Sentences with phrase «scene as a blood»

Her husband described the scene as a blood bath / massacre situation.

Not exact matches

Raised above This scene of bleeding spirits, I can make No sign of recognition or concern Except to speak out from My wooden stake And give them to each other, for I yearn To show the world how caritas unties The bond of blood and flesh, and doing so, Entwines a new knot even as it dies.

In the course of the trial, the prosecution tendered in a post-mortem report of the MP, Forensic DNA Report, Blood stained T - shirt of Asiedu, a knife used by Asiedu, the three iPhones of the deceased, Asiedu's pair of slippers which he left at the crime scene, his prison records, and radiology report determining his age, his medical report, all as evidence to prosecute him.

«As we speak, we have swabbed a sample from the scene and it appears the sample looks like semen alongside some blood traces also at the scene and that is going to assist us in our investigation.»

The technique is central to the human genome project — the drive to map and decode human DNA — as well as for forensics, where unique patterns of DNA fragments extracted from blood or semen are used to link suspects with the crime scene.

Crime and intrigue permeated the air at the Mary and Jeff Bell Library on April 11, as students were welcomed by a gruesome scene: weapons, blood and personal effects scattered across the ground and a woman — dead — at the table in the center of it all.

Fresh blood isn't only welcome and promising from a behind - the - scenes perspective; it can give the onscreen story a sense of vibrancy as well.

The series certainly hasn't featured nearly as much spilled blood as it does here, and though it's true that the films have continued to get progressively darker and more adult as they've gone along, it's admittedly still a little shocking to see such creepy imagery on display — particularly a scene involving a disgusting fetus with Voldemort's likeness.

With exclusive behind - the - scenes access that reveal the pop icon and her legion of dancers as they pour blood, sweat and tears into creating an astonishing arena show celebrated by fans around the world.

We hear that a man was assassinated and then see it played out in a later scene; the man is stabbed in the stomach, he falls to the ground (we see blood in his mouth and on his stomach), and another man holds him as he dies.

The greatness of Django Unchained, however, comes not from its nods to Corbucci and Leone, its prodigious reliance upon Ennio Morricone compositions, its deliciously evil villains, blood - spattered vengeance or comic inserts (though an early scene in which the newly freed Django picks an outfit to pose as Dr. King Schultz's valet is endearingly funny).

VIOLENCE / GORE 6 - In three scenes, one man shoots another man between the eyes below the frame; we see the gun aimed at the forehead and the camera pans upward to hide the victim as we hear a loud shot each time and after each shot, the camera cuts to a long shot of each victim, lying on one side with the head hidden behind the body and no blood flow is seen.

As expected, there are scenes of gushing blood, but it's not hyper - violent, save for one fighting scene in which more is implied than shown.

1) A childhood scene that delivers a revelatory insight on the psychological identity of one or several main characters, as seen in «the blood stays on the blade» opening of Gangs of New York; the bathing scene in The Aviator.

Jacques Audiard's clever use of magic realism allows us to glimpse Malik's inner struggle with his own humanity as we return to the scene of his first hit — a disturbing quasi-religious baptism of blood with a razor.

Here is the story of a man whose first pivotal memory is as a young servant picking cotton at a farm in the South, helplessly watching his father being murdered in cold blood for daring to call out the owner for raping and beating his mother, and whose final scenes in the movie see him visiting the White House after voting for the first African American President of the United States.

One of Spot's first scenes actually showcases him biting the head off (keep in mind there is no blood and it is done as cartoonish as possible) of a woodland animal in order to show Arlo what lengths one must go to in order to survive and stay fed.

In a unique turn, Max is sidelined in one of the first major action scenes as he's tied up to the front of a vehicle driven by Nux (Nicholas Hoult), one of the members of Joe's army who is using Max for a blood transfusion.

One of the first things you will likely notice is the red filter that is backlit on many scenes, especially early on, as if to foreshadow the blood bath that is about to occur.

Family viewers will need to weigh in these great messages against some content concerns that may be too intense for young viewers, such as the aforementioned boxing violence (some blood is shown) and bothersome scenes of Satterfield being beaten up by kids having «fun.»

Though «The Handmaiden» has just a few gory scenes, one involving the flow of blood from a woman who at least poses as a virgin, another being an extended scene of torture involving the cutting off of fingers and a hand.

Blood is sometimes included, as in a scene near the water where it begins to tint the ocean.

The climactic scene in «Harry Potter and the Half - Blood Prince» takes place in one of those underground caverns with a lake and an ominous gondola as the means of transportation, popularized by «The Phantom of the Opera.»

In scenes such as this, the story doesn't shy away from graphic displays of blood so audiences should be prepared to flinch for a few seconds before they laugh at the pure insanity of it all.

But if there's any one scene that defines «The Thing» it's the blood - jump scene, as it epitomizes everything the movie does right.

The vehicles in particular make great use of wireframe graphics and the action scenes are as brilliant as we've come to expect from anything featuring the Blood moniker.

HollywoodNews.com: Stephen Moyer has his share of interesting sex scenes as Bill Compton on HBO's «True Blood», and his methods for filming them are no less... unique.

While they struggled to piece together what had happened and whether or not a BBC employee had been watching porn at their desk, actress Anna Paquin quickly identified the breasts as her own from a steamy True Blood scene.

