Sentences with phrase «scale sculpture practice»

Three domestically inclined pencil and white acrylic drawings from 1965 — 66 present a link to the surprisingly figurative beginning of Truitt's large - scale sculpture practice, First, 1961, a section of ersatz white picket fencing perhaps plucked from her suburban neighborhood in Washington, DC.

Artist on view Orly Genger speaks about her large - scale sculpture practice and new commission Current, 2014, in the outdoor amphitheater of Laguna Gloria.

Not exact matches

Whether working on the scale of monumental sculpture or de-materialized gesture Martin's practice positions itself at the extreme brink of cognition — how knowledge and wisdom is gained at the close of experience or how life is recognized only at the edge of death.

Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.

Graves's Trace, a large - scale bronze and polychromed patina steel sculpture, is a paradigmatic example of this practice.

Working in a variety of different mediums, Boltanski's practice includes large - scale installations, photographs and sculpture.

The booth will exhibit the full range of Greenbaum's practice, uniting large - scale paintings with drawings, sculptures, and artist books.

Trained at London's Royal College of Art, Heatherwick's practice encompasses projects ranging in scale from very small to monumental, from products to public sculpture to architecture.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Oscar Tuazon creates large - scale sculptures and installations that investigate the physical space and contain references to and elements of Minimalist sensibilities, do - it - yourself aesthetics, and formal architectural practices.

We caught up with Charlotte Colbert during her exhibition for her new installation / large scale video sculpture «Benefit Supervisor Sleeping» and managed to ask a few questions about her art practice.

Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.

Seen by some as a critic of memorial statues that pay homage of individuals of rank and status, as he states, «my practice creates large - scale sculpture with the express intention of undermining them and through humour rendering them dumb and absurd».

This enabled Bourgeois to change the scale of her practice, giving rise to the Cell series, as well her spider sculptures, the first of which was made in 1994.

Eduardo Chillida is widely recognised for his prominent monumental public sculptures displayed throughout Spain, Germany, France and the USA, although his varied and pioneering practice also spans small - scale sculpture, plaster work, drawing, engraving and collage.

As a pioneer of the 1960s Land Art movement, Heizer has created a prolific and ambitious practice encompassing painting, sculpture, and large - scale earthworks.

From iconic photo series to early sculpture and large - scale installation, the works included in this presentation represent the foundations or conceptual departure points that have defined practices and broader dialogues in contemporary art since the 1990s.

Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

The program offers artists an important chance to expand both the scale and the scope of their practice at an early stage in their development while working with new materials and learning about the challenges and requirements of outdoor sculpture.

Similarly, Sheila Hicks broke ground with a studio practice that merged painting, drawing, sculpture and the woven form with architectural - scaled, site - specific installations.

Michael's work has spanned a number of areas — large - scale installations, video, sculpture, furniture, and social practice gestures.

«Domino Kingdom» will feature large - scale paintings and sculptures, although the New York native's practice also spans performance and video.

Unhindered by any hierarchical order of materials, Mason embraced ceramic practice and went on to translate the physicality and intuitive spirit of Abstract Expressionism and other prescient ideas into large - scale clay sculpture.

Lee Bontecou: Drawn Worlds on view at the Menil Collection through May 11th, is the first drawing retrospective for the artist who when «rediscovered» for big museum shows a decade ago was rediscovered for her meaty, muscular work: large - scale sculpture that the artist largely concentrated on between 1958 and 1967 before having a child sidelined the sculptural practice.

The exhibition presents a new series of large - scale «collage sculptures» that mark a departure within the artist's practice.

Working in a variety of different mediums, Christian Boltanski's practice includes large - scale installations, photographs and sculpture.

The floor is adorned in large scale sculptures like «Pretzel Bike» by Catharine Ahearn, a humorous take on the prowess of materiality in an artist's studio practice.

While drawing is at the centre of his practice, the artist also works across an extensive range of media including sculpture, large - scale installation, animation, painting, photography and music.

