Sentences with phrase «scale portraits from»

The show consists of Silencios, a photographic essay composed of twelve images, as well as three large scale portraits from an ongoing series of Witnesses.

Nothing to Lose, British Nigerian artist Rotimi Fani - Kayode's first solo exhibition in New York featuring large - scale portraits from Fani - Kayode's last body of work before his untimely death.

This show features new work by this accomplished and influential American artist, alongside a selection of his iconic, large - scale portraits from the 1960s.

Not exact matches

However much the Gospel portraits may have to be scaled down to enable us to see the historical figure of Jesus, they still show us a man who made an impact of such magnitude on those who knew him best and who had left all to follow him, that no unexpected calamity, such as the crucifixion, could have erased this from their thoughts and their experience.

Her photographs include series of portraits and American urban landscapes, ranging in format from large - scale color works to smaller black - and - white prints.

Highlights of the exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large - scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.

She has collaborated on large - scale exhibitions including Human Interest: Portraits from the Whitney's Collection (2016) andWhere We Are: Selections from the Whitney's Collection, 1900 - 1960 (2017 - 18), and is co-curator of An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017 (2017 - 18).

David Hockney RA, has distinguished himself throughout his long and successful career as a gifted draughtsman; his confidence and strength of line characterises his work from single line portrait studies, to large scale paintings of LA in the 60s.

The majority of works in the exhibition will be on loan from private collections, and will comprise important, large - scale paintings from his most memorable themes, including French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother - in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.

Best known for large - scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth - century abstraction, as well as other sources such as the comic book and the muralist tradition.

2007 Existencias, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon Some kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA Size Matters: XS, Recent Small - Scale Paintings, HVCCA, Hudson Valley Center for Contemporary Art, Peekskill, NY Joy Feasley & Clare Rojas: Pow - Wows or The Long Lost Friend, Locks Gallery, Philadelphia, PA Silly Adults, Galleri Nicolai Wallner, Copenhagen Very Abstract and Hyper Figurative, Thomas Dane Gallery, London Panic Room, Works from The Dakis Joannou Collection, Deste Foundation, Centre for Contemporary Art, Athens In The Fullness of Time: The Luggage Store 20 Year Anniversary Exhibition, San Francisco, CA

It includes 129 photographs spanning from 1968 to the present, ranging from black and white portraits to monumentally scaled composite Polaroids, to intimately scaled daguerreotypes.

Informed by her «Rear Screen Projection» series from the early 1980s (the artist's first foray into color photography), these gigantic self - portraits bring to mind the scale of Hollywood as well as the artistic movements that have continually mined its grandiose clichés.

Adele Renault is a Belgium painter best known for her photo realistic portraits — creating it from small scale canvases to wall sized murals.

This fall she will unveil a large - scale portrait series: Think of them as abstract Technicolor «head - scapes» borne from the full - bodied gestural ethos of Bill de Kooning.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

These pieces reference the topography of a range of subject matter from Botticelli's La Primavera (1477 — 1482), to a half scale portrait of the artist's head nestled, as if sleeping, inside the skin of his arm.

Gokita continues his monochromatic series that explores the traditional portrait format on a range of scales, using source material from vintage postcards, magazines, found photos, and classic film stills.

Portrait - oriented and primarily small - scale, the works in this series represent a new direction for the artist — a shift in focus from the natural world to the deeply personal.

His sculptures range from large - scale public commissions to intimate sculptural portrait heads and studies of the human figure.

Moving to New York in 1985, Bill Jacklin has concentrated on painting «Urban Portraits» of «the city» in all its guises; from large scale canvases of crowds in flux to intimate moments in Seurat - like etchings.

British artist Marcus Harvey made his name at the groundbreaking «Sensation» show at London's Royal Academy of Arts in 1997 with his unforgettable large - scale portrait of serial killer Myra Hyndley, made from child - size hand - prints.

In his latest experiment of contemporary re-visioning of the classics, Bidlo creates large - scale murals of Picasso's and Matisse's heads, appropriated from Matisse Self - Portrait (1906) and Picasso Self - Portrait (1907).

On exhibit will be a rare large - scale collage measuring 3» x 5», Eastsider Collage, a narrative of scenes and portraits of people from East Los Angeles.

«Like Phaidon's excellent volumes on painting (Vitamin P) and drawing (Vitamin D), this is a comprehensive effort, representing artists from all fields (documentary, portraits, video, etc.) and 30 countries... The scale of the project and the talent of those chosen is undeniable.»

The exhibition includes a selection of large - scale posed family portraits from his first one - person show The Good Life in 1994 along with images from his Ektachrome Archive, which the artist photographed between 1986 and 2000.

The New Portraits images, which originally debuted in Gagosian's Madison Avenue location in New York City in 2014, are large - scale reproductions of Instagram posts taken from largely unknown (non-celebrity) strangers that Prince found on the social media platform.

Experiencing firsthand both the grandeur of this privately created museum and the impressive scale of the life - size portraits Henry E. Huntington collected, which as a child Rauschenberg had seen reproduced on his mother's playing cards, he understood that becoming an artist could be a viable career choice.2 After his discharge from the Navy in summer 1945 Rauschenberg settled briefly in Los Angeles, eventually relocating to Kansas City, Missouri, in January 1947.

