Walker Evans» Erosion Mississippi (1938) documents the rural landscape in the United States during the Depression, while Aaron Siskind's images of
scarred urban walls recall abstract expressionist painting.
As one walked around and under Provisero's stark projectile - shaped forms, poking through
walls or crashing into and then erupting out of the concrete floors, they conjured the image of a
scarred urban battlefield or of a construction - site implosion.