Sentences with phrase «scene feels real»

Then everything goes black and white, and suddenly the entire scene feels real.

Not exact matches

Despite a real - life narrative stuffed with secrets and suspense, the film version quickly feels bloated as Stone treats us to scene after scene of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major character in her own right.

nice to see you crawl out of your hole just in time to offer your 2 cents worth once again... unlike yourself I started following this team long before Wenger arrived on the scene and will continue to do so long after he's gone... in his earlier years I admired the cerebral elements he brought to the EPL, which at that point was more brutish than beautiful, and I respected the seemingly tireless efforts of Arsene, Dein & staff to uncover and develop talent without sacrificing the product on the field... likewise I appreciated that such a youthful manager wasn't afraid to bring strong personalities and / or world - class players into the fold without being fearful of how said players would potentially undermine and / or dilute his authority... unfortunately this all changed about 10 years ago and culminated in the removal of all our greatest players, both young and old, without any real replacements coming in... from Henry to RVP to Fabergas and Nasri, it was easy to see that this club was no longer interested in competing at the highest levels... instead of being honest, minus the ridiculous claims regarding the new stadium, Wenger chose to side with management and in doing so became the «front man» for this corporation pretending to be a world - class soccer club... without the «front man» this organization would have been exposed numerous years earlier, so his presence was imperative if the facade was to continue... it's for this reason and more that I despise what this once great man and Kroenke has done to my beloved club... the gutless, shameful and manipulative way they have treated the fans, like myself, is largely indefensible and this is why I felt it necessary to start offering my opinion in a public format... trust me, I resisted the temptation for many years but as long as the same shit continues to exist I will voice my opinions and if you don't like it maybe you should look for a different team to pretend to follow

Why She'll Love It: Your tot will love uncovering the scenes hidden behind the wooden panels, and will feel a real sense of accomplishment as she figures out how the different latches work.

The Short Version: Cougars may have a killer reputation in the dating scene, but not every older woman feels confident approaching younger men in real life.

Thanks to 50 plus dating sites, they offer a real advantage to meeting someone on your terms, so that you can feel comfortable about being out on the dating scene.

Real Emos are all about shedding the unnecessary and going for the «real deal» — if you feel you belong to Emo dating scene then you'll fit right into our little online sociReal Emos are all about shedding the unnecessary and going for the «real deal» — if you feel you belong to Emo dating scene then you'll fit right into our little online socireal deal» — if you feel you belong to Emo dating scene then you'll fit right into our little online society.

Here's the Real Reason Why So which argues that the real reason why so many When I was in the dating scene, it never struck me that there was There are more men on dating sites than women for a couple reasons: Men are typically viewed as the ones pursuing women and as such, women may feel that they are already pursued enough offline and have no need to try online datReal Reason Why So which argues that the real reason why so many When I was in the dating scene, it never struck me that there was There are more men on dating sites than women for a couple reasons: Men are typically viewed as the ones pursuing women and as such, women may feel that they are already pursued enough offline and have no need to try online datreal reason why so many When I was in the dating scene, it never struck me that there was There are more men on dating sites than women for a couple reasons: Men are typically viewed as the ones pursuing women and as such, women may feel that they are already pursued enough offline and have no need to try online dating.

Like the dance - club «scene,» this group feels real.

It's so easy for so many aspects of Footloose to descend into cartooniness, but it only really happens when Chuck is on screen, and his scenes feel like dull diversions from the real story.

There's a naked, drunken stumble through woods and Violet suffers a few painful slapstick moments, but there are also long scenes of dialogue while the couple gently argues in bed, moments of domesticity that feel quite real despite the glossy romcom surroundings.

It's in these scenes where I felt the film became a real movie.

It feels timely, given what we know and don't know (but reasonably suspect) about real - world Russian interference in American politics and democratic institutions, but even those occasional diversions are always presented in the pursuit of examining how these characters wield power — through sex or, in a couple of tough and extended scenes involving torture, violence.

