The young digital artist Tabor Robak has made a real splash in recent years with his large -
scale video pieces, which borrow as much from desktop screensavers and smartphone games like Candycrush as they do the storied history of art.
Not exact matches
Amazon Channels are just one
piece of the company's ever - expanding portfolio of streaming
video content, as Amazon looks to better compete with streaming rivals such as Netflix on a global
scale.
On the topic of pixelart, Italian illustrator Totto Renna created this impressive
piece, a city populated with familiar
video game sprites, a smaller
scale version of Gary J Lucken's pixelart poster for Edge susbcribers.
One last step (took forever), each
video was processed
piece by
piece — deinterlacing, cropping out blank borders,
scaling the frames for consistency — whenever reasonable, trying to help them look their best.
Five new
pieces were created especially for the exhibition, including a large
scale outdoor
video projection by Tony Oursler; a multimedia project created by Nan Goldin in Ukraine in the lead up to the exhibition; a
video by Ai Weiwei; a photo by Sergiy Bratkov; and a performance by Ilya Chichkan.
Entitled «Bruce Nauman: Disappearing Acts» the exhibition chronologically presents Bruce Nauman's
video works, drawings, photographs, sculptures, neon
pieces, and large -
scale installations.
JP: In the
video, I had explained that I started making art by painting large works collaboratively with friends and that I had learned a lot by doing that, and I explained how I learned to make a sketch on a
piece of paper of the size of a larger -
scale drawing on a wall.
The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper,
video essays, anthropomorphic sculptures, performative
pieces, and large -
scale installations.
The 2010 exhibition «Ugo Rondinone — The Night of Lead» finally ends this long hiatus, with the Aargauer Kunsthaus serving as the venue for a comprehensive solo exhibition that includes large -
scale sculptural works and paintings as well as audio and
video pieces.
From the first Gutai Art Exhibition (1955), a large -
scale documentary photograph and
video of Shiraga's performance
piece, Challenging Mud, set the stage for the radical and progressive art in the exhibition.
ARTIST STATEMENT My work explores the space of
video installation through the use of often large
scale projections that incorporate the physical space, creating immersive environments that trigger an experiential relationship between the viewer and the
piece.
In the Black Box or a closed - off section, visitors can see smaller
scale pieces, drawings and
video works that follow the same theme.
In Utopias, Unmoored, Leinberger creates a series of photographs and
videos of small -
scale islands of urban settings constructed out of unstable and inexpensive materials — foam, colored paper, wood
pieces — in the water.
The
piece was originally conceived as a guide to
scale for Sperone Westwater to use when installing the
videos, and its title is a perfect little mantra for those navigating Basel this week: Walks In Walks Out.
They range from large -
scale immersive installations with moving forms that morph to corresponding tonal compositions, to discrete DVD stations inviting viewers to access electronic music
pieces in different combinations with
videos.
The Rose's exhibition included large -
scale canvases like Love and Violence (1965)-- in which a man grabs a woman by the throat, while frames from a horror film unfold below against a blood - red background — as well as photo and
video documentation from the 1960s through the 1980s of Drexler's theater
pieces, which premiered at such avant - garde New York venues as the Judson Poets» Theater and Theater for the New City.
The
piece incorporated branches, wire mesh, fabric, sound and large -
scale video projections to envelop visitors into the work and into the environment.
Building its strength in works by the important American artist Bruce Nauman, the Philadelphia Museum of Art has partnered with the Pinault Collection to acquire two
video installation
pieces: seven large -
scale video projections with sound collectively experienced as Contrapposto Studies, I through VII, and a related work, Walks In Walks Out.
Dashiell Manley's solo exhibition at Jessica Silverman last summer, his first with the San Francisco - based gallery, comprised double - sided mixed media
pieces and related
video projections, a combination that was replicated on a smaller
scale in the gallery's solo project booth at NADA Miami 2012.
Other large -
scale work will include «The Visitors,» a 360 - degree
video projection
piece by artist Ragnar Kjartansson, and «Under the Table,» Robert Therrien's super-sized dining table set that dwarfs visitors.
The show consists of recent
video pieces and pencil portraits alongside large -
scale reproductions of drawings made during the artist's sessions with psychologist Dr. Guttman during childhood.
The exhibition consists of three works: a wallpaper covering the façade of the historic building, a
video, projected onto a stage (also to be viewed from the former church's mezzanine), and a large -
scale neon text
piece.
In addition to large -
scale colour photographs, Disputed Territory includes a series of interventions using found photographs, and a sound /
video installation
piece, Resolution.
Spanning from the mid-1990s to the present, the exhibition unites more than fifty
pieces, including Mutu's signature large -
scale collages as well as
video works, never - before - seen sketchbook drawings, a site - specific wall drawing, and sculptural installations.
Most famous for his whimsical, large -
scale installation
pieces, Oppenheim has worked with a variety of mediums: from performance and
video art, to three dimensional moving machine
pieces, and sculptural works employing unorthodox materials.