Sentences with phrase «scene from this film where»

The trailer doesn't feature any dialogue, instead it shows an early scene from the film where a very young Moana learns that she has the power to control the ocean, specifically the water.

The University of Arizona baseball team did their own version of the famous scene from this film where the players all arrive to spring training.

This slow burn release was accompanied by an incredibly strong marketing campaign that showed intense scenes from the film where sniper Chris Kyle is forced to decide whether to shoot a woman who may or may not be carrying a weapon.

Not exact matches

Schilowitz gave me a tour of the studios, pointing to where scenes from Spider - Man had been filmed.

I remember a playground game where my friends and I would re-enact scenes from Disney films.

Ancelotti is currently taking some time out from football management after being let go by Real Madrid at the end of the 2014/15 campaign, and is said to have already filmed his scene in the movie in Vancouver, where his wife Mariann is from (via Metro).

The sense of being outside of time did not change when they departed two days early from school, when they spent three hours on the bus to Eugene staring out the window with their Walkman headphones on, when they wandered through the swirly paisley carpeted hotel hallways, or went in street clothes to have a walk around Autzen Stadium, where a sex scene in Animal House was filmed.

It's next door to where most of the Harry Potter scenes were filmed, and this studio holds nearly every costume, prop and set from the film.

The tour will take place on April 23 from noon to 4:30 p.m. and begin at Saint Mary's Park (450 Saint Ann's Ave.), where some scenes in the show were filmed.

A typical relaxing weekend day in the Caribbean hanging out at the beach where they filmed a scene from Shawshanks Redemption, collecting fresh tropical fruit and enjoying what St. Croix has to offer.

One of the most iconic style moments from the film comes courtesy of a prom scene where Andie shows up in a pink dress she made herself.

In most cases, flashbacks often do nothing for a film, except oversell the protagonist's loss with affected sentimentality, in a scene that depicts happier times, where the grieving spouse gets all red - eyed after waking up from a reverie.

But here is where the film blossoms and Celie finally gets revenge on Mister too (the scene where Celie is shaving Mister with a straight sharp razor where she is about inches from cutting his throat), along with other characters that blend into this movie.

LEGO The Incredibles, a new video game where players take control of their favourite Incredibles characters in unforgettable scenes and action sequences from both Disney Pixar films, The Incredibles and the upcoming The Incredibles 2.

The film had plenty of potential to being great, but instead it suffers from long, tired scenes of painful dialogue and the film's story just lingers and goes no where and when there's something that actually is interesting that happens, it's too little too late.

Unsurprisingly, Persepolis has attracted the wrath of the Iranian government, but more captivating than the film's depictions of cultural repression (a scene where Marji, out to buy a black market Iron Maiden album, is beset by weasel - bodied female Guardians of the Revolution because she wears a jean jacket and «punk» sneakers is but one well - handled example) are its more understated portraits of Iran's intellectual elite, at once removed from the proletariat it so pompously champions and sadly delusional about the real threat of the fanatic trajectory of the revolution.

The cast go from room to room discussing stuff, from location to location looking at stuff, explaining scenarios to each other, lots of driving around and of course the other obligatory scene where everyone watches an old educational news film reel about their enemy and how it lives.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

Possibly the most famous scene in the film (from what I've heard) is where a tear gas canister is thrown towards the camera and you hear someone shout «look out Haskell it's real!»

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Resnais constantly blurs the line between fantasy and reality shifting the actors from the couch where they watch the filmed play so that they take an active role within stylized dreamlike scenes, where the fiction of the play becomes their reality.

The shallow characters might have been worthwhile if the film had any proper gags to hold them up, but the film is built solely around letting McCarthy spitball around basic scene set - ups and hoping the chaos that spews from her mouth will carry the film to the next scene, where the practice is repeated ad nauseam.

«I've never worked on a film, ever, where the order of scenes didn't get change and things from the back half didn't end up at the front half,» he says of editing.

From the opening sequence — a clogged freeway overpass filled with singers and dancers lamenting a traffic jam — where Sebastian and Emma's first (very) brief encounter is entirely negative; to the final scenes (in which our expectations are heightened and then thwarted), this is a unique film experience.

Then he screened a scene from later in the film where Theodore takes Samantha to the beach.

And though Holt is the most often ignored of the three leads (too many dismiss him out of hand as a B - movie staple), in watching a scene where he struggles with whether or not to save a partner from a cave - in one is reminded that Holt spent time in films like My Darling Clementine and The Magnificent Ambersons.

Goodwin joined directors Byron Howard («Tangled») and Rich Moore («Wreck - It Ralph»), and producer Clark Spencer («Wreck - It Ralph») to help introduce fun scenes from the film that included the fox pulling a clever con at an elephant - run ice cream parlor where he first meets the rabbit, and a segment that aptly illustrates every driver's least favorite experience of waiting at the DMV (Department of Mammal Vehicles) with all the employees portrayed as sloths.

That particular scene is so popular amongst the world of cinema that people who haven't even seen the film know exactly where this scene came from.

So here's a scene from one of the films where Crazy Cage is pretty much a necessary element: What's your favourite scene from Bad Lieutenant: Port of Call... Continue reading «FAV SCENES: BAD LUEITENANT: PORT OF CALL — NEW ORLEANS»

A scene where Clary goes «Macgyver» on a demon in her house and shields herself from an explosion in a fridge is terrible but hilarious, and a moment where she has to dress like a prostitute to go and see warlock who wears no pants is worth a giggle at the film's expense.

