Sentences with phrase «scale sculptures designed»

Not exact matches

From vast outdoor public sculptures such as the Angel of the North and Mark Wallinger's soon to be realised White Horse to the many projects designed to enliven Tate Modern's vast, bare Turbine Hall, the scale of art just keeps getting bigger.
Using custom - designed software, Villareal enlivens his light sculptures with pattern and chance, creating large - scale, immersive environments that are continually changing, and that the viewer experiences by moving through them.
On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.
Associated in the 1960s with Nouveau Réalisme alongside Arman, Christo, Yves Klein and Jean Tinguely and inspired by the designs of Gaudi, Saint Phalle is remarkable for her multi-media approach, from large - scale painted sculptures to enamelled jewellery.
Shepherd has repeatedly redrawn the other muse, the bent plywood Aalto chair, designed to «hold» a body and is thus naturally curved, using the iconic Modernist shape to develop imaginary, human - scaled sculptures.
Designed by renowned artist Frank Stella, the inaugural award is a small version of a large scale star - shaped sculpture that will ultimately be featured in the Besthoff Sculptursculpture that will ultimately be featured in the Besthoff SculptureSculpture Garden.
VMFA's award - winning and light - infused expansion, designed by Rick Mather + SMBW, will provide a dramatic setting for the large scale installations and sculptures by this Seattle - based artist.
Al - Hadid makes large - scale, mixed - media sculptures, and she currently has a solo exhibition at the Savannah College of Art and Design Museum in Savannah, Georgia.
Ai (b. 1957) works in a range of media, including architecture and design, and this exhibition will feature work of the last 20 years, including photography and the large - scale sculptures for which the artist is best known.
The installation will be complemented by a selection of Oka Doner's large - scale sculptures, works on paper, books, and design objects, made with a wide - range of materials.
Tony Delap, Modern Times III, 1966 Wood, fiberglas and lacquer, 32 x 84 x 38 inches March 7 — April 4, 2009 Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the -LSB-...]
With a solo show at L.A.'s Hammer Museum under his belt, the Seattle - born artist shows large - scale objects that balance architecture, sculpture, and installation; surveillance and the utilitarian design demands of the American West are strong undercurrents throughout the work, on view for the artist's first show with the gallery in Paris.
For a new sculpture project he recycles bundled stacks of flattened cardboard into anthropomorphic monsters with enormous googly eyed stares, and the artist's iconic panda returns in large - scale pattern paintings like enormous swatches of custom designed fabric.
OCY: Pipilotti Rist's design includes computer wire or Phyllida Barlow's pieces reminisce her immense scale sculptures of color and form.
[1] Visual Arts: photography, painting, sculpture, design, drawing, printmaking, mixed media, site - specific installations, (required works based on the thematic character of the Festival, preferable large scale projects, acceptable also no thematic proposals).
Paintings, sculptures, scale - models, furniture, posters, films, typographical designs and magazines illustrate the lively international world of art in which various disciplines became increasingly more interwoven.
With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.
[2] More recently, Colson has designed and created large - scale outdoor sculptures.
Filled with light installations, monumental paintings, interactive graphic works and large scale public sculptures, Happy Station is designed to bring playfulness and delight to the day - to - day commute, making it the happiest train station on earth.
Borrowing its title from Anni Albers's 1957 essay The Pliable Plane Antunes occupied the monumental exhibition space with a series of large scale works, two sculptures inspired by Anni Albers's fabric designs, others informed with Lina Bo Bardi's architectural work.
The second addition, originally intended for large - scale sculpture, was designed in a Modernist style by I.M. Pei in 1966 and completed in 1968.
Within the Pop Art tradition, he has created a prolific body of influential work that straddles the worlds of art and design including street art, graphic and product design, paintings, murals, and large - scale sculptures.
Yinka Shonibare's scale model of Nelson's flag ship Victory, sails printed with African textile designs and flying flag signals from the Battle of Trafalgar including «engage the enemy closely», has proved one of the most popular of the fourth plinth sculpture commissions.
Through the section The Cape Reimagined, the brand took inspiration from the scale and form of Henry Moore's elemental sculptures to create unique constructions, with each design made by hand and available to special order.
This featured graphic design and poster art, furniture, stained glass art, batik, metalwork and ceramic art, as well as textiles, tapestry art and some small - scale sculpture.
