Sentences with phrase «scene as these photographers»

It is significant, however, that any industrial enterprise provides the opportunity of recording as much of the American scene as these photographers have done.

Michael Shannon has one scene as photographer Grey Villet, and he fills the performance with intriguing nuances, such as when he takes a picture of Mildred at the sink.

Not exact matches

In 1956, Alfred Wertheimer shot a collection of behind - the - scenes Elvis photos, and it was as if a photographer wasn't even there.

As a photographer, he explains, «you frame [a] scene and you limit what people experience by focusing your camera on it.»

Vermeulen spent a year immersed in the contemporary arts scene of 1990s London, with British photographer Nick Waplington as his mentor.

As with his previous films «Distant,» «Climates,» and «Three Monkeys,» his first career as a photographer is reflected in each scenAs with his previous films «Distant,» «Climates,» and «Three Monkeys,» his first career as a photographer is reflected in each scenas a photographer is reflected in each scene.

Then we quickly switch scenes to the hipper enclaves of Manhattan, where a photographer known to her friends as Ronnie (Weisz) is shooting trendy subjects and working hard at making a name for herself.

Inevitably, Nichols can't entirely avoid the public face of this injustice, and later scenes with lawyers and the media feel especially perfunctory (Michael Shannon, helping out his old Take Shelter director, has a cameo as a Life photographer).

Bening is the central character, with Gerwig as a sophisticated photographer chronicling the punk scene at the time and Fanning as one of the son's friends.

Martin Freeman is improbably good as a foul - mouthed Scottish photographer, Billy Bob Thornton steals every scene he is in as a bone - dry American general, and the Connecticut - born Christopher Abbott is sensationally good as Fahim, Kim's Kabul colleague, translator and general fixer.

Shannon's small role fits with this strategy: He plays a photographer for LIFE whose work brings pivotal attention to the Lovings» case, in scenes that are quiet and offhand and, indeed, actually about the process of the photographer attempting not to disrupt his subjects» lives as he takes their picture.

Then there's Shannon, whose brief appearance as a Life Magazine photographer is a wonderful cameo, lifting that scene with a quiet fortitude only matched by the sweetness of the couple that he's photographing.

Had that photographer seen the documentary to follow, by the time this scene, used as a cyclical framing device, is returned to, he'd understand why a smile might not be so forthcoming.

It resonates beyond most of the recent crop of surreal scenes involving young women by photographers such as Justine Kurland, Anna Gaskell, and Jenny Gage; and, while Ramsay's sensibility is entirely her own, it approaches the rawness of work by Nan Goldin or Richard Billingham.

Such well - known photographers as Matthew Brady took pictures of battle scenes, but photography of that day was limited.

He describes himself as «grunt» but he handles a lot behind the scenes, and is also our photographer.

They give us behind the scenes info about Charlie's appearances on NBC's TODAY morning show, his advanced training as a future service dog, and how he was matched with his human partner, retired United States Air Force Veteran and Combat Photographer, Stacy Pearsall.

As a photographer, Cliff can use his camera to snap shots of noteworthy objects and scenes throughout the story, and there's no real reason for doing so other than going through an arbitrary «yay videogame content» checklist.

Ben Buchanan captured these glimpses of NYC's downtown scene while working as an in - house photographer for AREA, a nightclub renowned for its constant and imaginative redecorations — Jean - Michel Basquiat, Andy Warhol, Keith Haring and David Hockney are seen attending an art - themed party, while Grace Jones poses with a lion for her birthday during the club's Natural History reinvention.

This group includes painters, sculptors, and photographers with already flourishing careers, as well as those just bursting onto the art scene.

The creative networks portrayed in the exhibition have fueled Gray's life work as a photographer and, in turn, Gray's images have contributed to the vitality of the scene.

Passionate about aesthetic images of real life and reluctant in grounding his work on the legacy of perfected representations of beautiful, real scenes through painting, photography or video, Chassaing's artistic work is based on inventing and constructing new worlds to play in as photographer.

Each project graphically reduces source material such as a 1930s crime scene captured by infamous news photographer Weegee or the memorable on - screen terror of Who's Afraid of Virginia Woolf?

I love also photographers as Gregory Crewdson, who creates very artificial and cinematographic scenes, and I love especially the Robert Adams black and white work.

Mia Berg, who helps photographer Spencer Tunick assemble his nude crowd scenes, shoots herself as a solitary nude in more intimate outdoor settings and then displays the photos in «nichos,» ornate tin boxes more often used for Latin American icons.

From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.

Every year for the past 18 years English photographer Johnnie Shand Kydd has photographed the art scene as they holiday on the Greek island of Hydra each summer, photographing artists, curators and writers who have been invited to vacation at the British art collector Pauline Karpidas» holiday home on the Greek island of Hydra.

Though Tillmans has been a force on the European photography scene since the 1980s, his renown has grown internationally over the past decade and his major 2017 solo shows at Tate Britain and, then, Switzerland's Fondation Beyeler during Art Basel in Basel, only solidified his reputation as one of the most innovative photographers working today.

Regarded as one of the most important photographers of our time, Andreas Gursky (born 1955) is known for his large - scale, often spectacular pictures that portray emblematic sites and scenes of the global economy and contemporary life.

Born in London in 1989, Calypso has been earmarked as one of the brightest new photographers to burst onto the creative scene in recent years.

The mainly private and domestic scenes she photographed using the Autochrome process represent a substantial development of her skills as a colour photographer.

Just as theater directors orchestrate the stage, many photographers carefully construct scenes in front of their cameras.

