Generously donated by Gordon W. Bailey as part of a major gift to the High Museum in 2016, this work is one of six large -
scale sculptures included in Forging Connections: Ronald Lockett's Alabama Contemporaries, which accompanies Fever Within.
For Space Program: Europa, Sachs presents an immersive installation of large
scale sculptures including the Mobile Quarantine Facility, Mission Control, and the Landing Exploration Module (LEM), as well as a variety of materials and equipment for conducting scientific experiments.
There are also a number of significant new commissions in the ICA's ground floor gallery and surrounding sculpture garden, including a new installation of paintings by Chris Ofili, a large
scale sculpture including a defunct crane by Puerto Rico - based duo Allora and Calzadilla and a bent telephone pole - star by local Miami artist Mark Handforth.
Not exact matches
His recent commissions
include a large -
scale outdoor piece for the Scripps Research Institute in Florida and a
sculpture for Nobel laureate Roderick MacKinnon at the Rockefeller University in New York City.
Another area with museums in a group setting is located around Liberty Station with an emphasis on art and
sculpture to
include the Visions Art Museum, Women's Museum of California, New American's Museum and a variety of smaller
scale organizations with art galleries.
The exhibition features 31 works
including monumental and small -
scale pieces installed throughout the
sculpture park and museum, and is focused on a new commission that resurrects Deacon's 1993 work Never Mind, which has been re-fabricated in stainless steel.
This wide - ranging, multidisciplinary category could
include art typically defined as
sculpture, performance, documentary photography, and even large -
scale interventions in both man - made and natural environments, such as wrapping architectural landmarks, or sketches and maquettes related to MOCA Jacksonville's Project Atrium series.
This exhibition features
sculptures, mixed - media works, and prints,
including «Weight,» 2012 (wood, rope, cotton
scale and miscellaneous objects).
This group exhibition
includes a diverse range of materials and medias, such as: painting, photo, video, ceramics, and a new large -
scale sculpture by New York - based, Smyrna, Georgia - born Charles Harlan.
Bourgeois's diverse practice
included drawings, paintings, textiles, embroidered works,
sculpture, and installations ranging in
scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble
sculpture that is the centerpiece of her exhibition at MASS MoCA.
The second half of his solo exhibition
includes a series of collaborative figurative
sculptures — papier - mâché legs outfitted in Riepenhoff's pants and shoes holding large -
scale paintings by artists from Milwaukee, Chicago, New York, and Atlanta,
including:
It
includes models, sketches, architectural drawings and photographs, along with full -
scale reconstructions of play
sculptures and playscapes.
The exhibition surveys a broad range of inventive methods and materials employed by Rivers over the course of his career, which
includes intimate works of graphite, collage, large -
scale paintings, life - size
sculptures and foam - sculpted relief - paintings.
Highlights of the exhibition
include a Katharina Fritsch
sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober
sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert
sculpture based on his childhood drawings of toy soldiers; a large -
scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.
The selection of works ranges in date from 1997 to the present,
including video and small - to large -
scale sculptures (made of silicone, fiberglass, human and animal hair, taxidermied peacocks, polyester, nylon, wool, plastic and bronze).
Unlimited, curated by Gianni Jetzer, is Art Basel's exhibition platform for projects that transcend the classical art - show stand,
including massive
sculpture and paintings, video projections, large -
scale installations, and live performances.
This large -
scale survey presents Chaimowicz's work in painting, drawing, collage,
sculpture, installation, furniture, lighting, ceramics, textiles, and wallpaper made between 1978 and 2018,
including never before exhibited pieces and three new commissions.
Working in a variety of different mediums, Boltanski's practice
includes large -
scale installations, photographs and
sculpture.
Senior curator Jennifer Powell explains the exhibition will
include «early
sculptures and works on paper from the late 1930s onwards as well as large
scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.
He made the ugly pretty, the worthless priceless, and the tragic redemptive; he also helped cement Los Angeles's reputation as an international art hub, especially thanks to his installations that
included large -
scale drawings and paintings, as well as
sculptures, videos, and his own writing.
Some of his most recent large -
scale public projects
include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic
Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large -
scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).
The fourth floor of the exhibition will feature a number of large -
scale works by Bayrle,
including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic
sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).
Numerous large -
scale solo exhibitions of Paolozzi's work have been presented by museums and galleries around the world
including Cass
Sculpture Foundation and Pallant House Gallery, National Galleries of Scotland, Yorkshire
Sculpture Park, National Portrait Gallery, London, Royal Academy of Art, London, Tate Gallery, London and Pace Gallery.
Presented to the public for the first time, these works
include large -
scale mural and installations,
sculptures, paintings and sketches, which aim to reveal essential paradoxes in international relations, political theory and religious worship.
