Sentences with phrase «scale video pieces»

The young digital artist Tabor Robak has made a real splash in recent years with his large - scale video pieces, which borrow as much from desktop screensavers and smartphone games like Candycrush as they do the storied history of art.

Not exact matches

Amazon Channels are just one piece of the company's ever - expanding portfolio of streaming video content, as Amazon looks to better compete with streaming rivals such as Netflix on a global scale.
On the topic of pixelart, Italian illustrator Totto Renna created this impressive piece, a city populated with familiar video game sprites, a smaller scale version of Gary J Lucken's pixelart poster for Edge susbcribers.
One last step (took forever), each video was processed piece by piece — deinterlacing, cropping out blank borders, scaling the frames for consistency — whenever reasonable, trying to help them look their best.
Five new pieces were created especially for the exhibition, including a large scale outdoor video projection by Tony Oursler; a multimedia project created by Nan Goldin in Ukraine in the lead up to the exhibition; a video by Ai Weiwei; a photo by Sergiy Bratkov; and a performance by Ilya Chichkan.
Entitled «Bruce Nauman: Disappearing Acts» the exhibition chronologically presents Bruce Nauman's video works, drawings, photographs, sculptures, neon pieces, and large - scale installations.
JP: In the video, I had explained that I started making art by painting large works collaboratively with friends and that I had learned a lot by doing that, and I explained how I learned to make a sketch on a piece of paper of the size of a larger - scale drawing on a wall.
The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.
The 2010 exhibition «Ugo Rondinone — The Night of Lead» finally ends this long hiatus, with the Aargauer Kunsthaus serving as the venue for a comprehensive solo exhibition that includes large - scale sculptural works and paintings as well as audio and video pieces.
From the first Gutai Art Exhibition (1955), a large - scale documentary photograph and video of Shiraga's performance piece, Challenging Mud, set the stage for the radical and progressive art in the exhibition.
ARTIST STATEMENT My work explores the space of video installation through the use of often large scale projections that incorporate the physical space, creating immersive environments that trigger an experiential relationship between the viewer and the piece.
In the Black Box or a closed - off section, visitors can see smaller scale pieces, drawings and video works that follow the same theme.
In Utopias, Unmoored, Leinberger creates a series of photographs and videos of small - scale islands of urban settings constructed out of unstable and inexpensive materials — foam, colored paper, wood pieces — in the water.
The piece was originally conceived as a guide to scale for Sperone Westwater to use when installing the videos, and its title is a perfect little mantra for those navigating Basel this week: Walks In Walks Out.
They range from large - scale immersive installations with moving forms that morph to corresponding tonal compositions, to discrete DVD stations inviting viewers to access electronic music pieces in different combinations with videos.
The Rose's exhibition included large - scale canvases like Love and Violence (1965)-- in which a man grabs a woman by the throat, while frames from a horror film unfold below against a blood - red background — as well as photo and video documentation from the 1960s through the 1980s of Drexler's theater pieces, which premiered at such avant - garde New York venues as the Judson Poets» Theater and Theater for the New City.
The piece incorporated branches, wire mesh, fabric, sound and large - scale video projections to envelop visitors into the work and into the environment.
Building its strength in works by the important American artist Bruce Nauman, the Philadelphia Museum of Art has partnered with the Pinault Collection to acquire two video installation pieces: seven large - scale video projections with sound collectively experienced as Contrapposto Studies, I through VII, and a related work, Walks In Walks Out.
Dashiell Manley's solo exhibition at Jessica Silverman last summer, his first with the San Francisco - based gallery, comprised double - sided mixed media pieces and related video projections, a combination that was replicated on a smaller scale in the gallery's solo project booth at NADA Miami 2012.
Other large - scale work will include «The Visitors,» a 360 - degree video projection piece by artist Ragnar Kjartansson, and «Under the Table,» Robert Therrien's super-sized dining table set that dwarfs visitors.
The show consists of recent video pieces and pencil portraits alongside large - scale reproductions of drawings made during the artist's sessions with psychologist Dr. Guttman during childhood.
The exhibition consists of three works: a wallpaper covering the façade of the historic building, a video, projected onto a stage (also to be viewed from the former church's mezzanine), and a large - scale neon text piece.
In addition to large - scale colour photographs, Disputed Territory includes a series of interventions using found photographs, and a sound / video installation piece, Resolution.
Spanning from the mid-1990s to the present, the exhibition unites more than fifty pieces, including Mutu's signature large - scale collages as well as video works, never - before - seen sketchbook drawings, a site - specific wall drawing, and sculptural installations.
Most famous for his whimsical, large - scale installation pieces, Oppenheim has worked with a variety of mediums: from performance and video art, to three dimensional moving machine pieces, and sculptural works employing unorthodox materials.
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