Sentences with phrase «scaling the wall find»

Not exact matches

If you've already started a business and are finding it hard to scale, or you've hit a wall and aren't sure how to reinvent yourself, don't be discouraged.

I just found out that a dear pastor friend of mine died in December without ever succeeding in scaling that wall, much less, tearing it down.

In addition to the potential for tick mapping and greater understanding about what is perceived to be a rise in the risks to dogs and people from Lyme Disease, the emergence in four dogs in Essex of babesiosis, a life - threatening disease transmitted to dogs by infected ticks usually found in Europe, has highlighted the need for a major investigation on the scale of the Big Tick Project, says Professor Wall.

After finding his target, Bayek did some classic Assassin's Creed platforming, as he scaled a wall before taking out an enemy with his bow.

The puzzles start out nice and simple, challenging you to do nothing more than perhaps scale a wall and push a button or find the location of a shadow bomb with which to blow up some Corruption blocking your way.

These puzzles typically involve commanding Trico so that he can allow you to access higher platforms, scaling walls, knocking down barriers, avoiding enemies, finding hidden levers or pulleys to open doors, and using Trico's animal instincts to manipulate situations so that you can reach new areas (e.g. putting an apparently irresistible pot of blue goop in a very specific place so that Trico will stand beneath a ledge that you need to reach).

It seemed like every road I found that might lead to me making games had a brick wall I could never scale.

Instead, you can usually find her creating large - scale typographic murals on gallery walls, creating gorgeous work for brands like Volcom, and serving up regular inspiration on her Instagram (@mrseaves101).

Inside the museum, the radiant, soaring volumes of church sanctuaries will find an equivalent in a toplit central hall, with ample wall area to install large - scale works of art.

High up on the gallery walls, illustrations from pages of Teaching the Language, a 1960s children's textbook issuing instructions on social codes of behaviour which Ondak found in a second - hand bookshop, are reproduced on a huge scale.

Their textured surface bears similarity to the fresco - like quality found in his quintessential large - scale wall drawings and murals, currently on view in an extensive 25 - year exhibition at the Massachusetts Museum of Contemporary Art (Mass MoCA, North Adams.)

These interests have remained central to his practice and extend into the large group of modestly scaled wall works made between 2002 and 2011, which contain not only the metal tool parts and carved wood found in much of his oeuvre but also symbolically loaded materials such as human hair and the asafetida bags traditionally worn on the body to ward off disease.

Ilene Sunshine brings the outdoors in with her use of twigs and branches and cleverly reimagines the detritus of found plastic bags in a colorful large scale site specific installation which bisects the gallery space creating a wall «of air» and pays homage to and playfully subverts formal concerns of mid century modernism and color field painting.

In the end though, we found a wonderful film L.A.X. by Fabrice Ziolkowski, which is projected on the wall to function as the signature large - scale work in the Los Angeles section of the exhibition.

From Rock founded place we might move to consider a small - scale abstract painting such as Dreams of no thing, no time (2014), the enigmatically diagrammatic steel construction Somewhere between Andromeda and Vulpecula: Sky Atlas (2014) or Fourfold sorrows (Jesus you look so sad)(2015), an impressive woven carpet connecting wall to floor.

The artist's sad - eyed characters, painted as large - scale figures on the walls or as miniature versions on his found objects, voice the burden of deep existential uncertainty in a culture organized around economic and ethnic inequality.

For all these references to the scrappy history of conceptual wall art (not to mention the plaintive Willie Nelson song from which it draws its title), «Hello Walls» is ultimately a show that's tailored to the current moment in Chelsea — which is to say, some of its wall paintings find artists doing what they normally do on an inflated scale.

Katz's love of contrast recently found large - scale expression at the U.S. Embassy in Azerbaijan, where nine smaller pieces make up a wall installation that brings placid, minimalist pleasure to an undeniably hectic place.

Also on view will be a large - scale wall collage on vinyl of imagery, both invented and found, that will be created specifically for the Kresge Gallery exhibition.

On the opposite wall is a large - scale painting by Sterling Ruby — another artist with an almost mythological persona — incorporating scraps of found fabric, and perched on a plinth, under a museum - style vitrine is a work by Cyprien Gaillard called Untitled (Tooth), 2013: literally one tooth from the giant maw of a mechanical digger, transformed by this transposition into a somehow hieratic little figure.

Founded by curators Emma Clough and Jess Carroll, it's a unique entry in the commercial gallery scene thanks to its small scale and non-traditional walls.

Vicuña utilizes found objects culled from walks along the deltas, beaches, waterways, and streets of the Louisiana coast in her large - scale installations that stretch across the floor of the gallery, such as Balsa Snake Raft to Escape the Flood (2017), and small - scale visual configurations, such as Precarios (2017), made up of 117 found - object sculptures that spread discursively across the walls of the gallery and operate as thoughtful meditations on the uncanny beauty of this natural and artificial sea - detritus.

Bradford is best known for his large - scale collages made from the crusty build - up of tattered posters and flyers he finds stuck to walls on the streets of Los Angeles.

Norman Zammitt Artforum International; March 1, 2013; King, Jennifer; 700 + words LOS ANGELESNorman ZammittCARTER & CITIZENHere's a telling anecdote about Norman Zammitt's large - scale paintings: His monumental North Wall, 1977, which featured prominently in the J. Paul Getty Museum's «Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950 - 1970,» was found

High up on the gallery walls, illustrations from pages of Teaching the Language, a 1960s children's text book issuing instructions on social codes of behaviour which Ondak found in a second - hand bookshop, are reproduced on a huge scale.

It is this understated cadence that McGee will offer viewers in Department of Neighborhood Services including a large - scale multiple panel painting featuring Op art abstraction, geometric shapes, and words rendered in a variety of letterforms; a signature wall cluster including photographs of urban desolation, graffiti documentation, and McGee's delicate drawings of faces and figures; and, finally, a sampling of found - object sculpture transformed into polychromed vessels.

Initially conceived as a personal project on the walls of Sorrenti's New York loft, the material in Draw Blood for Proof eventually found its way onto gallery walls as a large - scale installation piece in 2004.

«I just couldn't find any more walls that were the right scale — that were big enough to do what I wanted with them»

I have a two - story family room and although it makes the small space look much larger, I have a hard time finding the right scale for wall decorations, I completely avoid repainting because it's so difficult, and it doesn't feel homey like a family room should.

Find a favourite picture and have it made into a large - scale print, flyposter or wall decal.