Sentences with phrase «scale sculpture called»

When in LA... go and visit LACMA — the Los Angeles County Museum of Art with this large - scale sculpture called Levitated Mass..

Not exact matches

Here, bolts of lighting spark from a 1 / 10th scale model of the sculpture dubbed Call Me Ishmael.

A 2005 group show at the Whitney, called «Remote Viewing,» took painting, drawing, and sculpture on the scale of a room — often directly on museum walls.

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

Join Lorimoto, our crowned - monarchs - of - the - outliers, for this high quality and well worth the trip exhibition which will include the large scale drawings of ornate fungus by Alex Chowaniec, paired paintings by Max Yawney, two kinetic sculptures by Charlotte Becket, and a larger than life sculpture called «Chainsaw Blue» by Nao Matsumoto.

Together Oldenburg and Van Bruggen produced three decades of monumental sculpture that Van Bruggen would call The Large - Scale Projects.

Robert Rauschenberg used a stuffed eagle in his 1959 work Canyon, while Damien Hirst shocked the art world with his large scale sculptures that featured taxidermied animals submerged in formaldehyde, calling the viewer to consider his or her own mortality.

«Right now architecture and sculpture are calling to each other, and calling for response that's intelligent, not for more ghastly lumps of sculpture... which have no sense of scale and are just plonked down in public places.»

The large - scale abstract sculpture Celeste (2013), a squiggly tube made of white powder - coated steel and installed outdoors in New York's High Line park, pares the forms of modern art down to their essentials — an attempt to create what Bove calls «generic sculpture.»

In stark contrast, the work of Jean - Marc Bustamante tends towards unpopulated, unremarkable spaces: large - scale photographs of what you might call anti-landscapes, and abstract sculptures made from industrial materials.

Gabriel Dawe is best known for his large - scale woven string sculpture series called «Plexus,» which is the word for the intricate network of nerves and vessels in the body.

When he moved to upstate New York in 1970, Kelly began creating large - scale outdoor sculptures and public art works that appear in museum collections around the world and in public spaces in cities such as Chicago (Curve XXII, also called I Will [1981]-RRB- and Berlin (Berlin Totem [2008]-RRB-.

The artistic career of Tinguely evolved from his «ready made» sculptures of the early 1950s, to the first motor - driven scrap - iron works, called Méta - mécaniques, to more complex moving and noise - making metal sculptures made in the 1960s and 1970s, up to his large scale, monumental mechanical artworks of the»80s,