Other works featured in LIVESupport
include «Church State,» a two - part
sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large -
scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
The collection encompasses works from 1945 to the present,
including major holdings of abstract expressionist painting, minimalist
sculpture, media and installation works, large -
scale and conceptually driven photographs, and an impressive representation of works by emerging artists.
Among other successful sales of the evening was a gray -
scale work by Cy Twombly, a Donald Judd installation, a signature white painting by Robert Ryman and several works by Yves Kline,
including a blue sponge
sculpture and works on paper.
Works on view (until November 27 2016)
include several of Walker's large -
scale print series, cut - steel
sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on contemporary American identity.
The culmination of an 18 - month collaboration with the Collection, it
includes film, large -
scale sculpture and performance exploring the output and legacy of the MI!MS (Maximum Irony!
Serving as the museum's central gathering space, ICA Miami's new 15,000 - square - foot
sculpture garden showcases an annual schedule of major sculptural works by post-war and contemporary artists,
including large -
scale commissions created for the museum.
The artists work in a variety of mediums
including painting,
sculpture, large -
scale experiential installations, live performances, and more recently, virtual reality and animation.
Team will present a curated selection of new work by several artists of the gallery,
including a large -
scale woodcut print on canvas by Gert & Uwe Tobias, an atypical Photoshop gradient by Cory Arcangel, and a recent mixed - media
sculpture by Ross Knight.
This large -
scale survey features work from across an array of mediums and
includes sculptures, drawings, prints and a series of immersive full - room installations.
Curated by New York - based curator Gianni Jetzer, Unlimited is Art Basel's pioneering exhibition platform for projects that transcend the classical art - show stand,
including massive
sculpture and paintings, video projections, large -
scale installations, and live performances.
Including a wide range of media that often incorporate material from actual homes, the exhibition also features several large -
scale installations and as well as an outdoor
sculpture by Maria Elena Gonzalez.
A selection of recent work will be shown,
including three, new large -
scale acrylic paintings, intricately beaded punching - bag
sculptures and wall hangings that incorporate textual statements.
Highlights of the installation
include the diptych slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor
sculpture constructed of many antique prosthetic legs; and a work composed of two large -
scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).
Contemporary
sculpture is a broad and diverse field that
includes object making, large -
scale architectural installation, performance - based work, time - based work, and time - based media.
Located in the former Associate Reformed Presbyterian Church in Uptown Charlotte, McColl Center houses nine individual artist studios, more than 5,000 square feet of exhibition space, and multiple common - use spaces,
including a studio for large -
scale sculpture fabrication.
The exhibition opens on 19th April and marks the launch of Gallery Odyssey in Mumbai and
includes sculptures ranging on a vast
scale in multiple mediums and acrylic paintings.
On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese:
Sculpture focuses on Meese's three - dimensional work,
including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze
sculptures, recent large -
scale ceramics, and models and set designs for theatrical and operatic productions.
Current exhibition: «Jason Moran: STAGED» Through July 30 «STAGED,» the first solo exhibition by the musician - composer - artist Jason Moran, presents objects and works on paper,
including two large -
scale sculptures with audio from Moran's «STAGED» series that were exhibited in the 56th Venice Biennale.
The artwork of Edgar Heap of Birds
includes multidisciplinary forms of public art messages, large -
scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor
sculpture.
The works on display at Lynden
include «Field Study 15: Bur Oak» (2011), a large -
scale sculpture of a branch draped across an architectural steel vessel that occupies much of the gallery floor.
Other highlights from the exhibition
include Michelle Ramin's figurative, watercolor and colored - pencil on paper works and Joo Lee Kang's animalia works of ink on paper drawings, wallpaper installation and large -
scale sculpture.
These
include the New York - based Xenobia Bailey, who is creating a large -
scale crochet and fiber - optic installation at Facebook New York, and Aleph Geddis, who is forging a monolithic
sculpture resembling carved Native American totems, for Facebook Seattle.
Well known for her use of dense patterns of polka dots and nets, as well as her intense, large -
scale environments, Kusama works in a variety of media,
including painting, drawing,
sculpture, film, performance, and immersive installation.
A year after the Whitney Museum's show, a new survey of James Lee Byars (1932 — 1997) on view at Perry Rubenstein, Mary Boone and Michael Werner galleries
includes a careful selection of
sculptures, works on paper, large -
scale installations and a performance.
Her recent large -
scale gypsum and metal
sculptures, small bronzes and drawings are inspired by a variety of sources,
including Italian and Northern Renaissance painting, Gothic architecture and Hellenistic
sculpture.
Through this tight selection of works in three different media (film, video, photography), all operating at varied
scales and timeframes, Shirreff's art offers itself as a meditation on encounter — our encounter with things,
including sculpture, but also with art in the broader sense, art history, photography, loss, and longing.