Sentences with phrase «scale pieces in this show»

The large scale pieces in this show are all from the late 1960's and early 1970's and still resonate with architectural impact.

Not exact matches

What's more, many pieces showed signs of fractal patterns — repeating motifs that reoccur at different scales, whether you zoom in or zoom out of a canvas (British Journal of Psychology, vol 102, p 49).

They spice it up once in a while with green and orange, but it's all very simplistic and i feel that if they had made it to a bigger scale it would have felt more like the movie, instead of showing us all the big set pieces in cut scenes only.

Showing in a commercial London gallery for the first time, Pasquali has created a large - scale, colourful, plastic cloud in Peckham's MOCA London, and filled Mayfair's Tornabuoni Art with a cross-section of her works, from her best - known pieces made with drinking straws, to a carpet of broom bristles, on which we sit to talk, during a break from installation.

Included in the Leyden Gallery show are mostly recent smaller - scale (for Koorland) script paintings of songs and poems, made this past year or two with an intimate, note - to - self quality, with an occasional older piece, inserted, as Koorland says, for content and colour.

Given its scale, it is instructive to compare this large piece with the paintings featured in the show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on paper.

Pleasingly, large - scale sculptural works do not overshadow paintings in the show, as each piece provides a different angle on the self - acknowledged ambiguous theme.

There are a couple of very nice pieces by Fine reproduced in the «Suitcase Paintings» catalogue (for a group show of small - scale Ab - Ex that traveled in 07 - 08), as well as work by other women and men that undeservedly have been now forgotten.

Then there was a last - minute hiccup earlier this month, when Kara Walker, one of the biggest names in «Prospect.4,» had to postpone her piece, «Kataswof Karavan,» until the closing weekend of the show because of the work's complexity and scale.

Fleshed out by the addition of multiple small - scale models and twenty - four new works (six of which, including the title piece, Take your time, 2008, were newly conceived for the show), the result was mounted in simultaneous presentations at the Museum of Modern Art and P.S. 1 Contemporary Art Center, both in New York.

«So Close,» a large - scale piece by the French artist JR, will be visible from the West Side Highway when the Armory Show opens in March.

Blenheim Palace chooses Jenny Holzer for next contemporary art show US artist Jenny Holzer, best known for her large - scale LED light pieces, will be the fourth contemporary artist to transform Oxfordshire's Blenheim Palace in a major solo exhibition opening later this year, it was announced today.

In advance of the opening, we asked curator Susan Harris for her personal insights on the show, which includes three large - scale drawing projects — four freewheeling, cast paper pieces by Lynda Benglis, a 15 - foot drawing by Inka Essenhigh, and a temporary wall drawing by Pat Steir.

It's a diverse lot that includes the Alturas Foundation, which funded «Makin» Hay,» the public art installation of monumental sculpture by Tim Otterness at Hardberger Park; the Harmon and Harriet Kelley Foundation for the Arts, known for one of the best collections of African American art in the country; and Claudia Huntington and Marshall Miller, who loaned SAMA large scale figurative sculpture for the show, including the piece by Chia and Polish artist Igor Mitoraj's «Sonno Screpolato (Cracked Sleep),» a bronze of a fragmented face.

Andrew Brischler's next solo show with Gavlak Gallery is in November 2013 with several new large scale pieces all exploring notions of futility, shame, and loss through abstraction.

In her current show at David Zwirner, titled simply Isa Genzken, the artist presents sculptures from her Shauspieler (Actors) series, two new large - scale architectural sculptures, pieces from her Nefertiti series, as well as panel works both on the floor and along the walls.

Now for her first solo show in Miami she presents PORE at Locust Projects, a nonprofit based in Miami's Design District, where visitors can examine her large - scale tactile pieces.

At Sperone Westwater, the most prominent piece in Long's exhibition Crescent to Cross was a «large - scale mud work» that recapitulated his effort in Magiciens de la terre, something he has been doing on a regular basis since that show.

«When I stopped doing the performances, the pieces I was making became the performance — they are almost all performative,» he said, walking over to a portion of a scale - model arch bridge that will be in the New Museum show.

In the main gallery, Price will show three large - scale sculptures that continue the expansion of his practice into more monumental sizes, which he began working on shortly after his last exhibition at the gallery in 2006, in which he debuted his first large - scale piecIn the main gallery, Price will show three large - scale sculptures that continue the expansion of his practice into more monumental sizes, which he began working on shortly after his last exhibition at the gallery in 2006, in which he debuted his first large - scale piecin 2006, in which he debuted his first large - scale piecin which he debuted his first large - scale piece.

For her second solo show at the gallery, Kielar will exhibit a series of large - scale fabric pieces in which she continues her ongoing investigation of the female form.

There is also an interesting tension between the fragility of the work and its often mammoth scale — the main piece in this show is so huge it looks like it has been squeezed into the room.

Vasconcelos, who makes large - scale sculptures, is considered by some to be the Louise Bourgeois of Portugal — she lives in Lisbon — and her pièce de résistance of recent shows, including one in Portugal that became the most highly attended exhibition for years — is a piece called A Noiva (The Bride), which, from a distance looks like a large, pendulous chandelier.

Usually made in response to the space where they will be shown, and often created with ephemeral materials, her works have ranged from delicate cellophane, paper and polythene hanging pieces suspended with ribbon or tape to large - scale floor - based sculptures made from plaster, chalk powder and soil.

[23] There were «physical / ephemeral» pieces by younger artists, such as Jason Rhoades and Richard Jackson, and the famous large - scale black rats by Katharina Fritsch, which were shown earlier at the Dia Center for the Arts in New York.

The exhibition ties these pieces quite well to the few large - scale, later canvases on view, showing the artist's continued interest in the compositional considerations of vastly different subject matter, increasingly represented through realistic brushstrokes and the language of mass - market advertising.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.

I am thinking of your pieces for the 2002 Documenta, or for the Venice Biennale in 2007, or the recent series of shows at David Zwirner, which often involved some form of wall painting, graffiti, or intervention on an environmental scale.

There extremely complex, large - scale installations which develop literary or narrative themes are also included: Sister Perpetua's Lie, 1973, first shown at the Institute of Contemporary Art in Pennsylvania; Souvenir Piece, originally installed at Artists Space in 1973; and To Each Concrete Man, 1974, one of her most mysterious, poetic and hermetic works, formerly exhibited at the Whitney Museum of American Art.

In another widely viewed piece, animal - welfare campaigners produced a mock promotional ad for French foie gras that is a ghastly tour of a large - scale foie gras operation there showing one grisly scene after the other.

If PAS is introduced by the father, his attorney, his court - appointed and self - selected therapists, so - called child advocates, and the court - appointed guardian ad litem during a contested child custody hearing, the mother is guaranteed to lose custody of her children unless Gardner's «Sex Abuse Legitimacy Scale» is shown to be what University of Washington Professor John Conte has described as» [p] robably the most unscientific piece of garbage I've seen in the field in all my time.»