2010 The Artist's Museum: L.A. Artists 1980 - 2010, Museum of Contemporary Art, Los Angeles, CA Inquiring Eyes: Greensboro Collects Art, Weatherspoon Art Museum, Greensboro, NC XIV International Sculpture Biennale of Carrara, Carrara, Italy 11th Triennale für Kleinplastik (Triennial of small scale sculpture), Fellbach, Germany Contemplating the Void, Guggenheim Museum, New York, NY First Nations / Second Nature, curated by Candice Hopkins, Audain Gallery, Simon Fraser University, Vancouver, Canada Kurt, Seattle Art Museum, Seattle, WA XIV International Sculpture Biennale of Carrara, Carrara, Italy Larger than Life, Stranger than Fiction: 11th Fellbach Triennial of Small Scale Sculpture, Fellbach, Germany Photography, Paula Cooper Gallery, New York, NY Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art, Chicago, IL Shut Your Eyes in Order to See, Praz Delavallade, Paris, France Repetition island, Centre Pompidou, Paris, France Elizabeth Catlett: Call and Response, curated by Isolde Brielmaier, The Bronx Museum of the Arts, Bronx, NY The Narcissism of Minor Differences, curated by Christopher Whittey and Gerald Ross, Maryland Institute College of Art, Baltimore, MD To the Arts, Sculpture Biennale of Carrara, Carrara, Italy 11th Triennale für Kleinplastik (Triennial of small scale sculpture), Fellbach, Germany Contemplating the Void, Guggenheim Museum, New York, NY First Nations / Second Nature, curated by Candice Hopkins, Audain Gallery, Simon Fraser University, Vancouver, Canada Kurt, Seattle Art Museum, Seattle, WA XIV International Sculpture Biennale of Carrara, Carrara, Italy Larger than Life, Stranger than Fiction: 11th Fellbach Triennial of Small Scale Sculpture, Fellbach, Germany Photography, Paula Cooper Gallery, New York, NY Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art, Chicago, IL Shut Your Eyes in Order to See, Praz Delavallade, Paris, France Repetition island, Centre Pompidou, Paris, France Elizabeth Catlett: Call and Response, curated by Isolde Brielmaier, The Bronx Museum of the Arts, Bronx, NY The Narcissism of Minor Differences, curated by Christopher Whittey and Gerald Ross, Maryland Institute College of Art, Baltimore, MD To the Arts, Citiscale sculpture), Fellbach, Germany Contemplating the Void, Guggenheim Museum, New York, NY First Nations / Second Nature, curated by Candice Hopkins, Audain Gallery, Simon Fraser University, Vancouver, Canada Kurt, Seattle Art Museum, Seattle, WA XIV International Sculpture Biennale of Carrara, Carrara, Italy Larger than Life, Stranger than Fiction: 11th Fellbach Triennial of Small Scale Sculpture, Fellbach, Germany Photography, Paula Cooper Gallery, New York, NY Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art, Chicago, IL Shut Your Eyes in Order to See, Praz Delavallade, Paris, France Repetition island, Centre Pompidou, Paris, France Elizabeth Catlett: Call and Response, curated by Isolde Brielmaier, The Bronx Museum of the Arts, Bronx, NY The Narcissism of Minor Differences, curated by Christopher Whittey and Gerald Ross, Maryland Institute College of Art, Baltimore, MD To the Arts, sculpture), Fellbach, Germany Contemplating the Void, Guggenheim Museum, New York, NY First Nations / Second Nature, curated by Candice Hopkins, Audain Gallery, Simon Fraser University, Vancouver, Canada Kurt, Seattle Art Museum, Seattle, WA XIV International Sculpture Biennale of Carrara, Carrara, Italy Larger than Life, Stranger than Fiction: 11th Fellbach Triennial of Small Scale Sculpture, Fellbach, Germany Photography, Paula Cooper Gallery, New York, NY Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art, Chicago, IL Shut Your Eyes in Order to See, Praz Delavallade, Paris, France Repetition island, Centre Pompidou, Paris, France Elizabeth Catlett: Call and Response, curated by Isolde Brielmaier, The Bronx Museum of the Arts, Bronx, NY The Narcissism of Minor Differences, curated by Christopher Whittey and Gerald Ross, Maryland Institute College of Art, Baltimore, MD To the Arts, Sculpture Biennale of Carrara, Carrara, Italy Larger than Life, Stranger than Fiction: 11th Fellbach Triennial of Small Scale Sculpture, Fellbach, Germany Photography, Paula Cooper Gallery, New York, NY Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art, Chicago, IL Shut Your Eyes in Order to See, Praz Delavallade, Paris, France Repetition island, Centre Pompidou, Paris, France Elizabeth Catlett: Call and Response, curated by Isolde Brielmaier, The Bronx Museum of the Arts, Bronx, NY The Narcissism of Minor Differences, curated by Christopher Whittey and Gerald Ross, Maryland Institute College of Art, Baltimore, MD To the Arts, CitiScale Sculpture, Fellbach, Germany Photography, Paula Cooper Gallery, New York, NY Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art, Chicago, IL Shut Your Eyes in Order to See, Praz Delavallade, Paris, France Repetition island, Centre Pompidou, Paris, France Elizabeth Catlett: Call and Response, curated by Isolde Brielmaier, The Bronx Museum of the Arts, Bronx, NY The Narcissism of Minor Differences, curated by Christopher Whittey and Gerald Ross, Maryland Institute College of Art, Baltimore, MD To the Arts, Sculpture, Fellbach, Germany Photography, Paula Cooper Gallery, New York, NY Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Museum of Contemporary Art, Chicago, IL Shut Your Eyes in Order to See, Praz Delavallade, Paris, France Repetition island, Centre Pompidou, Paris, France Elizabeth Catlett: Call and Response, curated by Isolde Brielmaier, The Bronx Museum of the Arts, Bronx, NY The Narcissism of Minor Differences, curated by Christopher Whittey and Gerald Ross, Maryland Institute College of Art, Baltimore, MD To the Arts, Citizens!

«Damaged,» is the artist's first big show in his hometown for almost 10 years and will include over 200 works including paintings, large - scale sculptures, interactive installations, stencils, limited editions on wood and metal — and there's even an accompanying newspaper called «The Damaged Times.»

From his earliest small - scale sculptures to his last monumental works, what Smith called — basic geometric form ‖ was a powerful touchstone for the artist.

Vasconcelos, who makes large - scale sculptures, is considered by some to be the Louise Bourgeois of Portugal — she lives in Lisbon — and her pièce de résistance of recent shows, including one in Portugal that became the most highly attended exhibition for years — is a piece called A Noiva (The Bride), which, from a distance looks like a large, pendulous chandelier.

His large - scale sculptures, called Earthworks, engaged directly with nature and were created by moving and constructing with vast amounts of soil and rocks.

His most famous pieces include his early relief plaques called Medals for Dishonor (1937 - 40), his two series of assemblages called Agricola (1952 - 1957) and Tanktotem (1952 - 1960), his large - scale metal series of sculptures called Cubi (started 1961) and his Voltri - Bolton series (started 1962).

The gallery will present a new group of Bickerton's large - scale paintings called «The Eight Paintings» along with bronze sculptures.