The film often resorts to cliched tactics — like a wacky meeting with a cooky individual — and there's even a bizarre moment where Arlo and Spot get high from eating berries and being to hallucinate in a scene that brings back memories of Bevis & Butthead Do America and Fear and Loathing in Las Vegas.

Dread Central talked to director Gary Tunnicliffe about his latest Pinhead franchise sequel, where he revealed a brand new behind - the - scenes Hellraiser: Judgment photo from the set of the film.

In the DVD commentary track for The Man Who Wasn't There, Billy Bob Thornton makes the brilliant observation that the logical casting for the dapper, taciturn barber would be Clooney while he, himself, would have been the obvious choice for Clooney's character in O Brother, Where Art Thou; that the brothers have «corrected» themselves for this picture goes a long way towards explaining both the pleasures to be gained from Clooney's deft comic timing (and a courtroom scene that is at once a throwback and a revelation), and the problems with a film that in apparently striving to be accessible and lightweight becomes something, for the first time in the Coens» joint - career since Crimewave, disposable and undistinguished.

His journey includes some of the most iconic war scenes put to film, from surf - loving Lt Col Kilgore, and the famous helicopter attack on a Viet Cong village (to the strains of Wagner), the surreal USO jungle show by Playboy Playmates, to the Do Lung Bridge, the US» last outpost, where soldiers are abandoned to their fate and the only sound, besides explosions, is the yelling of the damned for salvation.

It overstates the emotion of each scene, sticks out like a sore thumb where it should be subtle, and often sounds like something from a made - for - TV movie rather than a big studio film.

You might plan for the one moment where Ruth Negga's proud woman rises from silence to shout down her oppressors, or you might picture all of the dramatic build - up of the film coming to a head in a jubilant courtroom victory scene circled by shouting protesters on both sides.

Noomi Rapace (from the Swedish The Girl with the Dragon Tattoo series) is the clear heroine of the story and gets the film's most horrifying scene where she has to perform surgery on herself.

You ever do that, where you just give out one quote, then someone else feels compelled to come up with a better quote from the same movie, and soon enough you've re-enacted the entire film, scene - by - scene for your own amusement?

Dylan was filming a Maze Runner: The Death Cure scene where he was supposed to climb from the hood of one car to the back of another while the cars were in motion.

Extras: Audio commentary from writer - director John DeBello, writer / co-star Steve Peace and «creator» Costa Dillon; deleted scenes; six exclusive featurettes: «Legacy of a Legend,» a collection of interviews, including comments from John DeBello, Costa Dillon, film critic Kevin Thomas, fans Kevin Sharp and Bruce Vilanch, future «Tomatoes» mainstay John Astin and actors Steve Peace, Jack Riley, and D.J. Sullivan, «Crash and Burn,» a discussion about the famous helicopter crash that could have killed everyone because the pilot was late on his cue, «Famous Foul,» about the San Diego Chicken and his role in the climatic tomato stomping ending, «Killer Tomatomania,» a smattering of interviews with random people on the streets of Hollywood about the movie, «Where Are They Now?»

While the battle scenes can only be viewed as impressive from a visual standpoint, where the film finally shows its fatal flaw is in the utter lack of emotional grip, as characters live, love and die, and yet no tears are shed among a viewing audience despite following these hearty heroes for over eight total hours of film time.

The Palme d'Or winning film's two female leads, Léa Seydoux and Adèle Exarchopoulos, told The Daily Beast in an interview last week that director Abdellatif Kechiche demanded their «blind trust,» didn't know what he wanted from many scenes and then pushed them too hard with takes by the dozen — to the point where they wouldn't want to work with him again.

Visit Carvahall and you'll find featurettes about the Inheritance Trilogy to which the novel Eragon belongs, The Storyteller's Scroll (focusing on turning the novel into a screenplay), Realizing Alagaësia (a look at storyboards, locations, scouting and character design), The Destined Roles (casting the actors), From Carvahall to Farthen Dur (behind - the - scenes footage during film production), Hatching The Dragon (the CGI process of creating the dragons), Just The Beginning (a peak at what's next in the series) and the Random House Digital Novel where you can enjoy the first two chapters of Eldest, the second novel from the Inheritance Trilogy by Christopher PaolFrom Carvahall to Farthen Dur (behind - the - scenes footage during film production), Hatching The Dragon (the CGI process of creating the dragons), Just The Beginning (a peak at what's next in the series) and the Random House Digital Novel where you can enjoy the first two chapters of Eldest, the second novel from the Inheritance Trilogy by Christopher Paolfrom the Inheritance Trilogy by Christopher Paolini.

This is pure Hollywood formula carried by star power and carry it they do, even though Harlow died before the film was completed (you can spot a stand - in in the scenes where her character remains with her back conspicuously turned from the camera).

There's a scene midway through the film where the Browns gather around an old 16 mm projector in Mr Gruber's shop and Paddington, entranced by the warm glow emanating from it, steps forward and walks straight through the screen into a world far removed from the drab, drizzly place he has come to call home.

There's also a featurette where director Michael Bay discusses some key shots from the film, a behind - the - scenes look at production and a trip to Hasbro headquarters.

A scene at a dance where Yelchin appears in an orange knit hoochie suit (that he bought from the joke store) captures some of the awkwardness of dances for a 13 - year - old, though I suspect the sequence only seems good in comparison to the rest of the film.

There are still points where the film feels like it is moving from one level to the next, but this monotony is punctuated by a few scenes of story development, most of which center on a time - altering dagger.