Sentences with phrase «scale video sculpture»

We caught up with Charlotte Colbert during her exhibition for her new installation / large scale video sculpture «Benefit Supervisor Sleeping» and managed to ask a few questions about her art practice.

«Benefit Supervisor Sleeping», a new large - scale video sculpture by Charlotte Colbert (b. 1985, New York).

Presenting 19 single - channel videos and 9 larger - scale video sculptures / installations, Moving Image has been conceived to offer a viewing experience with the excitement and vitality of a fair, while allowing moving - image - based artworks to be understood and appreciated on their own terms.

Not exact matches

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizatVIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizatvideo, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

The Warehouse exhibitions feature 20 and 21st century sculpture, photography, video, painting and large scale installations by international artists culled from the collection of Martin Z. Margulies.

This group exhibition includes a diverse range of materials and medias, such as: painting, photo, video, ceramics, and a new large - scale sculpture by New York - based, Smyrna, Georgia - born Charles Harlan.

Entitled «Bruce Nauman: Disappearing Acts» the exhibition chronologically presents Bruce Nauman's video works, drawings, photographs, sculptures, neon pieces, and large - scale installations.

While these artists are versatile in their use of a variety of mediums; from works on paper; to large - scale sculptures; to video, it is interesting how performance has been a continuous element in their work.

Showing for the first time at LWP, Silva will present an assortment of 2D collage sculptures and paintings in Gallery Y and a large - scale multi-sensory, multi-media, video animation installation in Gallery X. Featured in Gallery O is...

The selection of works ranges in date from 1997 to the present, including video and small - to large - scale sculptures (made of silicone, fiberglass, human and animal hair, taxidermied peacocks, polyester, nylon, wool, plastic and bronze).

Unlimited, curated by Gianni Jetzer, is Art Basel's exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.

Elizabeth King challenges the idea of radical smallness, exhibiting her half - scale sculptures and stop - motion video projections.

He made the ugly pretty, the worthless priceless, and the tragic redemptive; he also helped cement Los Angeles's reputation as an international art hub, especially thanks to his installations that included large - scale drawings and paintings, as well as sculptures, videos, and his own writing.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

The 2006 sculpture may even stand as his best work, starting with a scale that gives it a life after video of its own.

Works on view (until November 27 2016) include several of Walker's large - scale print series, cut - steel sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on contemporary American identity.

Curated by New York - based curator Gianni Jetzer, Unlimited is Art Basel's pioneering exhibition platform for projects that transcend the classical art - show stand, including massive sculpture and paintings, video projections, large - scale installations, and live performances.

BRUCE NAUMAN: CONTRAPPOSTO STUDIES, I THROUGH VII Seven large - scale projections capture the pre-eminent video performance artist Bruce Nauman walking in contrapposto, the counterpose posture featured in classic sculpture, and revisiting a subject he explored in 1968.

Tim Van Laere, Antwerp sold among others the large scale self - portrait by Rinus Van de Velde at $ 42,000 to an important New York collection, two works of Friedrich Kunath in the price range of $ 30,000 to $ 40,000, and an important video sculpture of Gelitin to a major Belgian collection.

Curated by the Hirshhorn Museum and Sculpture Garden's Gianni Jetzer, the Unlimited sector of Art Basel is a platform for large - scale installations and sculptures, projected video works, live performances, and anything else that can't be contained in the art fair booth.

Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.

Through this tight selection of works in three different media (film, video, photography), all operating at varied scales and timeframes, Shirreff's art offers itself as a meditation on encounter — our encounter with things, including sculpture, but also with art in the broader sense, art history, photography, loss, and longing.

For the third consecutive year, Public will transform Collins Park into an outdoor exhibition space with large - scale sculpture, video, installation and live performance.

Together, they focus on creating small - scale sculptures, videos and performances inspired by changes in communication left undefined by cyber reality.

The recent large - scale retrospective of Mike Kelley's work at MoMA PS1 may have something to do with this: Kelley's stage - set - hybrid sculptures and hysterically melodramatic videos have had a widespread influence on an entire generation of artists.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

Part two of VernissageTV's walkthrough of the Art Unlimited sector with large - scale installations, video projections, and massive sculptures at Art...

The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.

Spanning the gallery's ground floor and first floor levels, it comprises several sculptures, including some neon light works, five large scale paintings on textile and two videos.

Spanning the gallery's ground floor and first floor levels, it comprises several sculptures, neon light works, five large scale paintings on textile and two videos.

