Sentences with phrase «scale structure work»

Several essays deal with the early Universe, blending empirical evidence (such as the COBE microwave background data and the large - scale structure work of Margaret Geller) with the inflation theories of Alan Guth and others.

Not exact matches

What are some of the challenges of working with social media, when it comes to large - scale corporate structures?
In addition to the continued drill testing of the main Umwelt and Llama gold structures, drilling will test targets located within significant gold trends where geologic modeling and past work indicates the potential for large scale growth.
This new structure will engage nonprofit intermediaries to help scale employer commitments to internships and other work experience opportunities for new and existing CTE programs.
Now, they've extended that work by designing a computer - controlled process to not only create dense stainless steel layers, but to more tightly control the structure of their material from the nanoscale to micron scale.
Michael Barnhardt, a senior research scientist at NASA ARC and principal investigator of the Entry Systems Modeling Project, said the X-ray work opens a new window into the structure and strength properties of materials at the microscopic scale, and expands the tools and processes NASA uses to «test drive» spacecraft materials before launch.
Start by creating a cadre of new investigators committed to working across professional and scientific boundaries, then build a structure for large - scale research projects.
«There is structure on scales at which the universe is supposed to be boring,» says Subir Sarkar, a theorist at the University of Oxford who was not involved in the work.
«The information collected using this technique can be used to better understand the behavior of concrete when it fails, as well as providing key data for «constitutive» models that are used for designing and determining the safety of large - scale civil engineering structures,» says Rahnuma Shahrin, a civil engineering Ph.D. student at NC State and lead author of a paper on the work.
«If you don't have the component of the work that we provided, there is no way that you can tell from STM alone what the atomic - scale structure of the water is when absorbed on various surfaces» Mavrikakis says.
By combining these with observations from Planck, we can now obtain a link to the large - scale structures of giant molecular clouds,» remarks Timea Csengeri from the Max Planck Institute for Radio Astronomy (MPIfR), Bonn, Germany, who led the work of combining the APEX and Planck data.
Since dark energy works against gravity, more dark energy accelerates the universe's expansion and retards the formation of large - scale structure.
He spent nearly a decade in the Netherlands, where he worked on describing the large scale structure of the universe using the mathematical language of fractals, as well as on software projects for radio astronomy.
Our plans for implementing the proposed initiative will include the following activities: (1) continuing to build their evidence base to understand for whom their intervention works best and least, and in what contexts; (2) refining their program model with a sharp focus on producing the materials that will be needed to achieve successful replication at scale; (3) solidifying the commitment of the selected scaling champions (i.e., the person who will drive the continuing development of the intervention and its implementation at scale); and (4) building the infrastructure necessary to support effective scaling, including the development of a business plan and training support structure, along with the successful navigation of intellectual property issues.
Here, along with colleagues from HGSE, HBS, and HKS, she is engaged in research and teaching that focus on helping entrepreneurial teams both within and outside of traditional district structures scale their work for even greater social impact.
Since the development of the Interim Report, MCPS staff has been working to implement identified improvements in facilities and practices as well as to analyze next steps for structuring larger scale, systemwide recommendations.
Work on the large scale (structure, voice) and small scale (style and language choices) to get your story ready for the world.
With this degree of flexibility you are left to your own devices to experiment with anything you want, whether it be large or small - scale structures, block based reproductions of real world landmarks or even an intricate working calculator through clever use of Redstone, which is essential Minecraft's electrical system.
There were five main environments to play across including the likes of a lush forest full of greenery and treetops, glowing dusty cliffs full to the brim with leaning platforms and wooden mechanisms, and even a huge tower full of scaling structures and strange advanced technology to work through.
Writing a few years ago about the large - scaled, full - bodied works in Voulkos's late»50s solo exhibition in Pasadena, ceramics specialist Frank Lloyd noted, «The structured, volumetric pieces seemed at once raw and primitive, yet forged with a modern sensibility.
McCall regards these works as occupying a place somewhere between sculpture, cinema, and drawing: sculpture because the projected volumes must be occupied and explored by a moving spectator; cinema because these large - scale objects are not static, but structured to progressively shift and change over time; and drawing, because the genesis of each installation is a two - dimensional line - drawing.
Widely recognized for his large - scale, modular works produced throughout the 1960s and 1970s, Smith was included in the seminal group exhibition Primary Structures at the Jewish Museum, New York, in 1966.
Works in various scale create dynamic spatial relationships: a metal structure covered with accumulated bottles sits on the floor, informed by vernacular architecture as well as the cotillion, a social dance originating in France in the 18th century and further developed by African Americans in the United States; and a chandelier of oversized cowrie shells hangs dramatically within a large and site - specific yurt - like structure.
By challenging the rules and boundaries set by artistic institutions, Céline Condorelli (b. 1974), an artist who works between London and Milan, creates large - scale, movement - inducing structures which outline issues of separation, isolation and discrimination.
