Observe
this scene as an illustration of what I mean by Mike Leigh's delicate precision.
Not exact matches
Profanity abounds, there is cop - show violence, and episodes three and four contain sex
scenes with some nudity — though in the true artistic spirit of communist propaganda, they are about
as erotic
as a medical textbook's
illustrations of venereal disease.
So I'm on Day 8 or so of sharing tips about organic baby care accompanied with some of my hand - drawn
illustrations, incorporating organics on a budget
as well
as behind the
scenes updates on the development of my e-course,
So I'm on Day 8 or so of sharing tips about organic baby care accompanied with some of my hand - drawn
illustrations, incorporating organics on a budget
as well
as behind the
scenes updates on the development of my e-course, Organic Baby Care on Any Budget.
The 6,000 - word piece, by Chris Smith, opens with a
scene set at an early March meeting where the governor apparently wowed a crowd of «left - leaning lunchers» with tales of his «New Democratic brand» and his on - time budgets, something Mr. Smith described
as «a vivid
illustration of the genius and expediency of the Andrew Cuomo method.»
Several months ago the
scene in question was acted, not,
as might be supposed, in the interior of a submarine, but in a quiet corner of a motion picture studio [see
illustration].
The type of character I have long been waiting to see onscreen, he's both familiar and novel, and his presence gives way to moments heretofore unthinkable in mainstream cinema, like the museum
scene, which would make Martinican poet Aimé Césaire proud,
as it seems like the direct
illustration of a paragraph from «Discourse on Colonialism.»
Whether their pursuit is meant
as a comeuppance for his crimes, a manifestation of a guilty conscience, or an
illustration of Young Thug's devastating outro couplet — «You just a big dawg / I kennelled him in the backyard» — the
scene is nightmare fuel worthy of Jordan Peele.
With the story's last page turn, the
illustrations change from ink - and - watercolor
scenes of Jane
as a child, toting Jubilee, to a color photo of Jane Goodall
as a young woman in Africa, extending her hand to a chimpanzee.
Ibatoulline's
illustrations are an amazing complement to Cameron's included photographs,
as they depict her setting the
scene and positioning her subjects for her most iconic works.
So's watercolor
illustrations work in tandem with the playful, evocative verse, taking keywords and ideas
as inspiration for the watery
scenes.
Each
illustration is unique, with subjects
as varied
as Mexico itself: aerial, wide - angle images of cities; street
scenes; up - close images of daily life; and decorative details.
A glimpse into Yoshitaka Amano's universe and career, from his first steps
as an animator for Tatsunoko, to his emblematic
illustration work for Final Fantasy and his recent involvement on the contemporary art
scene.
In addition, Bryce's
illustrations are exquisite, turning
scenes of war into works of ethereal beauty (such
as the image of the Australian soldier, above, from the New York Times).
It will be seen only in Philadelphia, where visitors will experience one of the country's great artistic legacies through brilliantly colored landscapes, still lifes and genre
scenes,
as well
as illustrations and designs for ceramics and stained glass.
These delicious, conceptual
illustrations by Francesco Ciccolella continue to firmly place the Vienna - based illustrator
as one of the most exciting talents to explode onto the creative
scene this year.
The works are inventive photo -
illustrations of vivid fantasy / nature
scenes she defines
as «hypercollage,» and curiously refers to with the acronym, «W.O.W (Wonderful Other Worlds),» in her biography.
She is currently based in Bristol where she is working on
illustration and writing projects
as well
as volunteering
as an exhibitions assistant at Arnolfini art gallery and finding time to soak up Bristol's lively art
scene.
Pierre Bonnard (1867 - 1947) A member of the Nabis, committed to the applied arts (decorative panels, stained glass, furniture, book
illustrations and prints) and influenced also by Japonism, he painted landscapes, genre
scenes as well
as numerous decorative works.
This was followed by his becoming the photographer at Lawrence Studios - where he photographed
scenes staged by illustrators who would then use his work
as the basis for their
illustrations in magazines such
as True Story, Cosmopolitan and Romance.
He is the pioneer of the punk - rock
scene and his magazines Art & Beauty,
as well
as his
illustrations, are the living proof of it.
He also produced numerous examples of genre painting, in which he depicted
scenes from vaudeville, the circus, cafe and bar life,
as well
as a quantity of book
illustration.