Traveled to: Denver Art Museum, January 25 — March 22, 1992; Joslyn Art Museum, Omaha, April 9 — March 31, 1992; Pittsburgh Center for the Arts, July 5 — August 23, 1992; The Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, September 5 — October 11, 1992; Telfair Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5 — February 21, 1993 (Catalogue) Group exhibition, Paula Cooper Gallery, New York, September 7 — 28, 1991 Portraits on Paper, Robert Miller Gallery, New York, June 25 — August 2, 1991 Portraits, Linda Cathcart Gallery, Santa Monica, May 1991 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — March 19, 1991.
Like Chris Burden, the performance artist whose retrospective last fall filled all five floors of the New Museum, Oppenheim began his career exploring the aesthetic of self - inflicted pain, and later moved on to large - scale sculpture that straddled art, architecture and landscape design.
The works include large - scale sculptures by Ban - Yuan Chang, self - designed machines of Ting Tong Chang; drawings by Serra Shih; photographs by Ting Cheng and Kuo - Chun Chiu; paintings by Hua Yeh, Peihang Huang, Su Yu - Xin, Mingchun Huang, Kuo - Wei Kuo, Meng Ju Shih and Teng - Yuan Chang; and an installation by Hsaio - chi Tsai and Kimiya Yoshikawa (Japan).
Though many of her earlier pieces have looked to the body to inform both design and scale, these sculptures mark Al - Hadid's first forays into representing the human form.
He has created a prolific body of influential work in the field of street art, design, graffiti, paintings and large - scale sculptures.
The main event at the Biennial, which opens on Sept 6, will be a large - scale exhibition at the Art Play Design Center showcasing the works of all artists invited and will include both graphic work, installations, sculptures and mural painting.
Known for her monumental sculptures in fabricated metal and cast bronze, stainless steel, and steel, Strong - Cuevas creates the models for her large - scale works at her studio and works with fabricators who realize the final design.
Beatriz Esguerra Art will open a pop up exhibition in Dallas» Design District, featuring works by international master Fernando Botero, large scale sculpture by established artists Hugo Zapata and Ricardo Cardenas and noted painter Pedro Ruiz along with select work by three other gallery artists.
Drawn from the artist's residency in Shanghai last year (review: Residency Artist Joshua Nathanson in Shanghai), a new body of works including five large - scaled paintings, a hand - painted mural, a video animation, and a towering 3D - designed sculpture will be exhibited in the gallery, representing a continuation and a twist in the artist's practice — a «scope creep» of his concerns within painting to new surfaces, dimensions, and geographies.
Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the search for beauty in the creation of a simple object.
Influenced by the likes of Louise Bourgeois's giant spider or the massive minimalist sculptures of Richard Serra, the huge installation was designed on a scale that would make it worth taking to the galleries of the world, spreading the information that the Arabic world does, indeed, have a contemporary art scene.
In the 1980s and»90s, Walther drew inspiration from architecture, designing various Configurations composed of geometric fiber sculptures that are installed as clusters on walls or human - scale obstructions protruding from gallery floors.
Stampd produced a series of long - sleeve T - shirts, featuring a design that blends ancient sculptures with geometric forms oddly coming out of their eyes in Arsham's typical gray scale color palette.
After first making modular, serial sculpture, Smithson began to design large - scale earthworks (see land art) in the 1960s.
The release also describes how Booker creates and builds the sculptures: «With the help of her fabricator Alston Van Putten Jr., she uses design software to cultivate an idea and then create a small - scale model.
Oldenburg credited van Bruggen as a full collaborator in the design of his massive sculptures from the beginning of their marriage, although her signature was not officially attached to any of the Large - Scale Projects until the University of Nevada, Las Vegas, commission Flashlight (1981).
Also on view are large - scale sculptures and design works, along with works on paper.
His is a pervasive and instantly recognisable aesthetic that exists across a multitude of forms including canvases, large scale murals (indoor and outside), sculpture, toys, apparel, design, print and people (as tattoos and temporary drawings).
The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.
Tayo Heuser translates the luminosity of Mark Rothko's paintings into three dimensions with large - scale wall - mounted sculptures of glowing, colored forms drawn in ink, designed to rise along the spiral flow of the Goh Annex stairwell.
Commissions include Pennsylvania Convention Center Public Arts Projects, Philadelphia; large - scale site - specific sculpture, GTE Corporation, Irving, Texas; installation: vernacular abstraction, Wacoal, Tokyo, Japan; and set design, Brooklyn Academy of Music.
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