Sentences with phrase «scaled paintings exploring»

His large - scale paintings explore the ambiguous boundaries between religion,...

Her most - recent series of large and smaller scale paintings explore the idiosyncratic qualities of oil paint, unpicking the accepted rules of engagement with this most traditional of mediums.

White's grey scale paintings explore everyday minutiae and hint at something that has happened or may occur.

After successful shows in New York and Finland last year, he returns with museum scale paintings exploring the paradox of the void; the formless form.

Sedrick Huckaby's large - scale paintings explore the artist's personal history and African - American roots.

The resulting large - scale paintings explore color, composition, and mark making through the representation of surfaces at once reflective and transparent, material and immaterial, mundane and magical.

«Known for exhibiting some of Bruce Nauman's earliest shows, the gallery continues to host revered pioneers, like Katherine Bradford, whose recent exhibition of six - large scale paintings explore the vast expanse of space and the beauty to be found inside dark corners of the universe.»

Not exact matches

Born in Columbus, Georgia, Bartlett is acclaimed for his large - scale paintings that explore American life and cultural heritage.

In the 1980s, Katz made a return to landscape in the form of large - scale «environmental» paintings, and has continued to explore these interests up to the present day.

Over the last 15 years, Margot Bergman has explored collaborative paintings with unknown partners, over-painting thrift - store finds, but in this new series of large scale works she has gone it alone: inventing intensely vibrant floral paintings, often featuring a repeated diamond motif, imbued with a lurking sense of menace and comic perversity.

Under their influence, Kline began to move away from the figuration, exploring the new abstract gestural technique on the large scale paintings.

It is believed that de Kooning also impacted him to scale up the work, encouraging him to explore the paintings using an enlarger — Bell - Opticon projector to project a sketch onto the wall of his studio.

Her paintings on paper, scaled to the extent of her body gesture, further explore her reflection on the mechanical and the sensual, and science and alchemy, which also fueled Jarry's thinking one century ago.

Chris Pfister is an American artist who explores themes of industrialization in gray - scale and sepia - toned paintings that recall early landscape photography.

Highlights of the installation include the diptych slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).

Prior to 1950, monumentally sized art was generally reserved for mural paintings in the narrative tradition and abstraction was explored on an easel - sized scale.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Each artist in the exhibition utilizes scale and weight to explore both visual and conceptual implications of depicting the environment: Jane Callister's painterly landscapes deftly intertwine process and imagery; each painting celebrates a material investigation that generates fictional yet enchanting landscapes.

Complementing Griffin's work are Jeanie Gooden's large - scale paintings, which explore the interaction of colors and incorporate a variety of mixed media including handmade paper, metal, and hand stitching.

Christopher Rothko draws on an intimate knowledge of the artworks to present eighteen essays that look closely at the paintings and explore the ways in which they foster a profound connection between viewer and artist through form, color, and scale.

Having abandoned painting for over two decades, Mack resurrected his practice in 1991 and began his Chromatische Konstellation (Chromatic Constellation) series of large - scale paintings and works on paper that explore colour, tonal scale, light, rhythm and abstract patterning, which he continues to this day.

Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

In the 1950s he began producing large numbers of stabiles — large - scale constructions made from cut and painted metal sheets — and simultaneously explored new forms such as Towers (wall - based wire constructions with moving elements) and Gongs (sound - producing metal pieces).

Informed and inspired by nature, his paintings explore pattern ranging from the scales of fish to the flight patterns of birds, as well as derivations of pattern from nature into common, everyday applications such as wallpaper and fabric designs.

Marshall creates large - scale paintings that explore African American culture from the Civil Rights to today, drawing from and weaving a history of black experience into his narratives.

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

Jonathan Chapline, whose work investigates digital aesthetics, will show medium - and large - scale paintings and sculptures that further explore how technological developments impact the ways we mediate the world around us.

Working at the intersection of drawing, painting and photography, David A. Douglas creates large - scale works that explore the power of place.

