Sentences with phrase «scale prints made»

James Cohan Gallery will be exhibiting three new large - scale prints made by the artist in collaboration with Durham Press in Durham, Pennsylvania.

In addition to these striking and beautiful figures, the artist has also produced a suite of large - scale prints made using the same digital scans.

Not exact matches

3D printing, or additive manufacturing, has been used for making prototypes across a range of different industries for many years, but is being increasingly eyed for scale production.

Many corrugated manufacturers are now investing in equipment to make production - scale, digitally - printed boxes with sharper, cleaner graphics on corrugated board than ever before.

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Never before has it been so easy to obtain the instructions, the precursor molecules, and the manufacturing capabilities to produce exotic, unregulated compounds on a mass scale — or print out crude recipes for drugs you can make yourself.

As Canadian classicist A. Trevor Hodge has noted, this overlooked Roman technology «tempts one into speculating how close the ancient world was to making the full - scale breakthrough into printing.»

The washed look and oversized scale of this favorite check print give it modern casual style, and cotton percale makes it a cool, comfy update for your bed.

The washed look and oversized scale of this favorite check print give it modern casual style, while the linen and cotton blend makes it a cool, comfy update for your bed.

The petite scale makes this print a perfect fit for gallery walls and places where space is limited.

The petite scale of this print makes them a perfect fit for gallery groupings and places where walled space is limited.

The key to making these (and any) pattern mixes work is to pair prints of different scale (see pattern mixing 101 post).

The petite scale of this print makes it a perfect fit for gallery walls and places where space is limited.

Although they are small scale tiles, they make up a large graphic print and you wouldn't want anything to fight with that.

Just make sure to select your best colors, and prints and details that are scaled to your body scale.

This large - scale pineapple print shirt from All Saints will make your midsection look smaller!

, I've always appreciated how easy they make it to pattern mix, whether you're looking to dip your toe in via smaller - scale, sedate prints and motifs, or (take a gulp of air and possibly an aspirin) go full - bore with upholstery - scale, kaleidoscopic prints worthy of the Jenna Lyons photo in Duchesse's post (wow, those pants are beyond the pale -LSB-!]

Simply print the table below and make sure that you got the right scale by matching on the millimeter size on Table 3 with any measuring device like a tailor's tape or ruler.

When mixing prints and textures just remember to keep it simple and make sure the two (or three) things you're mixing have similar color stories and are on a different scale (different size patterns).

The chainmail micro-dresses at Paco Rabanne shone like they were made of dragon scales, gowns at Valentino seemed like they were embroidered with sunflares, Michael Kors» tropical prints got a glittery makeover, and photos from the already - sparkly Ashish should have come with sunglasses.

Using a developmental scale, teachers rated students on one component — strategies for making sense of and with print.

For a printed cover, a much higher resolution is needed and you can not simply scale up the existing file and then make changes to it.

So I need a decent - sized file that will print well, as well as make a cover design that will scale to a thumbnail nicely.

The other new feature was a subscription model for companies or users who had a high - volume of content that had to be digitized, making it more affordable on a larger scale; this model also included features such as digitizing back issues of print magazines, an Express Service for those platinum members, and more.

Technological limitations of traditional book printing and binding processes, as well as the economic realities of book production, made small - scale vanity publishing an expensive proposition.

This listing is for a 3D printed 54 % scale sized object that makes it look like a SNES cartridge is inserted into your SNES Classic.

Large scale letterpress print made using a vintage steam roller, commissioned by Ditchling Museum of Art and Craft

McLaughlin made «constructions» to determine the spacing and interaction of forms and to assign colors in advance of making paintings or prints in a different, and often larger scale.

To reach what Ross calls «the essence of my subject,» the artist makes imaginative and inventive use of both traditional and new media, including printing on unexpected surfaces, ambitious computer rendering techniques, and startling, architecturally scaled applications of augmented - reality software.

In the last few years New York - based artist Michael Williams (born 1978) has evolved from making large gestural oil paintings to similarly scaled paintings printed with a billboard - sized inkjet printer.

The announcement for Stubbing's exhibition shows him with two paintings; these atmospheric, often large scale works were lyrical and rhythmic arrangements of palm prints made with Stubbing's hands «saturated like a living palette».

The wide range of references is intriguing, The technical command of the space, and the confidence with which he applies blocks of colour, against a mostly black canvas, and bold and resplendant use of gold leaf, owes something to the great number of large - scale drawings and prints he has made.

Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.

A 45» wide processing sink is available for making large - scale gelatin silver prints.

Reducing his photographic source material to diagonal lines of pastel - colored pixels that mimic driving rainstorms, Zucker makes inkjet prints and transfers them onto large - scale canvases.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

They appear to speak against a set made from large - scale ink - jet prints of the house and grounds glued to cardboard, their backs to the camera or their faces out of focus or cut out of the frame.

The exhibition features some of the artist's most celebrated photographs from the 1920s and 1930s, including large - scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

A swanky jazz doorbell alerted her to our presence at the sturdy doors to her studio, and the artist greeted us in a Depeche Mode T - shirt and Chuck Taylors, in front of a few large - scale paintings, some Pretty / Dirty books printed for the occasion of her solo show, and bowls of pins made for Planned Parenthood that read «Don't Fuck With Me, Don't Fuck Without Me.»

His chromogenic colour prints are mounted on two walls, seeking through their grandness of colour and scale to make paramount the complexity of globalism.

British artist Marcus Harvey made his name at the groundbreaking «Sensation» show at London's Royal Academy of Arts in 1997 with his unforgettable large - scale portrait of serial killer Myra Hyndley, made from child - size hand - prints.

The exhibition features nearly 80 works — large - scale paintings, smaller paintings made on cigar box lids, mixed - media drawings on paper, monotypes, and prints — brought together for the first time to offer a full exploration of the series through the varied media in which Diebenkorn worked.

It resulted in a series of 135 unique CMYK relief prints which together make up a 1:1 scale representation of the floor surface.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.

A founder of both the Minimalist and Conceptual Art movements, LeWitt made sculptures, paintings, drawings, prints, and large - scale installations.

An edition of large - scale, black and white relief prints are made from each matrix.

Whereas such labels are usually printed on throwaway cardboard materials, in a scale that is meant to be detected but not too visible, Elmgreen & Dragset's labels are over-sized and made in some of the most art - historically time - honoured materials, such as marble, paint on canvas, charcoal on paper and enamel paint on metal.

By contrast, abstract work at adjoining galleries — Meg Hitchcock's fine - grained collages made from printed Koran and Torah pages at Studio 10; Andrew Zarou's silvery geometric collages at Robert Henry Contemporary — is characteristic of a kind of hands - on, somewhat hermetic, kitchen - table - scale art that the neighborhood has a lot of.

They are made out of grey - scale digital vinyl prints on lasercut Perspex.

The works range from lithographic adaptations of the Black Paintings (1958 - 59) to magnificent technical experimentations from the 1980s and 90s and culminates with Moby Dick Deckle Edges, nine large - scale prints that make up part of the artist's massive project inspired by Herman Melville's epic novel.