You can feel the Middle Eastern country's impending wave of frustration, corruption, and paranoia simmering underneath
every scene in the film like white noise in the background.
I can't think of
another scene in a film like it.
In fact the last twenty minutes that take place in the killer's lair, which are traditionally the creepy
scenes in a film like this, were met with outright belly - laughs in the screening I attended.
Not exact matches
From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was
like on set of the
film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the -
scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.
Unlike other independent
films in which big names are ridden into the ground
like a sweaty mule, shoehorned into every possible
scene in the movie, «Moms» Night Out» has an ensemble cast - an amazing feat for a
film with a budget just under $ 5 million, according to Andrew and John Erwin, the brothers who directed the
film.
Ingmar Bergman's
film Scenes from a Marriage tells,
like the Lenten season, a serialized story culminating
in violence, dawning
in a quiet denouement of fragile new life.
Dinish is well at home with the GOP crowd «For there is no faithfulness
in their mouth; their inward part is very wickedness; their throat is an open sepulchre» (ps.5: 9), but God is «not a God that hath pleasure
in wickedness» (ps.5: 5) and so although Dinish and by extension the GOP don't care who they hurt with their lies and behind the
scenes dirty tactics
like that silly
film, they are cautioned not to include the name of God
in their wickedness.
There's a
scene in the
film where Krasinski's character and Emily Blunt's character (who are husband and wife
in the
film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST
LIKE JIM AND PAM DID.
In times
like these, it is remarkable that the two blockbuster
films of the season — Harry Potter and the Sorcerer's Stone and The Fellowship of the Ring — contain neither nudity nor profanity nor sex
scenes.
they must
film this
scene in the first person, the applause and cheering muffled,
like they do
in war movies after big explosions.
It was
like the final
scene in a slasher
film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.
Like a
scene in an M Night Shyamalan
film.
The individual nature of the agents makes the
scene much more lifelike than the sims used
in multimillion dollar - budget
films like Lord of the Rings and King Kong.
Tarantulas, the hairy spiders that stole movie
scenes and won hearts
in popular
films like «Home Alone,» «Raiders of the Lost Ark,» and «Dr. No,» take a starring role
in a new study that reorganizes their group, reclassifying the majority of 55 known tarantula species and adding 14 new ones, including the creepy - crawly named for Cash.
At this new exhibition, you are invited to step into Cameron's role as director and
film scenes in 3 - D with a camera just
like the ones used
in the making of the movie.
The
film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British
Film Institute are screening this summer, especially if,
like me, you grew up watching the
film Grease with the iconic Drive - Thru movie date
scene... something it's otherwise very hard to recreate, living
in the UK
in this day and age.
The
film doesn't use sound anything
like as effectively as Leone, but the fight
scenes feel brutal and realistic, particularly
in the final showdown (s) between Carver and Gideon.
She only has one brief
scene, but she excels
in it, much
like she did
in the original
film.
I really
liked it too, It's just a sticking point with me, that the storyline; Wikus and his ordeal is the focal point of the
film, and all the buzz, the trailers (which has doco -
like scenes that were NOT
in the
film) and the synopsis, initially did not mention any of it.
Well the
film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more
like the trailers professed intentions; doco style, with vignettes of alien / human
scenes that emphasized and helped explain, not found footage either,
like for example, after talking about Wikus
in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the
film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay
in the doco style, it could have worked, no?
Glazer puts all this into
scenes that play out
like a classier version of a science - fiction / horror
film — one of those cheesy ones about a monster
in human form.
The
film does falter when Letts and Friedkin choose to take it outside of its theatrical origins, especially
in a motorcycle
scene that feels
like it came from another movie, but it's a minor complaint.
«The Rock» is great
like he always is
in films like this, and the ending chase
scene brings the goods, with a terrific supporting turn from Jon Bernthal as one of his workers who decides to help him out not knowing what he is getting himself into.
Director Nora Twomey changes the
film's style for the fantasy story, transitioning from the sharp lines and solid colors of the real - life
scenes to animation that looks
like paper models
in motion.
There are jump - scares that are more than just scares, as you'd imagine
in a wilderness where the flora and fauna have mutated
like cancer cells (a metaphor made plain
in a classroom
scene early
in the
film).
The
film's sleek moodiness and visual sophistication are so effective that there's even a
scene here that makes Detroit look
like the most romantic city
in the world.
Helgenberger would continue to appear
in films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigatio
in films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigatio
In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime
Scene Investigation.
Some of the banter between Ruth and the jaded cop named Det. William Bendix (Gary Anthony Williams, TMNT: Out of the Shadows — yes, William Bendix,
like the classic
film actor) on the case offer some insights on where the
film could have found its comedic spark, but even those
scenes lose flavor when we see that cop break down
in anguish because of his own personal relationship issues bubbling up to the surface.
The only real thing I
liked in this
film was the
scene with the three little pigs being bad mercenaries, but the funny thing about it is that Cheech marin plays one pig and Chong plays another, and I found that pretty funny actually, but the rest of the
film is just crap, and Is undoubtedly the worst
film I've seen this year.
A docudrama that
in its early
scenes feels
like a documentary — the co-directors have a nonfiction background, and the actors are actual carnival performers — the
film plays out
like a small - scale fairy tale.
Here, it's as if her camera only exists to allow for the moment where she asks to take her long - ago lover's photograph, but
in this
scene,
like the
film's final one, there isn't even a sense that Ronit is looking to reclaim something that was never hers.
Wiig has been the funniest person on the planet for a while, ruling SNL when she was on it, stealing
scenes in movies
like «Knocked Up,» and now,
in this script she co-wrote with Annie Mumolo, who plays her airplane seatmate
in the
film, she's front - and - center
in all of her awkward glory.
Zhao
films this
in a long, loving
scene, showing Brady's long - learned skills, a knowledge of horses that is simply so deep and practiced that it's
like watching a great musician.
Works that go behind the
scenes of the cinematic process —
like Francois Truffaut's Day for Night and Tim Burton's Ed Wood — tend to home
in on the absurdity of such efforts, portraying directors at the center of manic three - ring circuses that couldn't possibly result
in a meaningful
film.
The music
in this
film has a masterpiece atmosphere that controls characters» feelings
scene - by -
scene but the cinematography and jump - cuts is also a masterpiece that nobody would ever find a British
film with a masterpiece cinematography
like
There's a second big battle
scene, late
in the
film, which allows Spielberg to display the chops he earned on pictures
like Jaws and Jurassic Park.
The portrait of Lincoln that Spielberg presents —
in a
film that often plays
like a tense, high - spirited political thriller as influence is peddled behind the
scenes and votes come down to the wire — will no doubt surprise viewers raised on a more staid version of the Great Man.
Like Kurosawa did before him, Altman used multiple cameras to
film the big crowd
scenes; the actors had to remain
in character because they had no way of knowing what footage of them might be used.
The
film finds joy
in scenes like the one
in which he creates a fake Walkman and dances to the music
in his head.
The
film is rife with
scenes in which characters voice sentiments
like «I believe it is important to assert that materialism as we conceive it differs from bourgeois materialism by questing for a more humane society.»
The action sequences and fight
scenes in the first two acts of the movie are equally impressive
in their staging, taking visual cues from sources that include Coogler's own grounded boxing
scenes in Creed, as well as many a James Bond
film during a nightclub sequence right out of something
like Skyfall.
The
film might benefit from a trim, particularly when it shifts gears
in the second half, but its protracted style also delivers some sensational soundtrack moments —
like the remarkably paced opening
scene, which introduces our free - spirited chanteuse winning over a rowdy crowd.
That Q&A doesn't add much to fans» understanding of the
film's history — It plays
like a «I'm just happy to be here» interview with a pro athlete, which is understandable since Unger was only
in that
scene and had no involvement
in the rest of the
filming.
Since director Sebastian Gutierrez
likes to employ loosely connected vignettes
in his
films, these deleted
scenes should fall into place pretty well.
The footage
in the trailer was impressive, I just would've
liked to have seen a full
scene in the context of the
film.
A late
scene with «Driver» holding himself around the middle, then getting
in his car as Refn splashes neon on him and The Chromatics play on the soundtrack is something
like a perfect moment
in a
film indicated by them.
Every October for most of the last two decades, director Adam Green and his production company Ariescope have released a new Halloween - themed short
film, resulting
in classics
like Jack Chop (2009) and the hilarious Halloween «deleted
scene» Driving Lessons (2012), and this year's 18th annual
film, Don't Do It, has just arrived.
Verbinski certainly did his western - movie homework, for outside of all the rootin» - tootin» Rube Goldbergian action
scenes, the director consciously evokes John Ford with his widescreen vistas of sun - baked deserts (on - location shooting took place
in Utah, Texas, and beyond), and his nod to
films like The Searchers with
scenes of near - helpless families under attack
in the wilderness.
Goodman known mostly for
scene stealing bit parts
in Oscar winning pictures
like «Argo» or «The Artist» is the real star of the
film.
The
film plays
like an awkwardly edited clip show of highlights from his troubled life and career — complete with all the booze, drugs and womanizing that's become commonplace
in the subgenre — jumping from
scene to
scene with little direction or purpose.