Continuing its concept of curating a special two - artist presentation at Frieze New York (last year featured Lisa Yuskavage and Isa Genzken), this year David Zwirner is presenting works by Carol Bove, who's co-representing Switzerland at the upcoming Venice Biennale, alongside works by the iconic American photographer William Eggleston, whose photographs have documented scenes of his native South as well as subjects from all walks of life with equal reverence.

As described by the OMCA website, the communities highlighted are: The circle of artists who worked with and were influenced by Diego Rivera and Frida Kahlo in San Francisco in the 1930s; the legendary painters and photographers associated with the California School of Fine Arts (now San Francisco Art Institute) in the 1940s and 1950s, including Mark Rothko, Richard Diebenkorn, and Imogen Cunningham; the free - spirited faculty and students at UC Davis in the 1960s and 1970s, such as Wayne Thiebaud, William T. Wiley, and Bruce Nauman; and the streetwise, uncompromisingly idealistic artists at the center of a vibrant new Mission scene that took root in the 1990s through the present, including Barry McGee and Chris JohansoAs described by the OMCA website, the communities highlighted are: The circle of artists who worked with and were influenced by Diego Rivera and Frida Kahlo in San Francisco in the 1930s; the legendary painters and photographers associated with the California School of Fine Arts (now San Francisco Art Institute) in the 1940s and 1950s, including Mark Rothko, Richard Diebenkorn, and Imogen Cunningham; the free - spirited faculty and students at UC Davis in the 1960s and 1970s, such as Wayne Thiebaud, William T. Wiley, and Bruce Nauman; and the streetwise, uncompromisingly idealistic artists at the center of a vibrant new Mission scene that took root in the 1990s through the present, including Barry McGee and Chris Johansoas Wayne Thiebaud, William T. Wiley, and Bruce Nauman; and the streetwise, uncompromisingly idealistic artists at the center of a vibrant new Mission scene that took root in the 1990s through the present, including Barry McGee and Chris Johanson.

The biggest names in science are represented in The Universe And Art, but so, too, are some of the biggest names in the contemporary art scene, such as photographers Hiroshi Sugimoto and Wolfgang Tillmans.

A wide range of photographers — from early experimenters such as Eugène Cuvelier, Charles Marville and Anna Atkins to modern giants Alfred Stieglitz, Ansel Adams and Edward Weston, as well as contemporary practitioners such as James Nachtwey, Hiroshi Sugimoto and Loretta Lux — are represented by portraits and figure studies, city scenes and still lifes, landscapes and seascapes.

A photographer who started out as a fantasist — staging scenes of young girls escaping together into idyllic landscapes — has turned into one of our most talented realists.

One of the major figures of German photography, Thomas Struth is an incomparable contemporary photographer whose main body of work concentrates on documenting a wide range of subjects such as urban scenes, rain forests and group, candid portraits.

This served as an art historical challenge to his predecessor photographer Walker Evans, who photographed similar scenes, but who once said «color photography is vulgar.»

Highlights include works by the iconic 19th - century painter Childe Hassam, who popularized impressionism in the United States with his lush city scenes and natural landscapes; Japanese American artist Yasuo Kuniyoshi's bold image of the modern woman as a bather in the 1920s; and a recent minimalist seascape by photographer Catherine Opie that reduces the ocean to subtle, ethereal layers of color in which the human figure is almost overwhelmed by natural environment.

In Disegno # 17, writer Matthew Ward and photographer Fabian Frinzel go behind the scenes as the latest exhibition by renowned designer Hella Jongerius comes together in Munich.

As writer and photographer for DoNArTNeWs Philadelphia Art News Blog posting art reviews, interviews, product reviews and how - to stories relevant to the Philadelphia regional art scene, DoN has established himself as a top blogger in Philadelphia with 1.5 million unique visitors year to date (2015As writer and photographer for DoNArTNeWs Philadelphia Art News Blog posting art reviews, interviews, product reviews and how - to stories relevant to the Philadelphia regional art scene, DoN has established himself as a top blogger in Philadelphia with 1.5 million unique visitors year to date (2015as a top blogger in Philadelphia with 1.5 million unique visitors year to date (2015).

Following her own journey to the city and her development as a photographer, Barron was part of a scene at an exciting cultural crossroads.

This was followed by his becoming the photographer at Lawrence Studios - where he photographed scenes staged by illustrators who would then use his work as the basis for their illustrations in magazines such as True Story, Cosmopolitan and Romance.

Gursky, known for his large - scale, often spectacular pictures that portray emblematic sites and scenes of the global economy and contemporary life, is widely regarded as one of the most significant photographers of our time.

Pagliuso produced her early work alongside her career as a celebrity and editorial fashion photographer, capturing the riotous antics of Hollywood as well as private moments of life behind - the - scenes.

Since the 1960s, he has also been an acclaimed photographer whose intimate images of family and friends, as well as scenes of New York City life, directly inform his painting practice.

The Swiss American photographer and filmmaker Rudy Burckhardt was a robust contributor to the New York art scene as a documentarian and participant, from 1935 until the end of the century.

As part of the Atlanta Celebrates Photography Lecture Series, photographer Art Streiber gave a lecture titled «Editorial Photography Behind the Scenes» at SCAD Atlanta on Wednesday, Oct. 6.

He was an admirer of 20th century photographer Eugene Atget whose photographs documented the architecture and street scenes of Paris; as well as traditional Venetian vedute painters like Canaletto, Carlevaris and Bernardo Bellotto.