Sentences with phrase «scale portraits using»

«Using only palette knives, acrylic paint and canvas, I started on a journey of creating 10 large - scale portraits using the authorized work of National Geographic photographers Cristina Mittermeier and Martin Schoeller, along with renowned environmental photographer Art Wolfe.»

Not exact matches

Her majestic scale, her inventive uses of pastels and ballpoint pens, and her compressions of realistic space into strangely perfect abstract compositions, all work together to create portraits with a new grandeur for a modern era.»

He creates large scale black and white portraits using biro.

The exhibition looks at the various subjects which Learoyd photographs in his studio, including portraits, figure studies, and still lifes, and how his use of camera obscura influences the overall impression of his large - scales works.

He is known for his large - scale portrait, landscape and still - life photographs produced using a camera obscura.

Gokita continues his monochromatic series that explores the traditional portrait format on a range of scales, using source material from vintage postcards, magazines, found photos, and classic film stills.

It is perhaps fitting, then, that curator Przemysław Strożek uses the work as a symbolic point of departure for an exhibition that simultaneously serves as the first large - scale retrospective of Prampolini's work since the early 1990s and as a portrait of the international character of the Polish avant - garde, the centenary of which is this

Entitled Iconic, the presentation at The Art Show will mark the debut of these intimately scaled portraits which use the visual language and gestures of 15th century icons to depict contemporary subjects selected by Wiley from the streets of New York City.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Katz does not use photographs for his portraits but instead works directly from the sitter, exploring a variety of angles and poses in small drawings and oil studies before scaling up.

CHUCK CLOSE Chuck Close is a visual artist noted for his highly inventive techniques used to paint the human face, and is best known for his large - scale, photo - based portrait paintings.

The artist explores the subject using different mediums and two distinct approaches: A series of portraits painted in oil with text and two large scale drawings which form a diptych.

Known for her large - scale portraits, Yiadom - Boakye uses dark colors and rough brush strokes to immerse her subjects in ambiguous environments, where there aren't any references to time or space.

Works on view are intimately scaled portraits that make use of mood and atmosphere to capture the personalities and psychological landscapes of the figures, personas invented by the artist.

His monochromatic works explore the traditional portrait format on a range of scales, using source material from vintage postcards, magazines, found photos, and classic film stills.

Painter, illustrator, graphic designer and graffiti artist, Rems 182's imagery unites violence, eroticism, and strength in both large - scale and smaller portraits characterised by a use of multiple perspectives that create a unique softness in each image that allows the various expressions to complement each other while revealing the complexities of human emotion Having a background as a graffiti writer his work combines both letter - based and complex figurative images, or as the artist himself explains: «I fuse my graffiti writer language with my modern figurative art experience in perennial tension towards abstract disaggregation.»

The large - scale portrait Mum (2017) employs a technique of thicker paint lines to denote figuration rather than the thin ridges of paint that he often uses on aluminium.

Struth uses the mural - scale prints that have become a trope in contemporary art, not least in Germany — he is a peer of Thomas Ruff and Andreas Gursky, having graduated from the same Kunstakademie Düsseldorf program taught by Bernd and Hilla Becher — and the size and deep color of his images are crucial to their effect: In the museum work in particular (Struth also makes streetscapes and portraits),

Paris - based artist Pascal Vilcollet uses bold colours and intense brushstrokes to create these impressive large - scale portraits.

Often using himself as a subject, Madrid - based painter Eloy Morales paints large - scale, expressive portraits that hone in on the uniqueness of the human face.

After receiving his MFA from Yale, Close gained recognition in the 1970s for his massive - scale portraits which were painted using a photorealist style, making them nearly indistinguishable from their photographic equivalent.

Highlights of the Norwich leg include All That Is Solid (2015), a recent film by John Akomfrah and Trevor Mathison concerning the transience and impossibility of capturing the unrecorded voice and the undocumented past; Spirit is a bone (2014), portraits of Moscow citizens by artist duo Broomberg & Chanarin created through the use of a facial recognition system recently developed in Russia for public security and border control surveillance; as well as a series of posters that reproduce on a 1:1 scale a scene from Ryan Gander's studio in which a still life has been constructed from research material on the subject of «The Still Life».