This fall she will unveil a large -
scale portrait series: Think of them as abstract Technicolor «head - scapes» borne from the full - bodied gestural ethos of Bill de Kooning.
Not exact matches
Her photographs include
series of
portraits and American urban landscapes, ranging in format from large -
scale color works to smaller black - and - white prints.
Continuing the Warholian reference, on show will be a
series of large
scale unique silkscreened
portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.
Jennifer Rubell (b. 11 June 1970) is widely recognised for a
series of large -
scale «food installations» which have been exhibited in numerous museums around the world, including the Saatchi Gallery (London), the LA County Museum of Art, the Brooklyn Museum, the National
Portrait Gallery (Washington) and the Rubell Family Collection (Miami).
Informed by her «Rear Screen Projection»
series from the early 1980s (the artist's first foray into color photography), these gigantic self -
portraits bring to mind the
scale of Hollywood as well as the artistic movements that have continually mined its grandiose clichés.
Gokita continues his monochromatic
series that explores the traditional
portrait format on a range of
scales, using source material from vintage postcards, magazines, found photos, and classic film stills.
VIA's grant supports a
series of large -
scale portraits entitled When You're Free, You Run in the Dark to be exhibited at The Artist's Institute, as well as a
series of related public programs, in advance of a new film about the girls» summer music workshop, which premiered at the Polish Pavilion at the 57th Venice Biennale.
Portrait - oriented and primarily small -
scale, the works in this
series represent a new direction for the artist — a shift in focus from the natural world to the deeply personal.
Tiny Park presents its last exhibition in the Navasota Street space and will include two large -
scale works that are a continuation of Aragon's
series of hand - drilled
portraits.
The
series is comprised of three groups of large -
scale, black and white
portraits, hand - annotated with poetry and prison writings in Farsi calligraphy - the Villains, the Patriots, and the Masses.
Gideon Mendel: Drowning World Premieres New
Series of Large -
Scale Works Created from Personal Effects Gathered from Flooded Landscapes Across the Globe Alongside «Submerged
Portrait» Photographs and Video Work
His mastery of formal composition, colour and detail have made him one of the pre-eminent European art photographers of our time, and he is best known for his large -
scale cityscapes and his ongoing
series of family
portraits, many of which nod to Renaissance paintings.
The solo booth is a continuation of his «Background 2»
series of large -
scale portraits.
A comprehensive survey of Tseng ‟ s pioneering
series of self -
portraits, this exhibition will feature over 90 large -
scale, black - and - white photographs, some of which will be on view for the first time.
«Tulkus 1180 to 2018,» a tremendous survey - in - progress by Paola Pivi of over 1,100 photographic
portraits of tulkus, or officially - recognized reincarnations of Tibetan lamas, includes the large -
scale portraits of Tibetan exiles from David Zimmerman's One Voice
series.
The works on view are a
series of recent charcoal, pastel, pencil, and chalk drawings, ranging from wall - sized flower «
portraits» to sketchbook -
scale, intricate compositions.
In this, Restrepo's second solo exhibition at Steve Turner, the artist will present works from two
series: three large -
scale drawings from A Land Reform as well as a group of
portraits from a new
series, Los Caprichos.
In this
series, Wiley paints young African American men in poses reminiscent of Memling's tightly composed, small -
scale portraits, and encases these images in sturdy, wooden - framed boxes with panel doors.
The
series of large -
scale portraits of women is an exploration of performative femininity.
The artist explores the subject using different mediums and two distinct approaches: A
series of
portraits painted in oil with text and two large
scale drawings which form a diptych.
Over several months, Andres Serrano engaged with homeless individuals in New York City, to create a
series of large -
scale photographic
portraits called
This handsome volume features 100 works from Tseng Kwong Chi's pioneering
series of large -
scale black - and - white self -
portraits, produced from 1979 to 1989, many of which have never been published.
The exhibition features some of Milan's well known large -
scale mixed media drawings from A
Series of Inspiring Women (2012 - 2016) and various
portraits that portray androgyny, queerness, and the beauty of the ambiguous.
Michael St. John solo exhibition «
Portraits of Democracy» features a new
series of identically
scaled, small - format works that depict aspects of our current culture and society through images of people and objects.
Featured will be new large -
scale oil paintings of artists Kara Walker, Laurie Anderson, and Zhang Huan; works from Close's ongoing self -
portrait series; intimately
scaled portraits of musician Paul Simon and arts patron Agnes Gund; a collection of prints; and immaculately crafted Belgian Jacquard tapestries.
In 1992, in the second of his Young British Artists shows, Charles Saatchi devoted a whole gallery of his vast Boundary Road space to Wallinger's
series of 1:1
scale portraits of thoroughbred racehorses, a work that alluded to breeding and genealogy as well as the wealth that flows through and from the business of racing.
The exhibition entitled Bachelors features a
series of seven colored pencil
portraits, several large -
scale paintings on drop cloths, and a group of unique pressure prints.
The exhibition features «Akt und Flasche (Nude and Bottle),» one of his major diptychs from the late 1970s, and a four - part work, «Birnbaum I (Pear Tree I)» from 1978, alongside large pastels,
portraits and a
series of intimately -
scaled charcoal studies of birds, houses and trees.
The audience had an opportunity to see Oval Budha Silver sculpture, as well as the
series of three large -
scale Arhat paintings, and a new
series of Murakami's mesmerizing self -
portraits.
«Metro 54» brings together two mural
scale paintings along with a new
series of small intimate
portraits.
The show consists of Silencios, a photographic essay composed of twelve images, as well as three large
scale portraits from an ongoing
series of Witnesses.
These video
portraits are accompanying the photo
series shot on the occasion of Tinguely@Tinguely, the large -
scale retrospective at Museum Tinguely in Basel.
Richard Prince's «New
Portraits»
series (2015), in which he appropriates Instagram posts, turning them into large -
scale prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.
Highlights of the Norwich leg include All That Is Solid (2015), a recent film by John Akomfrah and Trevor Mathison concerning the transience and impossibility of capturing the unrecorded voice and the undocumented past; Spirit is a bone (2014),
portraits of Moscow citizens by artist duo Broomberg & Chanarin created through the use of a facial recognition system recently developed in Russia for public security and border control surveillance; as well as a
series of posters that reproduce on a 1:1
scale a scene from Ryan Gander's studio in which a still life has been constructed from research material on the subject of «The Still Life».
Rarely - exhibited works by Larry Rivers that were created at his 14th Street studio will be on view, such as a
portrait of cult writer Jim Carroll, along with a large
scale work from his Bad Witch
series.
After her machine paintings of the late 1940s and early 1950s, her work included a
series of impressions of New York rendered with a spray gun, her large -
scale «Vertical - Horizontals» that suggest horizons, the drawings called «Baldanders,»
portraits, and geometric paintings.
In her first solo show at the dealership, curated by Liz Alderman, Jenny Dubnau's
series of large
scale portraits is an impressive as any serious or well known figurative painter working today.