Only one work shone out of the blur — Florine Stettheimer's masterpiece, Asbury Park South from 1920 (a painting
scandalously deaccessioned by Fisk University in 2012) in a group exhibition organized by Jeffrey Deitch that orbited and created a lot of visual noise around it in a manner both consistent with Stettheimer's aesthetic of excess and disruptive of the ability to properly view her painting.