Her large - scale canvases isolate various graffiti - laden structures or spaces, while some of her smaller works pinpoint the subtle imperfections of spray paint and abstraction.
They still rely on a flattened cubist spatial structure but on a much larger scale and with light flooding the canvases and brush marks recalling American art of the heroic post-war days; recalling, in fact, his own heroic days, for despite an increasingly sure technique, these later works are quieter, blander even, than the assertive and clamorous combines of his early maturity.
Louise Nevelson (1899 — 1988) described her work as existing in «the in - between place» — somewhere between painting and sculpture, demonstrating stylistic influences from both Cubism (structure, form, and monochromatic palette) and Abstract Expressionism (movement, presence, and large - scale compositions).
For All Inside of Itself, Close, Baras continues to work intuitively in her medium while taking an expansive step forward in both the scale and structure of her paintings.
The new work of the British installation artist Mike Nelson is a large - scale sculptural installation that leads the visitor through a dark labyrinth - like structure.
Working predominantly in the USA since the 1960s, Fleischner is known for works made in and on the outdoors, embracing both land pieces and large - scale sculptures in the public realm which explore the relationship between man - made structures and the natural world.
The large - scale work invited curiosity of its meaning... was the five - section structure meant to be a viewed from afar in reverence to something whose time had passed or walked among to see if meaning would seep from its towering walls and purposeful paths.
Meticulously replicating the architecture of the places in which he has lived and worked, such as his childhood home in South Korea and Western apartments and studios, Suh's one - to - one scale translucent fabric structures give form to ideas about migration, transience and shifting identities.
The work Front, conceived by the artist Christian Falsnaes, is a participatory performance in which a large - scale structure is continuously spray painted, torn down, paraded around and subsequently rebuilt into new forms.
Work with artist Emma McGarry to build a collaborative, large scale multi-limbed rhizomatic structure.
The concept for the new work is an open structure paying direct homage to the Matta - Clark work, resembling it in scale and location.
Three bodies of work emerged around this time: the Step paintings, stacked rectangles and squares and irregular ladder - like structures; the horizontal Mobius Band compositions anchored by tiny squares of solid color; and the small - scale Heart Beat paintings, straight lines radiating from a half moon shape and pulsating with energy.
CAPTURE will introduce new works developed by Cocksedge over the last four and half years that push the mediums of light and structure, including a large - scale light installation, a collection of dramatic, seemingly impossible, hand - wrought dome lamps, and Poised, a series of unyielding steel tables inspired by the delicacy of paper.
His large - scale permanent installation at the Chinati Foundation in Marfa, Texas (2001 — 16) is the first free - standing structure devoted exclusively to his work.
The imagery of the gum and eraser sculptures is also manifest in larger single ceramic and bronze works, and latex pieces such as Pink Champagne (1975), a large - scale petal - like structure which in all its fleshy pink and tactile softness becomes a highly sensuous and seductive evocation of the female form.
This suite of new works provides an intimate counterpart to FAILE's recent large - scale explorations of religious motifs while drawing out less obvious threads in their practice, from subtle gradations of color and pattern to a conscious removal of clear identities in order to explore archetypical structures beneath.
Each of them articulates a minimalist aesthetic through abstraction, repetition or interruptions in surface and structure, foregrounding the intention, scale and execution of their gestures as both subjects for their work and as performative records of transient actions or incomplete thoughts.
Sean Kelly Gallery is showing large - scale drawings of monumental archeological structures alongside a playful interpretation of the iconic Russian Embassy in Havana in Lego bricks by the Cuban collective Los Carpinteros and photo - based works by Marina Abramović that document the famous walk she made on the Great Wall of China in 1988 with Ulay, her partner at the time.
Indeed, for Albers weaving and architecture were identical disciplines operating on different scales, both intimately concerned with how «material surface» works with «material structure» to gain an effect, and how the «overlapping of outer and inner characteristics» could be manipulated and crafted.
And yet another large - scale work, Liza Lou's «Barricade,» a curtain - like structure of 24 - carat golden beads on aluminum, amazes Haines: «This beautiful resplendence... to use that materiality for something we associate with aggression and harsh and cold!»
MoMA acquired the work last year, and the wooden structure framing the installation at the museum is a to - scale replica of 303's office.
Scale shifts to create figurative works that meander through space like air conditioning ducts — breathing structures that inhabit and divide a room.
The freestanding structures activate a self - awareness of one's own presence and corporeality in the room enacted by the scale of the works, their horizontal and vertical positions, as well as their spatial configuration which determines one's movements in the room.
Shlian is a guest lecturer and visiting research scholar at the University of Michigan's Material Science Department, where he is currently working on a research grant to translate paper structures to micro folds on a nano - scale.
Paintings, sculptures, and architectural - scale installations are presented in UCCA's Great Hall, organized spatially into an immersive environment that simultaneously contains and is physically structured by these diverse works.
Examining how we define and signify a housing structure, Merz's igloo works are nonetheless difficult to conceive of as part of a home installation themselves, given their scale (the above illustrated example measures roughly 8ft 9in by 16ft 6in by 33ft 8in).
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