Except for a few scenes — especially one involving a bus the would - be assassin and the potential victim — you never feel any real danger.

Even the sex scene has the awkward feel to it like it would it real life.

Scenes of her struggling and squirming in the throes of a meth hangover are the only ones that feel the least bit real.

For their graphic sex scene in «Black Swan,» Natalie Portman and Mila Kunis, who are friends in real life, felt that a couple of drinks would help them through the potentially awkward encounter.

-- Namco Bandai understands that fans want more Tales game in English — Time and money get in the way — Namco Bandai has taken steps to alleviate the issues above, and hopefully we can now look forward to seeing more Tales games worldwide — It's been difficult to fit the game on the 3DS card due to size restrictions — Voice data in particular was challenging to put on the card and feels they solved the problem while keeping the quality high — «Every part of the game, with the exception of the animated cut - scenes, has been redone in 3D» — Yoshizumi believes this makes the game seem more real / immersive than before — Character models rebuilt to improve performance — Rest of the game has been ported over seamlessly — Some changes made to «in - game parameters» to compensate for control differences — No other additions, no new weapons / artes — No communication features (StreetPass, SpotPass)-- Namco Bandai have talked about a sequel, but haven't yet come up with something that would be good enough for a full game — Yoshizumi says he appreciates the comments he receives on Twitter from worldwide fans, and he hopes that more Tales games can make it over in the future — Load times have been improved on significantly — Steadier frame rate (may have been referring to the world map specifically)-- Skits will remain unvoiced

And although Campbell spices up the intrigue with some suspenseful scenes — one nail - biting chase to locate and dispose of a booby - trapped laptop in a busy airport is a real highlight — the ending feels hollow and nihilistic, with little in the way of lessons or true closure.

But the film has a real feel for the miners and their struggles, which comes through memorably in a scene in which Nighy (absolutely wonderful, as always) tells the members of LGSM that in his town, «The pit and the people are one and the same.»

There's so much happening in a vacuum here with deaths all over the place and a wealth of exposition shoved at the moviegoer — brush up on your Horcrux knowledge and character lists, people, else you'll be lost — the film doesn't sustain the real feeling it engenders brilliantly in the opening scenes.

First, some of the comic scenes feel more written than real, such as the night Frankie and Grace drink peyote tea on the beach.

He actually held what he calls «Inside the Actor's Studio - like sessions» with the talent and have his animation team come and observe them perform or just ask questions to get a real feel for how the actor reacted during some scenes or motions.

Every scene in this movie looked like a painting, but the colors and movement were so rich and alive that they also felt very real.

It's an uncompromising and brutal film (Eric spends one entire early scene with his teeth clamped onto the genitals of a prison guard), but the violence feels real, never stylized or glamorized, and the tos - and - fros of prison life have the quiet assuredness of «A Prophet.»

These are believably real people, so nicely underplayed by the cast that the scenes feel improvised.

A major set piece at the Friars Club and assorted scenes at the Comedy Cellar never feel genuine, even though they were shot on location and are populated by real - life comics.

I wasn't expecting a great movie, i walked in expecting to hate it, but if you are capable of turning your brain off to enjoy the ride this movie is fun, dialogue and plot are pretty dumb (Again, turn your brain off, otherwise you'll feel insulted) This is more like another Transformers movie, no real plot, just special effects and cool action scenes.

Using real rodeo footage shot by director Nicholas Ray (Rebel Without a Cause) that gives it a semi-documentary feel, the action scenes are a sight to behold and actually drew me in, despite my previously stated disinterest in the sport.

It feels like a video game as the kids run from one chase scene to another fetching objects — get the key, find the locker, get the Bible, break the code — advancing every time to the next level with little sense of a story moving forward, and leaving a gimmicky aftertaste given all the real - life squalor onscreen.

Because there is only two real major fight scenes, they feel fresh and exciting, something superhero movies don't often get these days.