Richard Phillips has achieved international fame for his large - scale hyper - realistic portraits that appropriate material from a range of cultural sources: porn, advertising spreads from the»50s,»60s, and»70s, photographs, and Pop paintings.

Further selected works include a number of self - portraits from different eras and a large - scale installation with mirrors.

Entitled Iconic, the presentation at The Art Show will mark the debut of these intimately scaled portraits which use the visual language and gestures of 15th century icons to depict contemporary subjects selected by Wiley from the streets of New York City.

The exhibition features 14 large - scale portraits of Israeli youths, from diverse ethnic and religious affiliations, alongside 11 works — papercuts and textiles — chosen by the artist from the Museum's collection.

From large - scale portraits of wooly buffalos to scenes of travelers traversing distant lands to images of Midwestern choir singers, Furnas's new paintings exude a sense of nostalgia that simultaneously feels at the brink of rupture — at any moment those idealized views will crack from the energy and emotion underneFrom large - scale portraits of wooly buffalos to scenes of travelers traversing distant lands to images of Midwestern choir singers, Furnas's new paintings exude a sense of nostalgia that simultaneously feels at the brink of rupture — at any moment those idealized views will crack from the energy and emotion undernefrom the energy and emotion underneath.

Gideon Mendel: Drowning World Premieres New Series of Large - Scale Works Created from Personal Effects Gathered from Flooded Landscapes Across the Globe Alongside «Submerged Portrait» Photographs and Video Work

The power of Katz's portraits, said Dana Miller, Curator, Permanent Collection, of The Whitney Museum of American Art, ``... comes from their color and their scale.»

Grünes Kleid mit Rot («Green Dress with Red,» 1979) inflates a vaguely - familiar excerpt from Jan van Eyck's Arnolfini Portrait to a full image motif; the large - scale work Stoff 1 («Fabric 1,» 1981) quotes the folds of a dress in a saint portrait by Francisco de Zurbarán while Landschaft mit Architektur («Landscape with Architecture,» 1981) cites an arbitrary painting snippet from a neoclassical allegory by Nicolas Portrait to a full image motif; the large - scale work Stoff 1 («Fabric 1,» 1981) quotes the folds of a dress in a saint portrait by Francisco de Zurbarán while Landschaft mit Architektur («Landscape with Architecture,» 1981) cites an arbitrary painting snippet from a neoclassical allegory by Nicolas portrait by Francisco de Zurbarán while Landschaft mit Architektur («Landscape with Architecture,» 1981) cites an arbitrary painting snippet from a neoclassical allegory by Nicolas Poussin.

Upcoming projects for The Drawing Center include: a collaboration with the Ecole des Beaux - Arts Paris on an exhibition of 400 years of portrait drawings and Runaway Girl, a new video commission by Turkish artist Inci Eniver (both April 2015); an exhibition of Richard Pousette - Dart's drawings from the 1930's (September 2015); a large scale installation by Louise Despont and an exhibition of Jennifer Bartlett's Hospital 2012 pastels (both January 2016).

«Tulkus 1180 to 2018,» a tremendous survey - in - progress by Paola Pivi of over 1,100 photographic portraits of tulkus, or officially - recognized reincarnations of Tibetan lamas, includes the large - scale portraits of Tibetan exiles from David Zimmerman's One Voice series.

The works on view are a series of recent charcoal, pastel, pencil, and chalk drawings, ranging from wall - sized flower «portraits» to sketchbook - scale, intricate compositions.

The thirty - one photographs exhibited in Pop Shots: Polaroid Portraits by Andy Warhol, also curated by Hilger, come from the large body of images the artist took in the 1970s and 80s as studies for his large - scale silk - screened renderings of elite clients and anonymous sitters alike.

In this, Restrepo's second solo exhibition at Steve Turner, the artist will present works from two series: three large - scale drawings from A Land Reform as well as a group of portraits from a new series, Los Caprichos.

From the artist's bio: Chuck Close (b. 1940, Monroe, WA) is renowned for his highly inventive techniques of painting the human face, and is best known for his large - scale, photo - based portrait paintings.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Traveled to: Denver Art Museum, January 25 — March 22, 1992; Joslyn Art Museum, Omaha, April 9 — March 31, 1992; Pittsburgh Center for the Arts, July 5 — August 23, 1992; The Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, September 5 — October 11, 1992; Telfair Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5 — February 21, 1993 (Catalogue) Group exhibition, Paula Cooper Gallery, New York, September 7 — 28, 1991 Portraits on Paper, Robert Miller Gallery, New York, June 25 — August 2, 1991 Portraits, Linda Cathcart Gallery, Santa Monica, May 1991 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — March 19, 1991.

On view will be three large - scale charcoal on paper self portraits ranging from 2009 - 13.

Katz's most recent, large - scale intimate portraits of family, friends and still lifes of flowers purchased from street vendors near his New York studio, are self - evident of the artist's mastery of his medium.

Katz does not use photographs for his portraits but instead works directly from the sitter, exploring a variety of angles and poses in small drawings and oil studies before scaling up.

This handsome volume features 100 works from Tseng Kwong Chi's pioneering series of large - scale black - and - white self - portraits, produced from 1979 to 1989, many of which have never been published.

The scenes, most easily viewed from across the room, are of something like an Edenic carnival: portraits rendered in gray scale of larger - than - life women against a tropical backdrop, all printed under the same watermarked pattern of the diamond - arrayed, shiny, chain - link fence that rings the room.