Sentences with phrase «scale sculpture as»

The exhibition will include a recent large - scale sculpture as well as a selection of works on paper.

Spanning Parasol Unit's ground and first floor spaces, the works on view encompass large and smaller scale sculpture as well as a series of works on paper.

In addition, the artist's Sagaponack property features an outdoor «gallery» of large - scale sculpture as well as a drawing studio and two large buildings for cutting and welding steel.

The objects are then re-presented in installations and large - scale sculptures as intriguing visual oddities that remind us of the impact of a globalized consumer society.

Not exact matches

Its 350 acres of winding roads and majestic mature trees — not to mention a spectacular collection of 19th and 20th Century sculpture in the form of crypts, obelisks and headstones — are as picturesque and welcoming as any tract of similar scale in a city or suburban park.

It inspired me to try making jewelry, imagining it as small - scale sculptures.

As a sculptor, my work has been exhibited world - wide, I have been commissioned by international brands, such as Lexus, Ralph Lauren, and Tiffany & Co, and I have created large - scale sculptures on four continentAs a sculptor, my work has been exhibited world - wide, I have been commissioned by international brands, such as Lexus, Ralph Lauren, and Tiffany & Co, and I have created large - scale sculptures on four continentas Lexus, Ralph Lauren, and Tiffany & Co, and I have created large - scale sculptures on four continents.

Madeleine Grynsztejn, the Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA, who is organizing the Tuttle retrospective there, reflects that Tuttle's courage in scale and willful choice of ephemeral material influenced many younger artists, such as Tom Friedman, Jessica Stockholder, Polly Apfelbaum, Jim Hodges, Tony Feher, and Sarah Sze.

Alongside these large - scale paintings will be new sculptures by the artist, as well as a table that has blocks of shea butter on it.

Comprised of a range of works on paper as well as two large - scale sculptures previously shown at last year's Venice Biennale, Moran explores the intersection of American history with that of cultural production — namely jazz and art.

A culmination of five years of self - funded work, Hunter's series centres around a 20 - foot scale sculpture of a child's doll (which you will recognise as Barbie), made of polystyrene and fibreglass that took six months to create.

From 1950 to 1970, Calder's oeuvre took on a monumental dimension as his focus diverted to the creation of large - scale sculptures.

From vast outdoor public sculptures such as the Angel of the North and Mark Wallinger's soon to be realised White Horse to the many projects designed to enliven Tate Modern's vast, bare Turbine Hall, the scale of art just keeps getting bigger.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

This wide - ranging, multidisciplinary category could include art typically defined as sculpture, performance, documentary photography, and even large - scale interventions in both man - made and natural environments, such as wrapping architectural landmarks, or sketches and maquettes related to MOCA Jacksonville's Project Atrium series.

Since 1978, he has worked on an international scale in the arts, catapulted by work with the Spoleto Festival USA, then serving for 16 years as the first executive director of the International Sculpture Center (ISC).

This group exhibition includes a diverse range of materials and medias, such as: painting, photo, video, ceramics, and a new large - scale sculpture by New York - based, Smyrna, Georgia - born Charles Harlan.

Through different medias such as photography, film, and sculpture, Boltanski creates large - scale installations about communal memories and identities.

He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.

The addition of a large - scale sculpture from this period by Nancy Graves, one of the leading artists of her generation, introduces an important woman artist to the ICA / Boston's collection and marks a major contribution to the museum's holdings of sculptures by such artists as Louise Bourgeois, Tara Donovan, Rachel Harrison, and Keith Sonnier.

McCall regards these works as occupying a place somewhere between sculpture, cinema, and drawing: sculpture because the projected volumes must be occupied and explored by a moving spectator; cinema because these large - scale objects are not static, but structured to progressively shift and change over time; and drawing, because the genesis of each installation is a two - dimensional line - drawing.

In 2016, the artist's recent large - scale sculpture Two Orchids, which was originally shown as part of the 56th Venice Biennale in 2015, was displayed in New York's Doris C. Freedman Plaza in Central Park (organized by Pubic Art Fund, New York).

The first part, MANIC / LOVE, featured Wolfson's most recent large scale animatronic installation Colored sculpture (2016), whose red hair, freckles, and boyish look draw associations with such literary and pop cultural characters as Huckleberry Finn and Howdy Doody.

The show, organized by the ICA's senior curator, Jenelle Porter, consists of installations of painted plaster sculptures, as well as cast porcelain and cast paper vessels, an array of large - scale works on paper, and some mouth - blown crystal vessels.

