Sentences with phrase «scale woodcuts»

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

Team will present a curated selection of new work by several artists of the gallery, including a large - scale woodcut print on canvas by Gert & Uwe Tobias, an atypical Photoshop gradient by Cory Arcangel, and a recent mixed - media sculpture by Ross Knight.

The series of large - scale woodcut prints will be exhibited locally and internationally, to bring attention to the impact rising sea levels due to global warming are having in Hawaii.

He not only fondly recalls working with Frankenthaler, but also describes in detail the collaborative process involved in creating her large - scale woodcut prints.

Sandow Birk, a guest artist from Los Angeles, is flying here to Dallas and giving an ART TALK at the McKinney Avenue Contemporary (The MAC) about his work and his notable suite of fifteen, large - scale woodcut prints on sekishu paper (each measuring 48 x 96 inches!).

Not exact matches

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

The artists will present a new series of large - scale handmade woodcuts on canvas, mixed media works on paper, and unique ceramic vases.

Lines / Edges: Frank Stella on Paper features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.

Wissemann is known for his large - scale improvisations and transformations of Japanese woodcut prints.

During his time in Paris (1886 — 88) he became fascinated by ukiyo - e, nineteenth - century Japanese colour woodcuts, and began to collect them on a large scale.

His artwork for the streets is grounded in myth, symbolism and poetry and is primarily executed in woodcut, stencil or large - scale charcoal drawings.

While Müller's astounding woodcuts impress with their scale and bravado, those by Alex Katz appeal for their simplicity and intimacy.

In the exhibition Sol och stål — krigarens väg / Sun and Steel — The Warrior's Path, a tension is created between Söderberg's violent, meticulous watercolours based on Japanese woodcuts and the serenity of large - scale abstract oil paintings.

Our good friend Dennis McNett has carved out a vast body of work with his signature woodcut prints: from gallery walls and large - scale museum installations to skateboard decks and graphics.

Admirable examples of woodcuts and mezzotints, for example, share Barbara Archer Gallery with a full - scale medieval - style altarpiece (above) and a video of a portrait screen - printed on a sheet of ice (below).

To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

On Wed, July 6 at 7 pm, Cruz will perform How To Order A Chocolate Cake, in addition to performances by artists Jaamil Olawale Kosoko and David Thomson.To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

These collage / sculptures are shown inside two large - scale vitrines that occupy the center of the space, while Team's second gallery will contain the «exhibition woodcut.»

There are other works (interestingly, many of which spring from the word «train») that retain their ambiguity through abstraction, such as the intensely blue, self - explanatory «AS THE CROW FLIES (the distance between my studio and the Drawing Center (3666 miles) drawn on scale 1/1, 5900000 lines of 39.37 inch» (2014) by Kris Van Dessel; the colorful, hard - edge monoprint silkscreen from the artist known as HENSE, «Shape» (2014); and Carl Fudge's black - and - white woodcut «Bricklayer 1» (2014).