Sentences with phrase «scene for a song»

It perfectly sets the scene for a song about staying loyal to your love while you're on the road.

Not exact matches

And with all of the tonal shifts from folk («The Hazards of Love Pt. 1») to metal («A Bower Scene») to bar blues («Won't Want for Love») to the type of baroque pop The Decemberists are known for («The Rake's Song»), this crazy rock opera will have you entranced.

For one, Stone punctuates it with a number of Doors concert - events and plays their songs at a higher - than - usual background volume during other scenes, and so you have to have openness to the band's music.

Many have speculated Gaga will perform her hit «Bad Romance,» as the behind - the - scenes video posted by Pepsi reveals her and her backup dancers practicing dance moves for the song.

January 6: Join the cast and crew for a behind the scenes peek at the Songs & Secrets of Seussical the Musical (Acton)

At the end of the «storybook» for either option, the whole song plays with an adorable animated scene.

For a movie scene, it aggregates the choices of song that are suggested for each individual frame and then picks one that best fits the entire sceFor a movie scene, it aggregates the choices of song that are suggested for each individual frame and then picks one that best fits the entire scefor each individual frame and then picks one that best fits the entire scene.

So, I went online and tried to look up a video for the song, and this scene from «Dirty Dancing» came up.

«And to get to share a song like this with the person I'm... Before dating Bryan Tanaka, Carey used the music video for «Infinity» to reveal that she was looking for love online, thanks to scenes that featured the diva browsing... Skateboarding Singles Free Online Dating & Skateboarding...

The songs are familiar but more importantly they're kind of perfect songs within the context of the scenes, God knows I was singing «Gloria» in my head for a few days after seeing the film.

Bernal and Bratt do their most resonant voice work in these scenes, and kudos to the latter for showing real vocal chops on the film's biggest song, «Remember Me,» a lush ballad from the Frozen duo of Robert Lopez and Kristen Anderson - Lopez.

Robert Altman tore up the filmmaking rulebook in the mid -»70s with this satire on the American country and western scene, for which the cast composed their own songs.

This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped characters, the abuse of the same song for several times, the glamorization of the dance scenes has no limits provalmente this is the most pointless

This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped characters, the abuse of the same song for several times, the glamorization of the dance scenes has no limits provalmente this is the most pointless films already made.

Spurred by Isaac's growing celebrity, the scene was almost a ready - made meme for people to share with ease, but did you know that the dance basically matches up to any pop song?

One (of many) especially stomach - churning scene brought the entire assembled cast together for a song and dance number about a beer brand, which shall remain nameless, whilst clutching replica red and white cans.

Recommendation: An almost perfect film experience, watch Almost Famous for the nostalgia, for the music (there are 50 credited songs used here), for the performances, for the Philip Seymour Hoffman performance (who was sick the entire time), for the plane scene, for Penny Lane — for all of it.

Pre-visualizations — crude computer animation used to stage scenes before filming — establish the ideas for two of the Oompa Loompa song and dance numbers: «Augustus Gloop» (2:06) and «Mike Teavee» (1:32).

The songs and the scenes that accompany them are fun for people of all ages.

Blu - ray extras include a making - of documentary; four deleted songs and two deleted scenes; a discussion with co-directors John Musker and Ron Clements; a piece on the Broadway adaptation of Aladdin; outtakes from Williams» recording session as the Genie; and, for those so inclined, music videos of Aladdin tunes by the likes of Clay Aiken and Jessica Simpson.

Unfortunately, that wholesome messaging doesn't leave much room for what Brewer does best — namely, music - backed scenes that, through lurid lighting, slick camera whips and glides, and the sounds of breathing and grunting mixed just above the music, put the viewer inside a body in total abandon to a song.

I heard director Edgar Wright call his film a soundtrack with a movie attached — a perfect description of the heist picture for which he selected a series of songs, then wrote each scene to fit the songs.

I could go on and on about all the awesome little touches that fill the film, about the bloody great soundtrack (which include songs composed by Beck, Broken Social Scene and Metric for the fictional bands in the film) and so on, but I think I'll leave it that for now.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

Lastly there is a music video for song rise from McClain Sisters and also a behind - the - scenes look into the shoot.

Majke Voss Romme, who writes and records as Broken Twin, in a scene from her new video for the song «No Darkness.»

There's more: Read for me a scene where Forrest and his crippled Vietnam captain Lt. Dan (Gary Sinise) walk through a late - Sixties Manhattan to the strains of Harry Nilsson's «Everybody's Talkin»,» the iconic theme song from fellow Best Picture - winner Midnight Cowboy (1969).

Various reviews mentioned brilliant song and dance numbers, fun and witty dialog, and behind the scenes shots showing the cast getting ready for the concert.

A - Song One Rated PG - 13 for a scene of sexuality, and brief language Available on DVD and Blu - ray Anne Hathaway stars in this low - budget indie about a young woman who comes home to help out with her brother, who is in a coma after an accident, only to fall in love with the musician he was obsessed with before the coma.

The melody from «Home,» a solo song for Belle from the stage musical was woven into the soundtrack for each of those scenes.

