to this work, the exhibition will include photographs, made by the artist as he accompanied the clock on a ship from London to New York, as well as a group of large - scale drawings of the night sky, based on the star charts which sailors use to navigate.

Included in the exhibition are several large - scale black and white photographs that the artist created by using a 400,000 - volt Van De Graaff -LSB-.....]

German artist Gerhard Richter has created Strontium, a large - scale mural for the new de Young derived from digitally - manipulated photographs, that together form a geometric black and white motif representing the atomic structure of strontium titanate, a synthetic substance often used to create artificial diamonds.

He is known for his large - scale portrait, landscape and still - life photographs produced using a camera obscura.

Characterized by a seemingly objective, straightforward style and the use of large - scale, vibrantly colored prints, their work reflects the teachings of Bernd and Hilla Becher, professors at the Kunstakademie Düsseldorf, whose exacting style and dispassionate examinations of industrial forms are exemplified in their nine - photograph grid Water Towers (1972 — 2009).

Titled Beaucoups of Blues, North Kivu, Eastern Congo, this large - scale photograph was shot in Congo on Kodak's AEROCHROME III Infrared film (initially used by the US Air Force to conduct aerial surveillance) and is a part of Mosse's «Infra» series.

September 19 — December 7, 2008 Best known for his exploration of the interstices between art, science and photographic illusion, Barcelona - based artist Fontcuberta created these 40 large - scale prints using computer software that transformed well - known paintings and photographs into virtual landscapes.

Produced using only natural light with a long exposure and untouched by digital alteration, Höfer's photographs couple a rare intimacy with monumentality of scale.

She is responsible for large scale prints, drawings and paintings that are based on heavy layering in order to create images from patterns and architectural photographs — although the end result does not give away what Mehretu used to start creating.

Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale photographs and sugar sculpture references the history of sugar, race, migration and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to display oranges.

I might use many photographs, combining different parts of them in a drawing, establishing the space, scale, colours, viewpoint etc..

One of her first major bodies of work, Present Life (2015), used large - scale photographs of flowers and a plastination of her placenta to comment on the temporary nature of life.

And in the meantime, the gallery sold well: a neon sculpture by Tracey Emin, a Catherine Opie football landscape, Pettitoe, Suffolk (2011) by Juergen Teller, and Teller's large - scale photograph of Joan Didion that's been used as an advertisement for the fashion house Céline.

The importance of the photograph, the use of scale and type of prints, such as lenticular, permeates the material read on each of the works — an ethos that is reflected in the understanding of these images as an object.

Also on display are short films, large - scale prints and paintings using onomatopoeias, as well as a slideshow of Christian Marclay's photographs of onomatopoeias (Zoom Zoom), and the large - scale video installation that shows onomatopoeias cut from comic books and animated in a dynamic composition that corresponds to each word (Surround Sounds).

A good architectural photograph of a very large public housing project, its scale well conveys the monumentality of the building and Gursky's decision to shoot the building with an overcast sky permits the building's excellent use of color to show forth well.

Aron Gent's photographic - based installation Not Quite As Good Because of You uses photographs and a large - scale installation to reveal consumer habits as seen through the eyes of an ex-grocery store bagger now putting his own wares on public display.

Lalla Essaydi uses glittering bullet casings to create garments and backdrops that refer to Islamic visual culture, which she then works into large - scale staged photographs.

Mosse's large scale photographs can be easily distinguished for the vivid reds, pinks, fuchsias and blues the artist achieves by using a rare and discontinued Kodak Aerochrome III Infrared film that reacts to chlorophyl, the chemical that gives plants their green color.

German artist Thomas Demand, born 1964, makes mural - scale photographs, but instead of finding his subject matter in landscapes, buildings, and crowds, he uses paper and cardboard to reconstruct scenes he finds in images taken from various media sources.

For the large scale photograph «Nacht,» the artist used night - vision technology to produce ominous, militaristic images of contemporary Dusseldorf at night.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Katz does not use photographs for his portraits but instead works directly from the sitter, exploring a variety of angles and poses in small drawings and oil studies before scaling up.

A series of large - scale «paintings» in silver - nitrate, Entasis is based on 1:1 scale photographs of lightning - struck trees on the Savannah Barrier islands; created using a combination of photography, digital scanning and printmaking.

From the approximately 2,000 photographs that the artist shot, he carefully chose a selection to be used as sketches for twelve large - scale paintings.

Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.

Though the sculptures varied significantly in size, the Equilibres photographs set aside the issue of scale: each assemblage appears nearly the same size on the sheet as any other, regardless of the materials used.

Emin has used large - scale photographs of herself to record and express moments of emotional significance in her life, frequently making reference to her career as an artist.

«Synthesis» is a series of large scale pigment prints created by combining darkroom chemistry with more exotic elements in solutions and using a 4 × 5 view camera to photograph the often unpredictable reactions that unfold.

In Ingram's work, which includes a large - scale architectural installation, photographs, prints and paintings, construction materials themselves are used as tools for humorous investigations of modernist art and architecture.

He uses found photographs to make collages that repeat the same image with small shifts in scale.

Cross makes both discrete objects and large - scale works and she is well - known for using diverse media, from found and constructed items to opera, photographs and film.

In addition to large - scale colour photographs, Disputed Territory includes a series of interventions using found photographs, and a sound / video installation piece, Resolution.

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.

However, the blind drawings «Roraryboryellas (blind-fold drawing)» (undated), a territory also mined by Robert Morris, do not match the wit and vision displayed in many of his early works from the Dwan Gallery exhibitions, including Six Sites (1966 - 67), where he reproduced the walls of the gallery at 90 % scale using silkscreen photographs.

Similarly, Forg conducted a painterly enquiry into the modes of modernism that included the use of large - scale photographs and lead reliefs.

Given that our predictions regard overall genetic fitness, rather than any specific cue of genetic fitness (e.g., masculinity, symmetry, MHC heterogeneity), a group of trained research assistants (n = 5 in study 1; n = 4 in study 2) rated the facial attractiveness of each spouse from the photographs that were taken at baseline, using a scale ranging from 1 to 10, where higher ratings indicated more physically attractive faces.