Stains, blood, and skin tone mix well with facial and environmental detail (paint chipping, dents, as well as bright outdoor scenes), and help to round out the «look» of Jason Bourne's world.

I was later somewhat disappointed to learn, as the quote above reveals, that the shot was achieved through visual effects, but it wasn't enough to erase the image from my mind: a distressed Milk confronts a police officer following a violent night of gay - bashing in the Castro as a whistle — a plot point raised earlier in the film — lies blood spattered on the ground, reflecting the scene throughout.

Plus it's an absolutely terrific horror movie: the scene where Sutherland smashes up a gestating pod - person with a rake is gruesome as hell, but it's that famously devastating closing shot that really chills the blood.

The Half Blood Prince is a hugely significant book in the series, and whilst it is tempting to lament some things not given enough time or emphasis in the film as they are in the novel — like Greyback the vile werewolf, the abominable Bellatrix, old stalwarts of the Order of the Phoenix and Ron's Quidditch insecurities (although the main Quidditch scene is satisfying, particularly the final save by Ron)-- one must remember a conceptually vast 500 + page novel is being distilled into a two and a half hour film.

While much of the violence is sanitized (meaning there is little blood shown), some scenes are more explicit, such as some stabbing and impaling portrayals.

Alack - alay, what should happen but a wax museum breaks out as a critics - hating serial killer (just like Theatre of Blood, which I should've revisited instead) enacts scenes from Poe's stories whilst dressed in the hat and cape of McTeigue's V for Vendetta protag.

HollywoodNews.com: «True Blood» vampire Stephen Moyer joked around with Jimmy Kimmel last night, talking about all of the sex scenes in the hit HBO show, as well as at home with his wife and co-star, Anna Paquin, apparently.

But «Anchorman'takes the sort of humour you'd normally expect from that particular gang and cranks it up a notch — as a case in point, a mega-violent (and completely silly) street - fighting scene between rival news crews that results in near - total blood - shed.

But it lacks some of the reckless abandon of Anderson's most memorable work — Joaquin Phoenix running from wall to wall at Philip Seymour Hoffman's command in The Master, the «I drink your milkshake» bowling alley scene in There Will Be Blood, the brilliantly unhinged «Sister Christian» scene near the end of Boogie Nights, Tom Cruise's jarring turn as a proto - MRA motivational speaker in Magnolia.

As the camera moves out, a disorientating scene emerges; a lifeless body (Him, played by Des Hamilton) is surrounded by a pool of blood, Morvern Callar (Samantha Morton) is lying on the floor lost in her own thoughts.

As the scene between the antagonists escalates in what seems to be toward an ugly outcome, Willoughby, who's got cancer, coughs up blood, splattering Mildred's face, which quickly turns from wry defiance to shock to compassion to understanding to the realization that she must take charge of his medical emergency.

In an extended love scene notable for both its hot - blooded sensuality and its intricate, bittersweet play with memory, «120 Beats Per Minute» embraces sex as not just an expression of love or lust, but something more — an act of life - sustaining defiance.

Such little care is paid to things in «American Assassin,» when a blood splatter hits the camera, a trace of it remains as the scene continues, beyond where it would make any semblance of sense.

The opening scene presents Eva (Tilda Swinton) as a Christ like figure bathed in the blood red fruit juice during Spain's La Tomatina festival.

And when events spiral into violence, it simply doesn't ring true, as if scenes were inserted in an attempt to satisfy blood - thirsty audiences who don't care about narrative nuance.

The brilliant final scene (as deftly directed by David Fincher as the rest of the film) finds him sitting there as we all have at one point — impatiently refreshing, awaiting digital confirmation of our flesh - and - blood worth.

In these dialogue - free opening scenes, set to a score that buzzes like a plague of locusts, There Will Be Blood establishes itself as a film of Darwinian ferocity, a stark and pitiless parable of American capitalism.

While credit is due for the clarity of the battle scenes in and of themselves, Gods and Generals washes out as a stultifying tribute to the pathological meticulousness of (largely Southern) Civil War recreationists — glossing over the ideology and blood sacrifice in favour of a series of almost static tableaux.

Transpose that passage from Homer where Odysseus fills troughs with sheeps» blood to draw the undead (and finds his poor deceased mother there at her drink) to scenes in Pappi's (Max Casella) infernal nightclub as proto - hipsters and neo-beatniks assemble blandly on the edge of a trembling something while performers bleed out before them.

Rick's evil nature is made so obvious from the get - go, and in laughably overwrought ways, such as a scene where Danny makes Rick's blood boil... by not playing catch properly.

I interviewed Dear White People creator Justin Simien about an ensemble scene from his satirical series with influences as wide - ranging as Robert Altman and Bayard Rustin; Desta spoke with Fleabag's Phoebe Waller - Bridge about creating that show's funny, twisted, sexually adventurous title character; and Bradley heard from The Handmaid's Tale's Reed Morano and Alexis Bledel about shooting a blood - curdling moment in that dystopian series.

The Coens» first outright adaptation is of a Cormac McCarthy novel so attuned to them that the film feels — at least until the final few scenes — as if it's based on one of their own original screenplays: «Blood Simple» meets «Fargo», almost.