Sentences with phrase «scaled wall works»

These interests have remained central to his practice and extend into the large group of modestly scaled wall works made between 2002 and 2011, which contain not only the metal tool parts and carved wood found in much of his oeuvre but also symbolically loaded materials such as human hair and the asafetida bags traditionally worn on the body to ward off disease.
In recent years he has adapted the process to canvas and large - scale wall works, such as Blue Field Explosions (2009), a monumental drawing in the stadium that is home to the Dallas Cowboys.
These large - scale wall works blur the boundary between human form and the museum building.
Wurm's well - known sweater pieces, in the format of large - scale wall works, blur the boundary between human form and the museum building.
Recent exhibitions include: Jancar Gallery, Los Angeles, CA; Cue Art Foundation, New York; LAXART, Culver City, CA; and large scale wall works for the Hagga Gallery in Descanso Gardens, La Cañada Flintridge, CA, and collaborations with Kim Schoenstadt, for the Urban Institute of Contemporary Art, Grand Rapids, Michigan and the Los Angeles International Airport.
His large - scale wall works are highly unique and combine artistic aesthetic reminiscent of the abstract expressionists with the handmade technique of fine craftspeople.
Henderson's large - scale wall works have incorporated materials such as lead and treacle in installations which are rooted in visuality.
At The Armory Show, he presents large - scale wall works inspired by online word searches and children's puzzle books.

