Sentences with phrase «scene in the movie comes»

Perhaps the most violent scene in the movie comes very early on.

Not exact matches

What we find is a series of separate scenes — snapshots rather than a movie — and the four writers, who in the closing scenes were constrained to follow a fixed order of events, use a large liberty in arranging the separate stories they tell, and the arrangement comes out differently in each of them.

And make no mistake, Sunday's was the best Dinah Shore finish in memory, sort of like the final scene in one of those old Hercules movies in which everything comes crashing down around the hero and only he is left standing.

The name also began to grow in popularity after the children's movie Ella Enchanted came to the Hollywood scene in the early 2000s.

It should come as no surprise that nanotech hits many of the fear buttons in the psychometric paradigm: It is a man - made risk; much of it is difficult to see or imagine; and the only available images we can associate with it are frightening movie scenes, such as a cloud of robots eating the Eiffel Tower.

Differences in gene expression may have given us bigger brains, but in this movie scene, the chimp comes out on top.

Remember the scene from the movie Titanic when the ship was on its side and the water came gushing in, filling the dining area with water?

Back when your parents were using a camcorder to document your life, Yahoo was just coming onto the scene, and we were being introduced to Woody and Buzz Lightyear in the first Toy Story movie.

The film does falter when Letts and Friedkin choose to take it outside of its theatrical origins, especially in a motorcycle scene that feels like it came from another movie, but it's a minor complaint.

The movie comes to a head with a final conversation at a beachside restaurant, an exhilaratingly clever and ambiguous scene in which we must decide what is happening and where our sympathies lie.

I chuckled just twice, at random references to Harrison Ford and Orson Welles, which come in succession in one of the only scenes of the movie that has a good energy.

Portman's big scene and the most emotional moment in the movie comes during that shock - reunion.

But one last thing... in the previews, they showed a scene where Lily and CZJ open their doors to come face to face with brick walls... did I miss that scene in the movie?

The actress / singer dropped off the movie scene for several years in order to pursue her musical career and other ventures, then came back with a bang for a supporting role in Whip It, a comedy drama following an ex-pageant queen's experiences on a roller derby team.

However, when the movie comes to network TV, with the sex scenes eliminated and the milder language dubbed in, it will be well worth viewing.

Turns out that the entire time Lila and Eve have been playing kickass Tina - Terminators, there has been a second agenda unfolding behind the scenes — one that at least partially excuses the way Lopez's turn comes across so much phonier than the work she did in movies like «Selena» and «Out of Sight» nearly two decades ago.

In fact, Spare Parts forgets to show the characters actually becoming friends; at one point, tough Lorenzo comes to the aid of a bullied Cristian, and the movie gets in and out of the scene so fast that it fails to make any impacIn fact, Spare Parts forgets to show the characters actually becoming friends; at one point, tough Lorenzo comes to the aid of a bullied Cristian, and the movie gets in and out of the scene so fast that it fails to make any impacin and out of the scene so fast that it fails to make any impact.

Perhaps to make up for a perceived dearth of strip - club scenes in the original among audiences who came to see a celebrity Chippendales act but got a character - driven dramedy instead, this installment promises a raucous road - trip movie as Mike and his pectorally blessed friends travel to Myrtle Beach to perform in an all - male revue.

In the vein of Tommy Wiseau's» The Room» comes» Dangerous Men», a movie the distributor no doubt hopes will become a cult classic thanks to the obvious lack of quality on screen and the narrative about the behind - the - scenes personality who made it.

I'm rather jaded when it comes to horror - movie beats, but in addition to being an incredibly well - crafted little shocker, Veronika Franz and Severin Fiala's film manages to include multiple scenes of horrifically compelling imagery that caused me to avert my eyes in discomfort.

This scene comes in towards the beginning of the movie, the calm before the storm, prior to the two inadvertently ending up on a high - speed, high - stakes, just plain high ride fueled by hyper - violence, weed, and ramen (you'll see).

And when Geoffrey Rush, in shaky possession of a Russian accent, strides onto the scene as Trotsky, the movie comes dangerously close to resembling a «Saturday Night Live» skit.

This being a comedic spin, the movie, with Shawn Levy (Night at the Museum 2, Cheaper By the Dozen 2) directing with the blandness that has come to be his stock in trade, includes a «hilarious» pot - smoking scene, repeated sight gags centered on Fonda's enormous breasts, her grandkid's morning poop sessions and a last - minute gay twist that feels as contrived as the rest of Jonathan Tropper's script (based on his best - selling novel).

One of the best scenes in «The Incredible Jessica James» comes two - thirds of the way through the movie.

And the script relies way too heavily on rude, tasteless humor (especially in the final half hour) and over-the-top /» shock - value» scenes, which come - off as desperate and absolutely ridiculous — including an insane brawl in the middle of a street between rival scout troops (that you'd ONLY see in the movies) and an awful climax involving a rival business mogul (Peter Dinklage).

That's all he'd say but the scene comes from during the movie so we'll learn how Falcon and Cap capture the villain of The Winter Solider when Civil War is released in May 2016.

As for Chalamet, the Lady Bird scene stealer admitted his parents had seen the coming - of - age homosexual movie, but he fears his grandma «is going to be in shock when she does.»