DVD Extras Trailers, audio commentary, three short «Search for the Stars» featurettes, four additional scenes, an «action» montage, LeAnn Rimes» «Can't Fight the Moonlight» video, a 2 - minute «Coyote 101» featurette, and a look «Inside the Songs» (revealing where the inspiration came from for such incredible lyrics as «Baby you're the right kind of wrong» and «You can't fight the moonlight»).

He's seeking a commission for an exhibition of paintings that comparatively few will see, that in any case will be hard - pressed to summon the galvanizing power of a well - made film (or song, as we see in one lovely scene), which Mrs. Cole's slop is turning out to be.

It was almost as though the film was impatient to get to the next song and I felt some of the scenes with Valjean as a free man for the first time in nineteen years was lost.

20th Century Fox released a new behind the scenes featurette for Céline Dion's «Ashes,» the emotional song and music video from the DEADPOOL 2 official soundtrack.

The film's nadir is a scene in which Curtis recites a poetic «song» to a group around a campfire and which becomes the occasion for a montage devoted to the beauties of a kitschy soundstage version of «nature,» followed by glimpses of other salt - of - the - earth slaves at rest who register like warmed - over Depression archetypes.

20th Century Fox released a new behind the scenes featurette for Céline Dion's «Ashes,» the emotional song and music video

In the final scene, she's dancing alone to the same song while estranged from her son, husband, and hometown — but not without appreciation for the places her life has taken her.

For «The Last Goodbye», the trilogy - closing song performed by Scottish actor Billy Boyd (Peregrin Took in Lord of the Rings), we get a behind - the - scenes featurette (11:18) which answers the questions you may have about

The pop song sets the stage for Chris Pratt's Star - Lord and the gang so effectively that one can't help but wonder how much Guardians director James Gunn might've chimed in on certain scenes.

Most famous for performances behind the CGI - created Gollum in Lord of the Rings and King Kong in Peter Jackson's remake, Andy Serkis looks like a mad troll and embraces the look in his incarnation of Ian Dury, the music - hall showman of the British punk scene who hit it big with the song immortalized in the film's title and embraced fame with the same excess with which he embraced booze and drugs.

Think of it as Diablo Cody's modern take on «Mary Poppins»: What it lacks in songs, it more than makes up for in sex scenes and Carly Rae Jepsen sing - alongs.

A 7 - minute «blooper reel,» five deleted scenes totalling 5 minutes with optional commentary from Segal (nothing here worth singling out), an unpromising commercial for «Sandler's New Album,» videos for Wayne Wonder's «Hold Me Now» and 311's «Amber» and «Love Song,» and filmographies for Segal, Wing, Sandler, Barrymore, Schneider, Sean Astin, and Dan Aykroyd finish off the bonus material.

We may have already heard the song that The Lord of the Rings alum Billy Boyd performed for the end - credits scene in the upcoming Middle Earth saga capper, The Hobbit: The Battle of the Five Armies, but now, courtesy of EW, the song has been put to video.

If there's no suspense in whether or not Cash and June will get together, a measure of discomfort in the beating Cash's first wife Vivian (Ginnifer Goodwin) takes for reacting reasonably to her husband's philandering and pill - popping, and some disdain for the coy trainspotting of songs, George Lucas In Love - style, throughout (June cries «burns, burns, burns» at one point and accuses Johnny of being unable to «walk the line» at another), at least there are a couple of moments like that 5 & Dime scene that let the cast out of a certain straitjacket.

Each Blade composer has had to balance his scoring chores with songs cemented to key scenes and montages: Mark Isham went for a brooding synth and orchestral blend that managed to smoothly weave in and out of the pumping songs laid over the main battle sequences; and Marco Beltrami's large orchestral score was tweaked by Danny Saber and buoyed by a similar number of songs.

For anyone that purchases Chrono Trigger before April 2nd, 2018, they will receive a 5 - track medley of the songs «Far Off Promise,» «Wind Scene,» «Battle with Magus,» «Corridors of Time,» and «Chrono Trigger,» Yaksunori Mitsuda's digital liner notes, and a collection of six PC wallpapers.

The other extras are an interactive map of Monica and Rachel's apartment, which includes embedded behind - the - scenes video clips; clip montages of each Friend; clip montages of notable guest stars; and a trivia quiz that, if you answer all the questions correctly, rewards you with the never - before - seen, uncut music video for Phoebe's best - known song, «Smelly Cat.»

Overall, while there were some enjoyable performances, and a couple of amazing songs, the film was not the experience that I felt it should have been and, by the final scene, I was just ready for it to end.

The final battle scene was a little anti-climactic for me (and have to agree with Yahaha, destroying the flock to a rock song seemed a little trite)

At the film's recent press day, Pettyfer talked about his favorite romantic movies that inspired him, what it was like working with Wilde, getting to know one another, filming their romantic scenes together and striking the right romantic tone, what he learned from veteran actors Greenwood and Patrick, why he enjoyed bonding with the multicultural cast, his favorite songs from the movie's soundtrack, what he remembers about his first love, his advice for guys dealing with parents, and his special plans with his mom for Valentine's Day.