Kerry James Marshall (b. 1955) is known for his large - scale paintings, sculptures, and other objects that take African - American life and history as their subject matter.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

The project will see the implementation of three large - scale public sculptures and installations as part of Treasure Island's slated redevelopment.

He made the ugly pretty, the worthless priceless, and the tragic redemptive; he also helped cement Los Angeles's reputation as an international art hub, especially thanks to his installations that included large - scale drawings and paintings, as well as sculptures, videos, and his own writing.

The fourth floor of the exhibition will feature a number of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).

The evening at Swiss Institute will unfold according to the rituals, choreography and aesthetics of color field painting and strategy games, in which human - scaled objects become pawns in activating their own function as sculpture.

The human scale of this particular Spider creates a sense of preternatural unease, offering a more unsettlingly intimate encounter than larger spider sculptures such as the monumental Maman (1999), one version of which today towers ten metres tall outside the Guggenheim Bilbao.

Much of the artist's imagery is derived from the organic, such as the Anthropomorphic Self, 1978, a cedar and mahogany sculpture of human height and scale suggesting a «biological version of a cylinder.»

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

The gestural abstraction of Yayoi Kusama's ongoing series of Infinity Net paintings and her important large - scale accumulation sculpture Prisoner's Door provides a formal counterpoint to the geometric abstraction of Conrad Shawcross's Perimeter Studies sequence and Plosion sculpture, which take theories of cosmic expansion and contraction as their starting point.

The 2006 sculpture may even stand as his best work, starting with a scale that gives it a life after video of its own.

He draws his inspiration from existing paintings that he likes, and then reinterprets fragments of them — usually faces — as large - scale paintings and sculptures.

Serving as the museum's central gathering space, ICA Miami's new 15,000 - square - foot sculpture garden showcases an annual schedule of major sculptural works by post-war and contemporary artists, including large - scale commissions created for the museum.

Art Museum at the Airport: Sculptor Mati Karmin 15.05.14 — 05.05.15 The old terminal of the Tallinn Airport Estonians know Mati Karmin as the creator of large - scale sculptures, and more than 20 of his works decorate the cities and settlements of Estonia.

Louise Nevelson (1899 — 1988) described her work as existing in «the in - between place» — somewhere between painting and sculpture, demonstrating stylistic influences from both Cubism (structure, form, and monochromatic palette) and Abstract Expressionism (movement, presence, and large - scale compositions).

(2014), a large - scale installation of over 100 doors split and re-joined as A-frame sculptures.

Women like Teresita Fernández, often known for large - scale, public sculptures (and as the first Latina to serve on the U.S. Commission of Fine Arts, as appointed by President Obama), or Jacqueline Woodson, author of the best - selling memoir Brown Girl Dreaming and winner of the 2014 National Book Award.

Including a wide range of media that often incorporate material from actual homes, the exhibition also features several large - scale installations and as well as an outdoor sculpture by Maria Elena Gonzalez.

Brooks has exhibited large - scale installations at Dallas Contemporary, Miami Art Museum, Nouveau Musée National de Monaco, Bold Tendencies London, as well as American Contemporary and the Sculpture Center in New York.

After working as a studio manager with sculptor Thomas Sayre and Clearscapes architecture for five years, he founded McConnell Studios and for 16 years has been producing sculpture, lighting, architectural installations, furniture, and much more at all scales.

The Swiss - born Not Vital (born 1948), who started his career in the 1960s, is known as a versatile artist who boldly expresses his ideas through sculptures, large - scale installations and collages.

He previously depicted food items in pieces such as Pumpkin Sculpture (1998) and the large - scale, cartoonish sculpture Hot Dog Man (2011), and his use of found objects (like the jars and bottles in the «Spill Paintings») started with My Empire (2011), a 6 - foot - tall assemblage of detritus that came from cleaning out hiSculpture (1998) and the large - scale, cartoonish sculpture Hot Dog Man (2011), and his use of found objects (like the jars and bottles in the «Spill Paintings») started with My Empire (2011), a 6 - foot - tall assemblage of detritus that came from cleaning out hisculpture Hot Dog Man (2011), and his use of found objects (like the jars and bottles in the «Spill Paintings») started with My Empire (2011), a 6 - foot - tall assemblage of detritus that came from cleaning out his office.

Regarded as one of the most influential Minimalist sculptors of his generation, he had created more than 50 large - scale and complex sculptures between 1960 and his death in 1980.

Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.

By sharing key stylistic elements in the artworks, such as their frontality, obsession with surface and static quality, the contemporary sculptures echo the mystery and scale of Nevelson's pieces, registering as somber black objects dissolving into complex surfaces.