Packed with epic fight scenes, a marvelous villain, stunning cinematography, and the type of mind - blowing special effects that make a fictional world feel real.

This one scene (and it's a killer) is the lone example where the illusion of the continuous take is especially effective, as we feel the suspense as the sequence carries out in real time.

Here, Jodorowsky's magical realist, fable - like cinematic language finally enters the real world; if cult films like «El Topo,» «The Holy Mountain,» and «Santa Sangre» interwove elaborately absurdist imagery with narratives borrowed from genre and myth, «The Dance of Reality» feels like Jodorowsky returning to the scene of the crime — to the the childhood visions and heartbreaks that started it all.

His subsequent desperation and jealousy feel real; take note of an anguished scene in a bathroom stall — Caine suddenly seems to be getting better with every role.

We'd have all these crazy discussions, and then we started talking about Man On The Moon, and I told him about this incredible wealth of material that we had that we had shot, because most people behind the project feel like the movie was great, but the real movie was what happened behind the scenes.

If I am not mistaken, Carrell actually allowed Apatow to film him have a real chest wax and everything that happens in that scene are Carrell, as well as the other actors standing and watching, creating the jokes with whatever feels natural.

This sometimes leaves scenes feeling unfinished, but the point is that real life isn't as tidy as it is in the movies.

Prince is in almost every scene, and her energy powers the film: She's the rare movie kid who feels like a real kid, not a screenwriter's invention.

Scene after scene in The Paperboy is peculiarly weightless, feeling neither narratively significant nor subjectively grounded, and the effect is so wearying that the sight of Efron receiving a golden shower from Kidman — allegedly for real, though the fetish crowd won't find it graphic enough — is more defibrillator than highlScene after scene in The Paperboy is peculiarly weightless, feeling neither narratively significant nor subjectively grounded, and the effect is so wearying that the sight of Efron receiving a golden shower from Kidman — allegedly for real, though the fetish crowd won't find it graphic enough — is more defibrillator than highlscene in The Paperboy is peculiarly weightless, feeling neither narratively significant nor subjectively grounded, and the effect is so wearying that the sight of Efron receiving a golden shower from Kidman — allegedly for real, though the fetish crowd won't find it graphic enough — is more defibrillator than highlight.

Despite the palpable electricity between McQueen and Dunaway, the original's romance felt rushed and therefore somewhat forced; here, screenwriter Leslie Dixon (who shares screenplay credit with Kurt Wimmer, who, in a unique arrangement, handled only the action scenes) fleshes out the love story, showing how their basic desire develops into real affection.

The fight scenes during the whole movie feel very real and they are brutal and they are just extremely well done.

-- but after delivering a movie whose logic was so muddled and whose imagination was so hamstrung by tepid characters and nonsensical plotting, that final scene could feel like a real slap in the face.

This is one of those scenes in which you don't need to have read the book to feel emotionally engaged; the drama and the tears feel real, and they're not overplayed.

Whereas LOTR felt «real» via intricate costumes, props, sets, Hobbit feels like a video game cut scene most of the time.

The movie is very science - oriented, so there are a number of «people explaining things they would not have to explain in the real world» expository scenes to help audiences keep up with it, but The Martian doesn't feel dumbed down.

Dave, who's since retired from the superhero business, is feeling a bit underappreciated and decides to team up with Mindy, who's still acting out upon the impulses instilled in her by physically and psychologically abusive father (Remember, this is the «real world,» where shooting one's daughter in the chest would most decidedly be abuse; Mindy does the same thing to Dave in the movie's opening scene).

The battle scenes feel as if they are a part of real life, with pounding mortar shells and messy body parts.

Whether Wakanda's accessibility leads to more conflicts between Wakanda and the rest of the world remains to be seen, but like most of Black Panther, the scene feels prescient and applicable to the real world, especially when a white UN member incredulously wonders what Wakanda, ostensibly a Third World country, could teach the rest of the world.

The date scenes are cute and feel somewhat real, as weird as that sounds.