As Linda Norden writes in Parkett # 62: «The «Bumstead» paintings — whether detailing scenes of domestic misunderstanding, zooming in on off - camera moments of bafflement or simply
scanning empty halls and walls for private memories — are excruciatingly specific representations of the gulfs between feeling and comprehension... smart, funny, startling, irreverently empathetic, and often heartbreaking, they are a welcome antidote to more laborious discourse.»