Sentences with phrase «scale squeegees»

Richter improvised his own means of making such marks using his large - scale squeegees, which he rakes over several painted layers in broad horizontal and vertical arcs.

Not exact matches

Nares simulates in oil a gigantic loose brushstroke, as if he hopes to recover the loving calligraphy that Robert Rauschenberg had erased, Cy Twombly or Sol LeWitt had exorcised, Gerhard Richter had covered up with a squeegee, and Roy Lichtenstein had once parodied on the same scale.

In 1987, Bannard began his «brush and cut» paintings, consisting of large - scale canvases in which he applied transparent tinted gel with large street brooms and industrial floor squeegees to make painted «drawings,» featuring vigorous brushwork and three - dimensional illusions.

Painted the same year the artist first exhibited his large - scale abstracts to international acclaim at Documenta IX, Abstraktes Bild (774 - 4) belongs to a discreet suite of paintings from the early 1990s which are characterized by the broad sweep of Richter's hard edged squeegee.

Presenting multiple exposures fused together, this large - scale work depicts the artist in his studio in Cologne, seated among examples of his squeegee paintings.

In 1987, he began his «brush and cut» paintings, consisting of large scale canvases in which he applied transparent tinted gel with large street brooms and industrial floor squeegees to make painted «drawings,» featuring vigorous brushwork and three - dimensional illusions.

Whitten began his career making large - scale works for which he used a modified squeegee or rake to move paint around the surface of a canvas placed on the floor.

The film focused almost entirely on the world's highest paid living artist producing his large - scale abstract squeegee works in his studio.