Sentences with phrase «scene breaks me every time»

I feel everything she feels and that final scene breaks me every time.

Not exact matches

But for that narrow period of time during the day when I am actually on live television and need that information, there are dozens of people behind the scenes whose job is and always has been to take breaking news — whether from newswires or Facebook Live — and make sure it gets transmitted to our viewers.

It remains to be seen how Lukaku will be viewed by United fans once his time at Old Trafford is up, as the Belgian ace eyes up a return back to the side where he first broke onto the scene with.

Dzagoev has been a long time target of several clubs across Europe since breaking onto the scene as a 16 - year - old with Akademiya Tolyatti, but CSKA were the lucky ones that managed to sign him up.

Wilson broke onto the scene with Coventry City in the 2013/14 campaign, finding the back of the net 22 times in 41 appearances.

When Jenkinson broke onto the scene at Arsenal after his move from Charlton in 2011, he looked shaky and left himself vulnerable at times, but he was also a youngster who clearly had talent.

Mourinho won't admit it publicly but behind the scenes he'll know Chelsea are better and that he has to hurt them by getting his players to sit and and hit them on the break, which he has done countless times against superior sides.

The scene has been set time and again: an unsuspecting mother's water breaks or she begins to experience crippling pain that signals...

You wouldn't know it from watching most television news outlets, but a major story has been brewing behind the scenes since it originally broke in the Times Magazine on April 20th: many of the seemingly objective former military officers appearing on TV as analysts in the run - up to the Iraq...

Moralioglu is part of a generation of London - based designers who broke onto the scene just over a decade ago and were heralded as the saviours of the British fashion industry at a time of recession and renaissance.

Spend time with your kids, and take a break from the dating scene.

Most of us are not lucky enough to meet that special someone their first time out in the dating scene, and are likely to have been rejected many times before or in a worst case scenario have had their hearts broken.

Had an enjojable time, although I got bored after roughly 1 hour and took a break every 2nd - 3rd scene.

Small, incidental scenes contribute nifty insights and shading: the Post sends a young reporter up to New York to sneak into the Times offices to try to find out what Sheehan is up to; an elite dinner at Graham's home concludes when the men and women retire to different rooms, as if it were still 19th century England; when Sheehan's first Pentagon Papers story is set to break in the Times the next morning, it's none other than McNamara (Bruce Greenwood) himself who calls his old friend Graham to alert her.

At around 2 am (sorry, I didn't keep track of the time for this one like I usually do), we got our first break from his traditional giallo with Suspiria, a film that serves up the elaborate death scenes (and Goblin score!)

We're thrown right into the story in the first scene and have no time for a bathroom break.

BEST SCENE (6 nominees) 22 Jump Street — End Credits Birdman — Times Square The Guardians of the Galaxy — Prison Break Selma — Church Bombing Whiplash — Finale drum solo X-Men: Days of Future Past — Quicksilver Pentagon Escape.

That contradictory nature comes through in every scene in which Lincoln both makes a point (usually about slavery) and breaks the tension with a story, with Day - Lewis varying the rhythm and volume of his speech and timing every gesture to carry everyone in the room along with him at the same time.

Very Good (3 stars) Unrated Running Time: 97 minutes Studio: Breaking Glass Pictures DVD Extras: Audio commentary with the director and cinematographer; deleted scenes; «Dependency» (a short film); a behind - the - scenes featurette; and a photo gallery.

Most significantly were the negative reactions to the scenes that are the most controversial today: John Wayne dragging Maureen O'Hara across the hills in a mare - breaking sort of way or the time he's offered a stick by a neighbor with which to beat her.

«Matilda's Movie Magic» (16:14) allows DeVito and others (including Davidtz, Perlman, a make - up effects artist and a visual effects supervisor) to break down the film's illusions one at a time, with help from behind - the - scenes footage and some graphic illustrations.

He broke out onto the scene with his fantastic, gritty neo-noir Brick, and he has followed it up with both the fun caper The Brothers Bloom and the trippy time travel action movie Looper.

It feels like a video game as the kids run from one chase scene to another fetching objects — get the key, find the locker, get the Bible, break the code — advancing every time to the next level with little sense of a story moving forward, and leaving a gimmicky aftertaste given all the real - life squalor onscreen.

BEST SCENE 22 Jump Street — End Credits Birdman — Times Square Guardians of the Galaxy — Prison Break Selma — Church Bombing Whiplash — Finale drum solo X-Men: Days of Future Past — Quicksilver Pentagon Escape

Like David Robert Mitchell's The Myth of the American Sleepover, which navigates the similar summer break territory but without any scenes where a rat gets eaten to gut - churning results, it plays with the idea that this is the greatest time of our lives, but questions what happens when the setting sun of youth shines a light on something ugly and altogether strange.

