Sentences with phrase «scale print series»

The Onlyes Power Is No Power is Canadian Berlin - based Wil Murray's third solo exhibition with the gallery and presents a new large - scale print series, which uses a hybrid of photography and painting to highlight the role of time and substance within a journey.

Drawn from Jordan Schnitzer's collection, the exhibition includes several of Walker's large - scale print series, cut - steel sculptures, a wall painting, and a video.

The works on view include several of Walker's large - scale print series, cut - steel sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on contemporary American identity.

Works on view (until November 27 2016) include several of Walker's large - scale print series, cut - steel sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on contemporary American identity.

Not exact matches

Her photographs include series of portraits and American urban landscapes, ranging in format from large - scale color works to smaller black - and - white prints.

A new series of wall - based works — featuring enlarged scans of halftone book reproductions printed on sheets of aluminum and layered in informal compositions — will be on display alongside large - scale cyanotype photographs.

«Night Writing,» her current show at New York's Lehmann Maupin gallery (through October 20), features a series of large - scale prints (left, in background) that evoke the brilliance of beholding the northern lights.

Her recent series of digital prints — glazed and neatly tiled into large - scale compositions — has grown to epic proportions for this show.

Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.

This exhibition presents seven new and never before exhibited large scale prints including three new seascapes as well as a section of smaller works covering the chronological history of the series.

This large - scale survey features work from across an array of mediums and includes sculptures, drawings, prints and a series of immersive full - room installations.

Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Gower re-created the Ambassador's balcony at a 1:1 scale in the center of the gallery, flanked by a series of collaged prints which re-imagines the comprehensive architectural exhibition on the embassy building presented in the late 1950's, at the height of the modernization and expansion in Havana.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Shimmering sinking is built from a series of digital visual components that Nicolson habitually combines to create large scale screen prints.

Although these prints were the first to emerge from a metal - relief series, they are perhaps more directly related to the affiliated small - scale, flat, mixed - media paintings that incorporated graph - pattern backgrounds.

Lines / Edges: Frank Stella on Paper features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.

In 1963, Judd's father, Roy C. Judd, created the woodblocks for what became Judd's first large - scale series of prints.

He also meant the series as models for prints on the same scale, which his son, Francesco, completed after his death.

The exhibition features nearly 80 works — large - scale paintings, smaller paintings made on cigar box lids, mixed - media drawings on paper, monotypes, and prints — brought together for the first time to offer a full exploration of the series through the varied media in which Diebenkorn worked.

It resulted in a series of 135 unique CMYK relief prints which together make up a 1:1 scale representation of the floor surface.

At Studio Voltaire, Welcome to Saxnot forms a major new large — scale installation comprising a series of free — standing infographic works as well as printed matter and products that point to Britlin's ethos and agenda.

The series of large - scale woodcut prints will be exhibited locally and internationally, to bring attention to the impact rising sea levels due to global warming are having in Hawaii.

Her practice, often comprising small - scale paintings, conveys a dual preoccupation with the internet; her working process involves using found imagery, from online and print media, to create work that is then curated in series, to appear visually similar to a mood - board or Instagram feed.

The Microstructures series is conceptually based on 3D gradient patterning and explores the use of pioneering 3D printing technology at the scale of furniture.

A series of evocative and often sexual large - scale paintings on canvas, drawings and prints by Dorothy Iannone (b. 1933, United States) will be on view at Peres Projects.

Stamped with an opalescent insignia redolent of a security hologram, Levy's small - scale prints in the Adaptations series remind viewers of ongoing controversies to patent and profit from genomic material.

Included in the Biennale are eight large - scale color prints from Galembo's Ghana series.

2015 - THE PROTOCOLS OF MAKING: THINKING 3D PRINTING IN ARCHITECTURE, ETH Department of Architecture, October 30 - 31, Zurich, CH - Round table Participant at MIT Program in Art Culture and Technology Lecture Series with Rosa Barba, Henriette Huldisch, MIT, October 19, Cambridge, US - Artist talk at John Moore University John Lennon School of Art, October 7, Liverpool, UK Presentation at PHYSMOD Fluid Dynamics Conference, EMPA, September 8, Dubendorf, CH - Alanica International Art Symposium, North Ossetian National Science Library, August 5, 2015, Moscow, RU - Too Big to Scale Conference, Zurich University of the Arts.

