Sentences with phrase «scene money shots»

High in gloss, Only God Forgives is mostly a collection of fight - scene money shots — in which blood is the emitted liquid — interspersed with stylized dream - like sequences.

Blood begets blood in Nicolas Winding Refn's extended stylized collection of fight - scene money shots

Not exact matches

The driver rammed his taxi - cab into a motor bike that was conveying two suspects away from a robbery scene where they had shot a female employee of Koala Supermarket, who was believed to be carrying money to the bank.

But while they may forgo mascara and retouching, these shots belie the fact that someone behind the scene worked overtime to get the lighting just right and away from the camera celebs devote endless time and money to their appearance.

With Dark Star, he had gotten used to shooting the odd scene, going off to raise money, coming back and repeating the process, much like David Lynch was doing with Eraserhead around the same time.

Best supporting actor in a motion picture Willem Dafoe, «The Florida Project» Armie Hammer, «Call Me By Your Name» Richard Jenkins, «The Shape of Water» Christopher Plummer, «All the Money in the World» Sam Rockwell, «Three Billboards Outside Ebbing, Missouri» IMMEDIATE REACTION: Plummer just shot his scenes earlier this month, days after being cast to replace Kevin Spacey.

With Spielberg at the helm of the first two and his protégé Joe Johnston at the third, they trundle out an agreeable series of chase scenes, money shots and general mayhem.

«I organized a very small crew as we had no money or financing, and we just started shooting and interviewing a small group of people who were friends with Jean - Michel and familiar with what was happening in the New York City art scene at that time.»

The worst moments are ported complete from the Tolkien source material (and the theatrical version of The Two Towers): the convenience of a fortuitous in - battle as little Sam storms an enemy keep by himself, the deus ex machina of giant eagles arriving at moments of crisis (in fairness, it seems as though the scene establishing their summoning has been jettisoned), the curiously limp money shot of Aragorn's grasping of his legacy, and a general narrative choppiness that defeats pacing and deadens interest for all but the most invested.

What is making the headlines today is ALL THE MONEY IN THE WORLD, you are all aware of the sexual accusation around Kevin Spacey, Ridley Scott decided to reshoot all the scenes of Spacey with another actor, Christopher Plummer who was the first choice of the director but the studio executives wanted a bigger name, Plummer should shoot his scenes in the comming weeks, it looks like they want to keep the december release date, and Michelle and Mark Whalberg are expected to do some reshoots, i don't think michelle began working on Venom yet, it's crazy but i think Ridley is right to cut out Spacey of his film.

From the opening scene, an almost monochromatic chiaroscuro composition with strong diagonal lines (it was shot in an actual snowstorm), it's clear that Arrow's 1.85:1, 1080p transfer, sourced from a 2K scan of the original camera negative, is on the money.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Yates's dispassionate shooting of those scenes in clinically sound locations certifies the grimness of Higgins's thesis (one gets a grubbily incontestable, time - and - money demonstration that crime often pays miserably), and ultimately he improves upon the experience of the book simply because the visual experience of the film is less monotonous than the verbal experience of the book.

Following sexual assault allegations against Kevin Spacey, Christopher Plummer stepped into the role of J. Paul Getty in «All the Money in the World» and shot his scenes in just 10 days.

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