Emerging in LA's burgeoning art scene in the 1950s, John Mason transcended any hierarchical order of materials to embrace ceramic practice, translating the physicality and intuitive spirit of Abstract Expressionism and other prescient ideas into large - scale clay sculpture.

The exhibition spans all levels of the Hong Kong Arts Centre's Pao Galleries, with paintings, sculptures and a large - scale installation suspended from the ceiling on the top floor, accompanied by studies and reference materials tracing the evolution of Lee's practice on the lower level.

Including drawings, prints, ceramic sculpture, and a large - scale paper installation, «Reverse Reflection Prints and Drawings» reflects the wide range of idioms characterizing Hammond's fluid artistic practice — from intensively representational to abstract, from the concrete to the transient, deeply real and dreamlike all at once.

Her large - scale works were featured in the Prospect.1 International Art Biennial Welcome Center in 2008, and included in the publication 500 Ceramic Sculptures: Contemporary Practice, Singular Work by Glen Brown (2009).

Richard Tuttle commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

Crichton creates large - scale sculptures and installations that investigate physical space and contain references to and elements of minimalist sensibilities, occult aesthetics, and formal sculptural practices.

Her artistic practice combines painting, photography, collage, sculpture, performance, and installation, often on a large scale.

In the decade following the studio's inception, the focus of Random International's artistic practice has continuously evolved and today encompasses sculpture, performance, and installation on an architectural scale.

Large and small - scale sculptures in wood, charred wood, bronze and iron in addition to pigment works on paper, explore the breadth of Nash's established practice with a focus on his three primary materials: wood, metal and pigment.

Walking in the landscape is the basis of Long's practice but over the past 40 years he has extended his concerns to encompass photographic and text - based work, sculptures made in stone and wood, small - scale works using handprints and fingerprints on paper and driftwood, and monumental wall drawings made using mud and clay.

They embrace a ranging spectrum of traditional and contemporary artistic practices from painting, sculpture and photography to large - scale installations.

The artist will speak about the UMFA's newly acquired sculpture, Discarded Memories, and discuss her unique practice of cutting, twisting, and weaving pieces of scavenged car and bicycle tires into elaborate, large - scale sculptures.

Dionisis» Kavallieratos flexible artistic practice includes small and large - scale sculptures in wood, clay or mixed media and drawings in pencil and charcoal.

Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance.

The artist's first major solo exhibition in Canada, Backdrop surveys Anderson's practice in depth, presenting new and recent paintings alongside previously unseen sculptures and photographs in addition to large - scale drawings.

The manner of display often references anthropological study, and Woolfalk's multifaceted practice (including painting, drawing, sculpture, printmaking, installation, video, and performance) accommodates the grand scale of these constructed cultures and landscapes.

Gathering five decades of practice, from early Arte Povera experiments to the enigmatic sculptures created in the 1980s and 1990s, to later installations that balance intimacy with impressive scale, the exposition will survey the prodigious talent and influence of the artist's understudied body of work.

In the main gallery, Price will show three large - scale sculptures that continue the expansion of his practice into more monumental sizes, which he began working on shortly after his last exhibition at the gallery in 2006, in which he debuted his first large - scale piece.

The works selected for Public address this aspect of sculpture as the pieces claim space or territory through size, scale, intensity and sound, among other artistic practices.

Parallel to her painting practice, in the 1980s, Graves was among the avant - garde artists pioneering sculpture in the «traditional» medium of bronze casting, and was awarded major public commissions for large - scale, site - specific installations.

This exhibition showcases the artist's varied and innovative practice through a focused presentation of rarely displayed works, including small - scale sculptures, collages, drawings, and artist books that shed new light on Chillida's enduring fascination with space and organic form.

Now at the forefront of the renewed interest in the evolution of Land Art, feminist and conceptual art practices, Stuart's intimate and monumentally scaled works synthesize drawings with the post-minimalist sculpture and the discourse surrounding site - specific Land Art.