Not exact matches

When I did, I was more assertive — not always with the people who worked for me (on a scale of soft to hard leaders, I wasn't a marshmallow but I definitely wasn't a stone wall), but definitely with the people I reported to.
You need to start small on each new project and be ready to scale swiftly if it works or abandon it as soon as the handwriting is on the wall.
«We don't have this wall of secrecy that we had at one time,» said Kalvoda, who previously worked at fund - of - hedge - funds Collins Associates Inc. and Citigroup Inc. «We're a block of investors working together with more scale
I was inspired to make my own mini wall terrariums when I saw the work of Kim Fisher, who creates vertical wall planters on a much grander scale.
During the evening, the team highlighted the GM's work to support communities across the Sahel in climate resilient development, as part of the Great Green Wall initiative and its efforts to scale up the Great Green Wall Initiative, to jointly «Grow a World Wonder», since the Great Green Wall is part of the solution to many global challenges, including food security, conflict prevention and environmental migration.
Another factor is that the trailers and other advertisements leading up to the release of the film already show you the climaxes of the best scenes, from the aforementioned traffic jam, the zombie horde working in unison to scale a great wall, as well as jumping onto helicopters that foolishly get too close.
Director Jodie Foster and three writers (Jim Kouf, Alan DiFiore, Jamie Linden) scale things way back to show the effects on a single, working class man... and how Wall Street and the media conspire to make it hard on us little guys.
Most companies that started out between 2009 - 2014 have run into one of a number of walls related to scaling — they couldn't capture enough share to make publishers interested, couldn't get big enough to keep investors interested, tried out a business model that didn't work, couldn't raise cash after VCs moved on from ebooks to the next shiny thing, or their parent company didn't see a path to profitability and decided to wind down.
There are work - arounds that you can use if you're a Chinese national who's interested in avoiding censorship — an act known as «fan qiang,» or «scaling the wall» — and though it's not common (and many Chinese aren't even aware of the censorship) it does happen.
Created by sculptor Sue McNeil Jacobsen, Cassie — who had a water bowl of her very own installed four years after her unveiling — shares the street with several animal friends, including a bronze squirrel by Raymond Hunter which is permanently perched on an inviting bench; Fly: The Squatter, a work by Rich Branstrom which watches the world go by from its position on an alley wall; and Ascending bronze frog by Tim Foley, which sharp - eyed sightseers can spot scaling a brick building.
Throughout Rosewood Sand Hill, a captivating collection of Northern Californian art graces the walls, including contemporary paintings, works on paper, fine art prints and photography with several large - scale, specially - commissioned pieces showcasing the region.
It might take a couple of moments of pop - in to display this to you, but it's worth it when you realise the wall you're currently scaling actually looks rather detailed, littered with cracks and uneven brick work.
Long stuffed with uranium magnate Joseph Hirshhorn's tabletop bronzes, the Brutalist doughnut's interior corridor gallery is now the site of large - scale, long - term wall works.
I have some intriguing private commissions coming up and a couple of really large projects for autumn 2018 that sadly I'm not at liberty to release information about yet, but suffice to say that my developments in thatch on a larger scale are hopefully set to continue, and I'm also slowly developing new designs for very large sculptural forms using a dry stone walling technique (potentially working with a small team of dry stone wallers) but my projects and locations of new works won't be formally announced until early 2018.
Instead, you can usually find her creating large - scale typographic murals on gallery walls, creating gorgeous work for brands like Volcom, and serving up regular inspiration on her Instagram (@mrseaves101).
The show presents new works, many of which take the form of large - scale yarn compositions wall mounted on wooden stretchers.
Bounded on the west and north sides by towering glass walls overlooking Boston's skyline, the east side displays Sandra and Gerald Fineberg Art Wall, featuring large - scale works by leading contemporary artists.
The white and black marble offers densely unforgiving and pure works, both majestic and domestic in scale, that sit among wooden wall relief works.
site specific installation directly on the gallery walls; a further three large scale works and a number of smaller scale works, enjoy learning more about the collaboration between artist, curator, and institution as well as the artist's vision, process, and creativity.
He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.
Organized by Kunstsammlung Nordrhein - Westfalen and Tate Modern, this retrospective of the work of Anni Albers will take in the full range of the artist's career, from small - scale works to wall hangings and the textiles Albers designed for mass production.
In part a celebration of the artist's 75th birthday, the show boasts drawings, sketches, and architectural models in addition to numerous large - scale works, and offers a unique viewing experience as well — Stella staged the exhibition himself, making the most of the museum's customizable, flexible wall system.
In 1954, Rothko spoke of the desirability of showing his work in domestically scaled spaces: «By saturating the room with the feeling of the work, the walls are defeated. . .»
It is believed that de Kooning also impacted him to scale up the work, encouraging him to explore the paintings using an enlarger — Bell - Opticon projector to project a sketch onto the wall of his studio.
We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.
A new series of wall - based works — featuring enlarged scans of halftone book reproductions printed on sheets of aluminum and layered in informal compositions — will be on display alongside large - scale cyanotype photographs.
Sandback's «leaning» works, in which lengths of yarn are suspended diagonally between wall and floor, appear to fundamentally alter a space, while his floor - to - ceiling screens, varying in scale to engage the potential of each space, possess an architectural presence.
The State of New York Painting: Works of Intimate Scale by 26 Colorists, curated by Michael Walls, Kingsborough Community College, Brooklyn, NY
Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.
Within the gallery, the small scale works placed on the floor and walls reveal the ritual behind imagery and immediately reminds of artist Jeremy Everett who also works with the idea of loss and ruin.
The exhibition also includes an installation by Matthew Barney; animations by Jim Campbell, John Gerrard, and Takeshi Murata; and video works by Rivane Neuenschwander and Cao Guimarães, and Nicole Miller; as well as contemporary photography, including a large - scale work by Jeff Wall and a series by Cindy Sherman.
Inside the museum, the radiant, soaring volumes of church sanctuaries will find an equivalent in a toplit central hall, with ample wall area to install large - scale works of art.
The exhibition will feature four large - scale site - specific works in addition to wall hangings, sculptures, and prints.
Because the large - scale, brilliant - hued earliest works need plenty of white wall, the show is hung in reverse, starting deep in the space and moving chronologically toward the door.
Tess Jaray RA has chosen to hang the walls of the grand Gallery III with small - scale works to showcase emerging talent
A selection of recent work will be shown, including three, new large - scale acrylic paintings, intricately beaded punching - bag sculptures and wall hangings that incorporate textual statements.
Woman I (1950 - 52) is given a wall, but the spot it occupies in the narrative marks the point in the show where the installation becomes confusing, loses concentration, and where large rooms turn into vast halls where even great works seem like orphans (the scale of the David Smith and Franz Kline room does these artists a disservice as the temperature drops and the corporate quality rises although the same works in another context would feel very different).
In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7
Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.
JP: In the video, I had explained that I started making art by painting large works collaboratively with friends and that I had learned a lot by doing that, and I explained how I learned to make a sketch on a piece of paper of the size of a larger - scale drawing on a wall.
Harmonic Distortion is comprised of an eponymous series of large - scale sculptures, a further series of wall - based works, and a performative piece inspired by Shibari, a ritualised form of erotic bondage that will incorporate drawing and original music.
The TM Sisters collaborate in video, performance, large - scale installation, and two - dimensional works to break the walls of time, tense, and consciousness.
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