Born in Tupelo, Mississippi and raised in Louisville, Kentucky, Gilliam has been based in Washington D.C. since the early 1960's, and is part of a generation of Washington - based painters who have explored the boundaries of color, scale, and shape in painting.

Her practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.

Exploring deeply personal themes, these large - scale paintings maintain a sense of intimacy and purpose as the figures interact within an increasingly complicated world.

Weintraub explores potentials for the future of humanity through large - scale hyper - colored narrative paintings, which are saturated with information and describe a world where morals have fallen and children act without consequence.

While works of Daniel Richter or Wolfgang Tillmans explore the idealized, imaginative space of sexuality, Georg Baselitz stresses the ambiguous presence of bodily decay in his large scale painting Bilddrei from 1991.

Tony Delap, Modern Times III, 1966 Wood, fiberglas and lacquer, 32 x 84 x 38 inches March 7 — April 4, 2009 Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the -LSB-...]

The exhibition presents approximately 375 artworks, including five large - scale installations at P.S. 1, and explores the full range of Roth's creative accomplishments: paintings, drawings, graphic works, books, sculptures, installations, and film and video works.

De Kooning / Dubuffet: The Women (1991) was the first full - scale exhibition to pair both artists» series of women, painted almost simultaneously on each side of the Atlantic; De Kooning / Dubuffet: The Late Works (1993) explored affinities in the final works of the artists, and Willem de Kooning and John Chamberlain: Influence and Transformation (2001) examined two Abstract Expressionists working across generations and mediums.

This large - scale retrospective — the artist's second posthumous exhibition in India — of 135 drawings, paintings, and photographs by Karachi - born Nasreen Mohamedi (1937 — 1990) stands out among a trio of shows the museum has ambitiously organized to explore links among artwork by women of South Asian descent over the last century.

Focusing on the Mayflower voyage along with themes that echo Plymouth's rich past, her large scale figurative paintings explore the shifting perception of history across the ages.

This installation view of the Larry Gagosian Gallery exhibition Rauschenberg: The White and Black Paintings 1949 — 1952 (April 18 — May 31, 1986) shows the range of scales and surface textures that Rauschenberg explored in his Black pPaintings 1949 — 1952 (April 18 — May 31, 1986) shows the range of scales and surface textures that Rauschenberg explored in his Black paintingspaintings.

In the 1980s, Katz made a return to landscape in the form of large - scale «environmental» paintings, and he has continued to explore these interests up to the present day.

Curator Sarah Roberts explores Joan Mitchell's vibrant large - scale painting, Bracket (1989).

Christina Pettersson's work explores resurrection and savage demise on a grand scale once reserved for history painting.

The artist's new paintings more closely examine the organic and unpredictable aspects of the built environment and explore the subject at a scale that is both personal and engaged.

Giles Lyon is known for large - scale, pop surreal paintings: comic book abstractions that explore themes of interconnectivity and imminent ecological collapse.

These plays between inside / outside, mind / body, felt / seen are explored throughout the exhibition, including in the nearby Listening to Haruki Murakami while looking at a sunset (2016), a network of squares painted in a palette of soft peach and gray acrylics, realized at the same scale.

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

In her often large - scale works, Alejandra Seeber (* 1968, Buenos Aires, BR, lives in New York, US) explores the diverse possibilities of painting in between figuration and abstraction.

Emblematic of Wylie's tendency to work across multiple canvases, this work elaborates on her series of large - scale monochromatic paintings that utilized the forms of animals to explore the conventions of painterly abstraction.

(New Orleans, LA)-- Featuring installations, paintings, sculpture, photography, drawings, and video, Lifelike explores how artists from around the globe use scale, unusual materials, and sly contextual devices to manufacture «authenticity.»

Personal and political themes are explored in a new series of large - scale tar paintings, where rubber and tar is applied to wood panels creating monochrome, textural compositions.