In the best scene in the movie, Kate's world comes tumbling down on her after some domestic investigation in the attiIn the best scene in the movie, Kate's world comes tumbling down on her after some domestic investigation in the attiin the movie, Kate's world comes tumbling down on her after some domestic investigation in the attiin the attic.

But I do remember, on first seeing and loving the movie in the theater, a sense of incompleteness about the ending, a feeling that the weight of what had come before was not quite counterbalanced by the giddy release of that final scene.

Her best scenes are the ones in which Susie talks candidly about her former life as an «escort,» and while she's given valuable assistance by Jeff Bridges (one of the best silent listeners in the business), it's remarkable how she can make a lengthy, here's - my - psyche - in - a-nutshell monologue and sound natural and impromptu, while still coming across as delectably movie - star glamorous.

Some of the movie's best scenes come in the exchanges between Muse and Phillips; while they never exactly become friends, their words help ground both characters and make the conflict all the more interesting and tense.

It shouldn't come as much of a surprise but nearly every good joke and fight scenes are spoiled in the movie's trailer.

Despite coming from the writers and director of Shrek The Third (by far the worst in the series), executive producer Guillermo Del Toro has his prints all over the movie, from the genuine latin flavour to the genuinely scary scenes involving The Great Terror at the top of the beanstalk.

Though deceptive advertising is nothing new in movies, the DVD cover art of Coming & Going takes the practice far, keeping the wheelchair out of the picture (save for the title logo's odd twist on the familiar handicap symbol), portraying the leads as young and hip in their jeans and tall boots respectively, and, most egregiously, placing a chihuahua poodle hybrid that features in a single 1 - minute scene front, center, and large.

Where We Need to Talk About Kevin hits the nail on the head in scene after scene (finally to great effect), You Were Never Really Here provides so little information that it ultimately becomes a movie about its own structure, about the way the scenes come together and what's missing in between.

The first sex scene in «Blue Is the Warmest Color,» Abdellatif Kechiche's French coming - of - age drama about a young lesbian couple, lasts longer than any other sequence in the movie.

Director Harold Daniels is no visual stylist and there's a slackness to many of the scenes, but he comes to life in a nighttime murder scene that he transforms into a model of noir violence, an urban street fight in the dark of the empty city picked out in shards of light (credit likely goes to cinematographer Nicholas Musuraca, RKO's crime movie vet), and the screenplay co-written by Steve Fisher has a bite of irony in its twists.

From the opening title sequence, the movie instantly kicks the humor in overdrive as Peter Quill aka Star - Lord dances like Michael Jackson to the tune of «Come and get Your Love» by Redbone in a temple extremely reminiscent to the one from the beginning scene of Raiders of the Lost Ark..

As my hour with Disney Infinity's Toy Box mode at the San Diego Comic - Con came to a close, producer John Vignocchi had dressed up The Incredibles» Dash in the wings from 1981's Condorman and was attempting to recreate the movie's flight scene.

The image is perhaps a teensy bit soft by contemporary standards, but certainly the BD outclasses cable when it comes to reproducing the movie's lush colour palette, which runs the gamut between the straight - up surf - and - sun glow of the early scenes on Fire Island and a cooler, desaturated look in the film's latter half.

Why it Could Succeed: One of the biggest female movie stars in the world, Angelina Jolie can disappear from the movie scene for a long period of time and come back with as much salivating support from fans as when she left.

One - take shots are some of those scenes in movies you forget are even happening until the first cut for the next scene comes into play.

Fans of the exorcism subgenre of horror will no doubt get what they came for in the film's conclusion, one of the most overblown, silliest exorcism scenes in movies, but the derivative cheap thrills leading up to it barely warrant the wait.

You have to think that has something to do with the fact that they knew there was talk about how the direction came off in the most suggestive scenes in that movie.

Sucker Punch is a man's action movie fantasy — rolling everything a guy would enjoy in a film like hot women, heavy gunfire, a mother dragon who basically makes explosions come to her, and enough insanity injected into its most adrenaline racing scenes to keep you talking around the water cooler for hours.

, a film that is curiously not represented in Robert Jones» «A Tribute To Female Seduction,» even though the steamy (yet arguably SFW and nudity - free) YouTube supercut amply proves Clooney's point again and again over the course of four butt - wiggling, come - hither - stare - giving, shirt - tearing - open minutes of female seduction scenes from the last five decades of movies.

Unfortunately, crappy climactic fight scenes come all too often in superhero movies (I think television often gets it better, or maybe those battles just feel more resonant because we've taken longer to build up to it).

It's a weird thing to spend all this time with the father — it's a father - son movie, and the mother doesn't come in until 30 minutes in — and then you do this handoff for these final scenes.

I felt specifically that the spider - monster scene had the gloomy glow of the Silent Hill 4 shopping mall, and the wall - peeling effect (Which I think looked much better and higher quality than the effect of the first movie) inside Jack's Inn reminded me heavily of the ghosts coming through the walls in the forth game too.

In celebration of The Disaster Artist movie release and The Room's 15 year anniversary, Co-star, line producer and former Wiseau roommate Greg Sestero is coming to town to present an exclusive behind the scenes documentary about the making of The Room, a live reading of this first edition of Tommy's screenplay, which features settings, dialogue and plot devices that never made it on screen!