The scene when Oscar meets and glues together China Girl's broken legs (a reference to his inability to heal a wheelchair - bound girl at one of his shows, played by the actress who voices this animated counterpart) is one of the best in the film, precisely because it is one of few where Raimi takes his time to let a scene unfold naturally, rather than try to outdo what came before both visually and energetically.

Bob Odenkirk, Breaking Bad's sleazy lawyer Saul Goodman, is on the right side of the law this time, playing Bill Olson, a police deputy with an aversion to crime scenes thanks to his sensitive gag reflex.

While Lady Bird never quite lives up to the comedic promise of that opening scene in the car, it does go on to deliver a steady stream of low - key humour, a little heart - break and some well timed pathos.

Addition bonus features include four deleted scenes with a total running time of more than five minutes and the music video for the song «I Will Not Bow» by rockers Breaking Benjamin.

There are slight verbal fumbles, it feels like giggles could break out at any time, and dramatic scenes really throw the cast for a loop.

Gleeson has been on the verge of breaking out for several years, particularly with his scene - stealing role in «Anna Karenina,» and his performance in «About Time» proves that the actor is primed for bigger and better things.

Intention is writ large across every scene, every character, every timed - for - commercial - break twist, but the eye is clouded and there's no pulse.

It opens on a heist scene that reminds of Point Break and Heat (plus a thousand other heist films), segues into a home invasion / child - snatching that recalls Michael Douglas's own Fatal Attraction, proceeds into a cell phone cat - and - mouse like Ransom, ends with a cascade of particulate debris that brings to mind Witness, and touches base to varying degrees with Sliver, Nick of Time, Instinct, Nuts, and Awakenings in particular in its sloppy patient / doctor dynamic (and the naming of a secondary character «Dr. Sachs»).

Sometimes he lets her down gently, while other times he flatly makes a break for it; in one grimly funny scene, he even leaps into a boat and speeds away.

Something that stimulates and pushes the senses of our being to their brink a lot of the time as the scenes don't break away from the insanity both we and the characters may be facing.

Time - Out or Take a Break A student who is on the verge of losing control and beginning to disrupt and disturb their own and others» ability to learn is asked to leave the scene and «take a break.&rBreak A student who is on the verge of losing control and beginning to disrupt and disturb their own and others» ability to learn is asked to leave the scene and «take a break.&rbreak.»

I stopped trying to do «fancy» things in my formatting for upload because, like you, I found it wouldn't work, so I'm basically plain Jane with Times New Roman and these things **** for scene breaks.

You will have to do this one scene at a time so as not to add the indent to your chapter headings or section (****) breaks.

She talks about how she burst onto the scene a couple of years ago with her popular Baine Chronicles series and breaks down why she think it hit big even though she was a new author at the time.

It might be due to the fact I've watched the movies far too many times, or perhaps some inherent nerd gene I was born with, but whenever some big publishing new breaks, I am generally reminded of a scene from one of Peter Jackson's The Lord of The Rings films.

If you are signalling a substantial break within a chapter (a section or scene break, to give the reader some time to breathe), please insert one line with three asterisks.

This service broke into the book rental scene back in 2007, and it's attracted the attention of major corporations such as Newsweek, The Wall Street Journal, MSNBC, Yahoo and The New York Times.

The game breaks into a mini-cut scene almost every time you search for something.

And the Telltale games actually have some really imaginative puzzle design when they're at their best — stuff like trying to act out a scene in a sitcom with room for the advertising break, or A Christmas Carol - ing Santa Claus himself, or the brilliant time - jumping mystery on the Disorient Express, where you have to play the story out of order in order to get clues for the present from the past and future.

FEATURES: • In - depth, fast - paced narrative experience crafted by Remedy Entertainment • Top quality live action show that is directly impacted by choices made in - game • Stellar cast of actors • One story told many ways • Time - amplified action gameplay • Navigate epic scenes of destruction as they skip and rewind in broken Time - amplified action gameplay • Navigate epic scenes of destruction as they skip and rewind in broken timetime

So that makes it even more tedious, by the time I reached the final stretch I was expecting everything to explode and break so pretty much none of it had any impact or helped to add any tension to the scenes since I'd already been through it a hundred times.

Either way, I enjoyed the break from 3D graphics for the time the scenes played out.

About eight years ago Keltie Ferris burst onto the New York painting scene like a bat out of hell, that is, if you define hell as the Yale M.F.A. painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative overlap with artists like Kelly Walker or Gerhard Richter.

Drink Canada Dry broke yet another taboo at the time it was created, since it directly contrasted the hyperbolic, overly gestural paintings that dominated the New York art scene of the 1980s, especially the Neo-Expressionist paintings of Julian Schnabel and Francesco Clemente.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR