After all, for centuries, people around the globe have considered cockroaches to be the lowliest of vermin, engendering an entire industry of bug exterminators and being the subject of countless
scenes in horror films.
You're on a movie set playing out
a scene in a horror film.
Not exact matches
Some of this ground - breaking
horror film's most famous
scenes were
filmed in Seneca State Park, Maryland — a totally not creepy place to take a run or go hiking.
A late -
film bit of business featuring Trintignant catching and freeing a pigeon flying loose
in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed
scene has more to do with whether such a gesture feels tonally earned after so much
horror.
There should be a little more
horror than a couple of shots
in the first hour and then a few poorly
filmed kill
scenes at the end.
Glazer puts all this into
scenes that play out like a classier version of a science - fiction /
horror film — one of those cheesy ones about a monster
in human form.
There are some gruesomely well - orchestrated
scenes of body
horror (one particular dissection is nightmarishly staged) and Garland's knack for gonzo imagery ensures that many
scenes in the
film will make a lasting impression.
He's playing with so many interesting ideas when it comes to race that I wish the
film felt a bit more satisfying
in its payoff, even if that disappointment is amply offset by the pure intensity of the final
scenes, during which Peele displays a skill with
horror action that I didn't know he had.
With its cleaver - wielding dwarf and a sex
scene that raised questions over whether it was real, Nicolas Roeg's atmospheric
horror film Don't Look Now earned its place
in cinematic history.
The ghosts, nightmares and creepy noises (
horror elements) are not as disturbing as the two extremely violent
scenes in the
film, one at the beginning, one at the end.
In one of the
film's funniest
scenes, Chewbacca forgoes eating a roasted Porg when a bunch of other Porgs stare at him with
horror.
I'm rather jaded when it comes to
horror - movie beats, but
in addition to being an incredibly well - crafted little shocker, Veronika Franz and Severin Fiala's
film manages to include multiple
scenes of horrifically compelling imagery that caused me to avert my eyes
in discomfort.
In the early 1970s, cult filmmaker Jess Franco inspired by the Hammer horror films being made in the UK revisited the iconic monsters of yesteryear, placing them in the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticis
In the early 1970s, cult filmmaker Jess Franco inspired by the Hammer
horror films being made
in the UK revisited the iconic monsters of yesteryear, placing them in the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticis
in the UK revisited the iconic monsters of yesteryear, placing them
in the castles and crypts of the Spanish countryside, and bracketing the thrills with scenes of frank eroticis
in the castles and crypts of the Spanish countryside, and bracketing the thrills with
scenes of frank eroticism.
Features both the American and British versions of the
film, commentary track by creator / actor Richard O'Brien and co-star Patricia Quinn, an audience participation picture -
in - picture track with a live version of the show and a «callback» subtitle track that cues viewers to classic audience responses, featurettes, two deleted musical
scenes, outtakes, alternate opening and ending, and other celebrations of the culture of «Rocky
Horror.»
Despite devoting roughly half its running time to Ian and Sofi's relationship, I Origins is ultimately not a romance, or at least, not only a romance: As the plot advances, Cahill's
film reveals new incarnations of itself
in a variety of genre trappings — sci - fi parable, grisly medical drama, globe - trotting thriller, and even,
in one bizarre and possibly genius
scene, a Saw-esque
horror flick.
Stuart Richards focuses on the legacy of «grossness»
in the
films of John Waters on contemporary queer cinema, and James Aston provides an overview of the current hardcore
horror scene in the United States.
There are two decent Amityville
Horror movies: the 1979 original starring Margot Kidder and James Brolin, released when some still believed the book it was based on was a true story; and 2016's The Conjuring 2, which features a big
scene in the infamous eye - window house, and is technically not part of the 18 -
film...
This is less dark looking than his
films usually are and it has this lovely way of mixing
horror thriller and comic moments, sometimes
in the same
scene.
Yet, the
film plays out with little sense of requisite suspense that made the first Psycho such a great
film, and many of the
scenes, including the murders, play out as if they were made for a psychological drama, rather than
in a scary
horror flick or tense, nail - biting thriller.
Avengers: Infinity War co-director Anthony Russo just revealed that Vision's
scenes in the
film were structured «like a
horror film.»
He fills the gloomy town with colorfully abstract peasants and hard - bitten villagers,
films the Talbot Manor like a haunted house, pumps fog through every nighttime
scene, silhouettes his figures
in the night with carefully calibrated backlights and sweeps through every transition with striking images that look more like TV commercials than portents of
horror.
John Carpenter, Debra Hill and Jamie Lee Curtis made Halloween a classic, but it was Curtis» closing
scene in the
film that changed the way audiences reacted to
horror.
Sadly, dear readers, things are looking less positive for the Toronto
horror scene in this installment, as all four
films have their drawbacks, some minor and some major.
The tsunami sequence is a remarkable technical achievement that perfectly captures the danger and desperation of being caught
in the storm, and the
scenes that follow are every bit as harrowing and intense as any
horror film.
Here, BIOGRAPHYTM goes behind the
scenes of Halloween to interview the stars of the
film and the crew who turned a lowbudget
horror film into one of the most famous movies
in the
horror genre.
In addition to the eerie apparitions, the story, based on a Korean
horror film, includes
scenes of intoxicated teens and the depiction of sexual sounds and activities between teen and adult couples.
Fans of the exorcism subgenre of
horror will no doubt get what they came for
in the
film's conclusion, one of the most overblown, silliest exorcism
scenes in movies, but the derivative cheap thrills leading up to it barely warrant the wait.
One
scene in particular was very cleverly done and was a refreshing change from the brain donor behavior seen
in most
horror films.
The Norwegian writer / director blazed into the genre
scene with his 2009 insta - cult hit, Dead Snow, a
film whose basis cries out to be loved by
horror fans «
in the know.»
His startling «We Are Still Here» announced a director who was willing to do things a little differently from the rest of the indie
horror scene, and this
film really makes his unique voice clear
in that it doesn't feel like anything else that came out last year.
In her scenes with McAvoy, Buckley displays a warmth that's unlike anything in most modern horror films, her Dr. Fletcher becoming the film's heroine and a timely reminder of how important it is to care for the wellbeing of those around u
In her
scenes with McAvoy, Buckley displays a warmth that's unlike anything
in most modern horror films, her Dr. Fletcher becoming the film's heroine and a timely reminder of how important it is to care for the wellbeing of those around u
in most modern
horror films, her Dr. Fletcher becoming the
film's heroine and a timely reminder of how important it is to care for the wellbeing of those around us.
Given that there are multiple
scenes in which you could cut the tension with a knife, it actually might be best to think of the
film as a thriller with
horror elements rather than as pure
horror.
But this Frankenstein of a
film is a behind - the -
scenes horror story, and you can see it
in the totally disjointed final product.
Director Ridley Scott includes that de-earing
scene, of course, approaching it with the same finely honed
horror sensibility seen
in films such as the Alien franchise.
Giallo - like
in its plot convolutions as well as its stark, shadowy visual style, this rare foray into strict
horror by dark crime thriller master J. Lee Thompson is perhaps best known for its infamous shish - kebab murder
scene, but the underappreciated slasher
film has much more to offer, with a whole slew of show - stopping death set pieces and a stellar supporting cast, including Glenn Ford as Virginia's doctor.
Avengers: Infinity War co-director Anthony Russo revealed that Vision's
scenes in the
film were structured «like a
horror film.»
But despite the source material and Winterbottom's attempts to ape the look of classic
film noir, the final results are closer to a Rob Zombie - style
horror film that seeks to shove the audience's face
in scenes of abhorrent violence.
The «Game of Thrones» star confronts Lily James» Elizabeth Bennet
in a
scene from the upcoming action -
horror film.
Family
films and mild
horror can coexist (Arachnophobia and Gremlins come to mind), but by stuffing cloying
scenes of adorably smart canine activities (the dog plays Scrabble, types with a pencil
in its mouth, and barks his answers — one bark for yes, two for no)
in the middle of some adult
horror (eye gougings, decapitations, and grisly
scenes of bloodshed throughout), the two elements seem to work at odds to one another.
The secrets of Rings will be revealed when the oft - delayed
film finally hits theaters, but
in the meantime audiences can get a nice healthy taste of the
horror to come via an extended look at the movie's pulse - pounding opening
scene.
A hardcore punk - rocker turned self - described «filmmaker, absentee father,» Jeremy Saulnier emerged on the independent
film scene in 2007 with Murder Party, a low - budget
horror - comedy infusion that flew under the radar.
It plays more like a dark - comedy than a
horror flick simply because despite the random disturbing
scenes thrown
in here and there, they never really get under your skin the way you hope a
horror film will.
«Before I Wake» (September 25): Mike Flanigan is a quickly rising talent
in the
horror studio
scene, having made mirrors scarier than long stares at one's self with his
film «Oculus.»
The
film eventually abandons the experiential
horror of the early
scenes in favor of agonizing over funeral plans, references to the King Arthur stories (the Broadway hit «Camelot» gets not one, but two airings), and one too many speeches about legacy, as Jackie works out her fears and anxieties
in conversation with a priest (John Hurt, exceptional), an anguished Bobby Kennedy (Peter Sarsgaard), and a loyal confidante (Greta Gerwig).
Restraint is what defines the society at the center of Sebastián Lelio's new
film Disobedience: When Ronit absentmindedly moves to hug a man
in one
scene, he flinches
in horror, forcing her to stop short.
They go deep on the shocking nature of killing your star
in the opening
scene, the rules and tropes of
horror film, and the killers» ridiculous plan to stab each other at the end.
Paths Of Glory — One of my favorite, and one of the least misanthropist, of all of Stanley Kubrick's
films is this courtroom drama
in which Kirk Douglas tries to save three men from being executed for cowardice
in the wake of a disastrous and idiotic offensive during World War I. Kubrick directs
in a crisp, deep focus black and white, and his depiction of the battle, a long tracking shot of the
horrors of trench warfare, is one of the most powerful
scenes he ever shot.
It felt a lot heavier as he stood
in the frigid air, looking down at a
scene from a
horror film, watching the first onlookers move up to the casualty.
But for this post, we'd like to zoom
in a bit, identifying a theme threaded throughout an extremely diverse list of projects that tackle everything from
horror films to Houston's art
scene to David Hammons.
It was quite a
scene: Standing
in a dark basement filled with shattered religious statuary, I felt like I was on the set of a
horror film.