With a refined palette limited to umber, cream and white, the paintings are larger in
scale than her previous work with a further commitment to all - over compositions and an emphasis on gesturality.
Compositions from the early 1970s, larger in
scale than previous work, offer playful variations on numbering systems where the divisions within the canvas followed the Fibonacci sequence of 3,5,8.
Be sure not to miss the many
works that have remained in the city following
previous iterations of Skulptur Projekte: Public Toilet Facilities at the Domplatz (2007), a Hans Peter Feldmann - decorated WC; Bruce Nauman's meditative Square Depression (1997/2007), welcoming students to the Natural Science Centre; Rosemarie Trockel's Less Savage
than Others (2006/07), a row of square bushes running along the bank of the Aasee; an untitled
work by Donald Judd, in which two large -
scale concrete rings set the decline of a hill against the resting water level; Hermann de Vries's Sanctuarium (1997), a walled sanctuary and safe haven for wildlife; and Rachel Whiteread's Untitled (Books)(1997), lining the walls of the LWL - Museum für Kunst und Kultur.