I understand why Spielberg felt it necessary to stage Lincoln's assassination - a key part of those aforementioned textbook highlights - but
the scene feels out of place.
Not exact matches
Some
of the good theological quotes did make it into the closing
scene but no sooner had the credits started to roll than viewers were assaulted by «There's A
Place For Us» by Carrie Underwood about «faith» and «love» and the line «we can be the kings and queens
of anything if we believe» to make sure viewers walked
out feeling good about themselves.
There's no way to
feel out of place or disconnected from the rest
of the dating
scene with us!
SUBSTANCE USE - A man drinks window cleaner and passes
out in a park, a woman smokes marijuana at home as well as in a car while riding and while driving and in a restaurant where other men and women are also smoking marijuana, a woman offers marijuana to a friend who declines, several house party
scenes show people injecting themselves with drugs, we see prescription bottles and rubber tubing stretched around a person's arm (injections occur off screen), a man drinks from a bottle
of codeine cough syrup, goes to the drug store, purchases another bottle and drinks part
of it while walking home and later a female neighbor drinks the rest
of it in his home, and a man
places a marijuana cigarette in his mouth to hide it from a policeman and says it made him
feel sick like a bomb was strapped to his chest.
That
scene felt very
out of place and over done.
«Carrie's
out of a job, but her frustration at Keane's regime combined with her inability to do anything about it probably has her
feeling like she's running in
place — which is exactly what she's doing when we meet her in the season's very first
scene.
There is one
scene outside the apartment that
feels a little
out of place however, as it perhaps goes a too far into the comedy vein and temporarily upsets the balance
of the film.
Alexandra Daddario's bedroom
scenes feel oddly
out of place in such a drama.
Kira also gets to deliver a fiery speech to a group
of women that
feels right
out a women's lib playbook
of the early 1970s era, though, while an amusing
scene, it
feels wildly
out of place for the character who had never shown an inkling
of resistance to the patriarchal society
of apes that takes
place in the future (i.e., her past).
There are
scenes when he attempts wry humor, to be sure, but they always
feel out of place (particularly a
scene near the end where he literally slaps down the US surveillance drone program)-- perhaps because everyone else in the film is also really dour.
While Andrew Garfield does an admirable job
of transforming his «aw shucks» character into a man
of steadfast conviction who runs a brutal gauntlet to prove his worth, Vince Vaughn
feels out of place in every
scene.
Instead he plays up a gruesome reality, including some terrifying and
out -
of -
place -
feeling scenes that would have been better suited for a horror film.
A few pivotal
scenes are a little forced and rushed, and the score, by Oscar - winning composer Michael Giacchino, is a bit
of a retro homage to the older «Apes» movies, but
feels out of place here.
Little
of this is funny and it
feels very
out -
of -
place when compared to the
scenes of prison brutality.
(In this there is an exorcism
scene which
feels totally
out of place.)
One worth mentioning is that there are one or two facets to Officer Dixon (Rockwell) that don't quite work, in particular a streak
of racism that
feels oddly
out of place, most noticeably in a
scene in a prison cell midway through, in which the N - word is invoked by two characters in a way that
felt crass and misjudged.
Despite clear earnestness, Damon
feels out of place, and is outshone by the
scene - stealer Pascal.
Sensitive viewers should be warned that there is a graphic torture
scene late in the film, one that
feels out of place, given Anderson's intended audience.
It's a short
scene that probably would have
felt out of place within the actual film but nonetheless gives viewers added insight into Okoye and W'Kabi's complicated relationship.
And it treats the complicated moves and countermoves
of a major election as fodder for a broadly comic grudge match, with
scenes that wouldn't have
felt out of place in The Campaign, like Jane mooning Pat during a ridiculous bus race or Pat arranging to have a beloved llama run over during the filming
of a Castillo spot.
No
scene felt more
out of place than a walk through a porn set.
Eventually he comes clean about his powers, resulting in a
scene that would not
feel out of place in a superhero movie, as Tae - ju jumps around some rooftops.
It's not my
scene and I
felt lonely and
out of place here,
feelings I rarely have on a trip.
For every main mission, there are accompanying cut
scenes and dialogue, all
of which
felt slightly
out of place in the context
of the wider story.
In the same vein, Fadojutimi delves into how our environment informs our identity, as well as the trauma
of feeling displaced and not belonging to one's surroundings; several
of the works in the exhibition capture
scenes of «familiar unfamiliarity» where far - flung
places and tropical foliage bleed in and
out of abstraction.