Sentences with phrase «scene as the illustration»

Observe this scene as an illustration of what I mean by Mike Leigh's delicate precision.

Not exact matches

Profanity abounds, there is cop - show violence, and episodes three and four contain sex scenes with some nudity — though in the true artistic spirit of communist propaganda, they are about as erotic as a medical textbook's illustrations of venereal disease.
So I'm on Day 8 or so of sharing tips about organic baby care accompanied with some of my hand - drawn illustrations, incorporating organics on a budget as well as behind the scenes updates on the development of my e-course,
So I'm on Day 8 or so of sharing tips about organic baby care accompanied with some of my hand - drawn illustrations, incorporating organics on a budget as well as behind the scenes updates on the development of my e-course, Organic Baby Care on Any Budget.
The 6,000 - word piece, by Chris Smith, opens with a scene set at an early March meeting where the governor apparently wowed a crowd of «left - leaning lunchers» with tales of his «New Democratic brand» and his on - time budgets, something Mr. Smith described as «a vivid illustration of the genius and expediency of the Andrew Cuomo method.»
Several months ago the scene in question was acted, not, as might be supposed, in the interior of a submarine, but in a quiet corner of a motion picture studio [see illustration].
The type of character I have long been waiting to see onscreen, he's both familiar and novel, and his presence gives way to moments heretofore unthinkable in mainstream cinema, like the museum scene, which would make Martinican poet Aimé Césaire proud, as it seems like the direct illustration of a paragraph from «Discourse on Colonialism.»
Whether their pursuit is meant as a comeuppance for his crimes, a manifestation of a guilty conscience, or an illustration of Young Thug's devastating outro couplet — «You just a big dawg / I kennelled him in the backyard» — the scene is nightmare fuel worthy of Jordan Peele.
With the story's last page turn, the illustrations change from ink - and - watercolor scenes of Jane as a child, toting Jubilee, to a color photo of Jane Goodall as a young woman in Africa, extending her hand to a chimpanzee.
Ibatoulline's illustrations are an amazing complement to Cameron's included photographs, as they depict her setting the scene and positioning her subjects for her most iconic works.
So's watercolor illustrations work in tandem with the playful, evocative verse, taking keywords and ideas as inspiration for the watery scenes.
Each illustration is unique, with subjects as varied as Mexico itself: aerial, wide - angle images of cities; street scenes; up - close images of daily life; and decorative details.
A glimpse into Yoshitaka Amano's universe and career, from his first steps as an animator for Tatsunoko, to his emblematic illustration work for Final Fantasy and his recent involvement on the contemporary art scene.
In addition, Bryce's illustrations are exquisite, turning scenes of war into works of ethereal beauty (such as the image of the Australian soldier, above, from the New York Times).
It will be seen only in Philadelphia, where visitors will experience one of the country's great artistic legacies through brilliantly colored landscapes, still lifes and genre scenes, as well as illustrations and designs for ceramics and stained glass.
These delicious, conceptual illustrations by Francesco Ciccolella continue to firmly place the Vienna - based illustrator as one of the most exciting talents to explode onto the creative scene this year.
The works are inventive photo - illustrations of vivid fantasy / nature scenes she defines as «hypercollage,» and curiously refers to with the acronym, «W.O.W (Wonderful Other Worlds),» in her biography.
She is currently based in Bristol where she is working on illustration and writing projects as well as volunteering as an exhibitions assistant at Arnolfini art gallery and finding time to soak up Bristol's lively art scene.
Pierre Bonnard (1867 - 1947) A member of the Nabis, committed to the applied arts (decorative panels, stained glass, furniture, book illustrations and prints) and influenced also by Japonism, he painted landscapes, genre scenes as well as numerous decorative works.
This was followed by his becoming the photographer at Lawrence Studios - where he photographed scenes staged by illustrators who would then use his work as the basis for their illustrations in magazines such as True Story, Cosmopolitan and Romance.
He is the pioneer of the punk - rock scene and his magazines Art & Beauty, as well as his illustrations, are the living proof of it.
He also produced numerous examples of genre painting, in which he depicted scenes from vaudeville, the circus, cafe and bar life, as well as a quantity of book illustration.
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