Future People, a solo exhibition by Derrick Adams, is a multifaceted experience combining large scale two dimensional works on paper mimicking spaceship windows with galactic scenes, a video projection animating the objects included in the collages, sculpture installation referencing a space station control center, with an added live DJ set component featured opening night and...

This year's edition of Art Basel's Art Unlimited section presents large scale installations, sculptures and videos by artists such as Erik van Lieshout, Daniel Buren, Etienne Chambaud, Anish Kapoor, Vera Lutter, Waltercio Caldas, Cerith Wyn Evans, Jorinde Voigt, Rirkrit Tiravanija, Carl Andre, Fred Sandback, Allen Ruppersberg, Mona Hatoum, Kendell Geers, Sudarshan Shetty, Gardar Eide Einarsson, Christian Andersson, Daniel Robert Hunziker, Lun Tuchnowski, David Zink Yi, Jason Rhoades, and Jennifer Allora & Guillermo Calzadilla.

Featuring large - scale installations, lush colorful paintings, video works, and sculptures from the 21st century as well as an accompanying exhibition of works by Francis Newton Souza, one of the most important 20th century Indian painters, these exhibitions showcase two significant Columbus - based collections, offering an unprecedented look at modern and contemporary art from India.

The exhibition will include Doug Aitken's recent monumental video installation Interiors (2002); large - scale photographs from Fischli / Weiss Airport series (1988 - 1998); Atomium Phi (2004), a light - based sculpture by Carsten Höller; preparatory materials (storyboards, photographs, notes and drawings) for Chris Marker's legendary 1962 film La Jetée; Bruce Nauman's celebrated Green Light Corridor (1970); a large photography and sound installation, Sleep (1999), by Ugo Rondinone; as well as preparatory materials for Ed Ruscha and Lawrence Weiner's 1978 book, Hard Light.

However, this exhibition aims to illuminate both the positive and negative aspects of evolution through a variety of media such as immersive video, large - scale painting, sculpture and installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

The exhibition will occupy the 10,000 sq. ft. second floor of 548 West 22nd Street with large - scale installations, serial sculptures, wall works and videos that traverse the political aspect in art, integrating performative methods and autobiographical, familial content in ways that established a new discourse around identity and dissent at the end of the 20th Century.

Using the mediums of photography, video, sound and sculpture to examine notions of time, freedom, play and power, Gonzalo Lebrija often incorporates the geometry of semi-folded paper planes into his large - scale works, painted over as hardened surfaces.

Dedicated to rigorous and challenging programming, EXPO CHICAGO hosts the / Dialogues panel series, featuring provocative artistic discourse with leading artists, curators, designers and arts professionals on the current issues that engage them; IN / SITU, featuring large - scale sculptures and site - specific works; EXPO VIDEO, highlighting a dynamic screening program for film, video and new media works; and VIDEO, highlighting a dynamic screening program for film, video and new media works; and video and new media works; and more.

As the only exhibition of its kind in California, it brings together more than 120 works by 28 individuals, including large - scale installations, sculpture, paintings, works on paper, wall drawing and photographs, as well as digital and video art.

Benedict Drew (b. 1977) works across video, sculpture and music, creating large - scale multimedia installations which comment on the effects of socio - political and environmental issues.

The exhibition presents approximately 375 artworks, including five large - scale installations at P.S. 1, and explores the full range of Roth's creative accomplishments: paintings, drawings, graphic works, books, sculptures, installations, and film and video works.

The paintings, sculptures, photographs, drawings and videos focus on ordinary objects, such as a brown paper lunch bag, a pink eraser or a 2 - ply, white garbage bag, which are transformed by the artists, who employ unexpected materials or play with scale.

Michael's work has spanned a number of areas — large - scale installations, video, sculpture, furniture, and social practice gestures.

«Domino Kingdom» will feature large - scale paintings and sculptures, although the New York native's practice also spans performance and video.

Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale photographs and sugar sculpture references the history of sugar, race, migration and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to display oranges.

For the fourth installment of this exhibition Laure Prouvost presents The Wanderer (The Storage), an ambitious new installation in which the viewer undertakes a labyrinthine journey encountering mysterious fragments of film, sculpture and signage before reaching a final large scale single - channel video.

Embracing diverse media, Manal AlDowayan's work encompasses black and white photography, sculpture, video, sound, neon and large - scale participatory installations.

Forty works by twenty leading contemporary artists — including large - scale installations, sculpture, photographs, video and tactile interactives — examine how play catalyzes creative expression, enchants the ordinary, and helps us understand ourselves in new ways.

Shahryar Nashat's human - scaled marble sculpture and video Hard Up for Support (2017), which welcomes visitors to the exhibition.