The Weather Makers will present three large - scale video works alongside a new print series, weaving together myth and metaphor with scientific research and new digital technologies, The exhibition asks the viewer to consider what the future might look like if we continue on our current trajectory of planetary pillaging and consumption, and why we have allowed ourselves to arrive at such a moment of global environmental crisis.

This is evident in the series of large - scale geological prints installed one - in - front - of - the - other, and designed to be viewed from outside the space's large exterior window.

In another set of interactions, works by the perennially influential Philip Guston appear across three generational shifts: a Social Realist drawing of Klansmen, dated 1930, hangs amid politically progressive paintings by Jacob Lawrence (the great War Series from 1946 - 47), prints by Louis Lozowick, Hugo Gellert and Mabel Dwight, and photographs by Dorothea Lange, Margaret Bourke - White and Walker Evans; his modestly scaled abstraction, «Dial» (1956), is installed between Mark Rothko's imposing «Four Darks in Red» (1958) and Louise Bourgeois» classically phallic «Quarantania» (1941) in the galleries devoted to Abstract Expressionism; and a large, brooding, late figurative canvas of heads, shoes and eyeballs, «Cabal» (1977), turns up beside paintings by artists twenty - five to thirty years his junior, along with one from Cy Twombly, who was two years older than Guston, born in 1911, and one by Alma Thomas, who lived from 1891 to 1978.

In a series of paintings and prints that just arrived at the gallery, the Philadelphia artist works in a more intimate scale.

Daniel Canogar will present «Enredos 1», a large - scale photographic print depicting bodies tangled in wire, while Japanese artist duo exonemo will display works from their series Body Paint.

The exhibition opens on the ground floor with new paintings from Colen's Mailorder series (2015 — 2018) of lush oil - on - linen screen prints, which depict images of clothing from mail - order catalogues, enlarged to a monumental scale.

Other works, including four earlier light pieces and a series of prints, were weaker, partly because they had no force in relation to the overwhelming scale of Aten Reign.

Featured will be new large - scale oil paintings of artists Kara Walker, Laurie Anderson, and Zhang Huan; works from Close's ongoing self - portrait series; intimately scaled portraits of musician Paul Simon and arts patron Agnes Gund; a collection of prints; and immaculately crafted Belgian Jacquard tapestries.

His art contributions include public art messages, large - scale drawings, the Neuf Series acrylic paintings, prints, and a monumental porcelain enamel on steel outdoor sculpture.

Since the late 1990s, Simpson has extended these concerns into a series of film and video installations and large - scale photographic works printed on felt.

«Synthesis» is a series of large scale pigment prints created by combining darkroom chemistry with more exotic elements in solutions and using a 4 × 5 view camera to photograph the often unpredictable reactions that unfold.

The exhibition entitled Bachelors features a series of seven colored pencil portraits, several large - scale paintings on drop cloths, and a group of unique pressure prints.

Beside the software pieces the exhibition also features large - scale and small prints from the series.

On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion piece, an immersive three - channel film installation starring the actress Elizabeth Banks.

More recently Filby has created a series of Mood Boards — large - scale digital prints of collages, which although two - dimensional, explore texture through images of woven materials, basketry and hair.

Accompanying the exhibition's large - scale video works will be Richardson's latest series of chromogenic prints, Pillars of Dawn, which present images of an imaginary desert in which trees and terrain have been physically crystallised by changes in the environment.

Judy Pfaff: Paperworks, Year of the Dog, Pig, Rat, Etc. contains a recent series of small, delicate drawings juxtaposed with large - scale works on paper of varied motifs and prints based on the Chinese New Year that the artist produced at Tandem Press earlier this year.

Also included in the exhibition is a large - scale photograph by Clifford Ross from his 2006 Mountain series, produced from extremely high - resolution digital files in order to make prints that came as close as possible to replicating reality.

The large - scale paintings shown at the Studio 55 gallery in Paris feature the Japanese - born designer in a series of flower - printed kimonos that recall the kinds of prints his label is known for.