Compositions from the early 1970s, larger in
scale than previous work, offer playful variations on numbering systems where the divisions within the canvas followed the Fibonacci sequence of 3,5,8.
With a refined palette limited to umber, cream and white, the paintings are larger in
scale than her previous work with a further commitment to all - over compositions and an emphasis on gesturality.
Be sure not to miss the many
works that have remained in the city following
previous iterations of Skulptur Projekte: Public Toilet Facilities at the Domplatz (2007), a Hans Peter Feldmann - decorated WC; Bruce Nauman's meditative Square Depression (1997/2007), welcoming students to the Natural Science Centre; Rosemarie Trockel's Less Savage
than Others (2006/07), a row of square bushes running along the bank of the Aasee; an untitled
work by Donald Judd, in which two large -
scale concrete rings set the decline of a hill against the resting water level; Hermann de Vries's Sanctuarium (1997), a walled sanctuary and safe haven for wildlife; and Rachel Whiteread's Untitled (Books)(1997), lining the walls of the LWL - Museum für Kunst und Kultur.