Sentences with phrase «scene near the end»

For the average American retirement saver, the world of investing can feel a lot like that scene near the end of «Indiana Jones and the Last Crusade.»

God's refusal to rescue the drowning baby Rebecca — in the terrifying scenes near the end of Rabbit, Run — is so palpable that he could be rightly accused of truancy.

To those listeners, I recommend the scene near the end of The Wizard of Oz, when the wizard explains, what a diploma is and how it differs from having actual intelligence.

All the more action - based scenes, like the quidditch match, the broomstick lessons or the wizard's chess scene near the end, feel like set - pieces which have wandered into what otherwise resembles a recital rather than a film.

Mr. Kingsley gets a big, chilling scene near the end, and the film comes full circle to a concert of the Schubert quartet, where Paulina and Gerardo spot Miranda.

Jolie does not dwell on the atrocities, though a horrifyingly ironic battle scene near the end contains some gruesome imagery.

This may look like a conventional coming - of - age romantic comedy but there is more to recommend it, including an appealing performance from McAvoy, hilarious moments and a quite painful scene near the end.

There is a certain scene near the end of the film that involves the two characters waking up in sleeping bags; it's the initial words that they mutter that really caught my attention.

A scene near the end of «Graduation,» involving Romeo and his young son, hints that even a 7 - year - old is already on shaky ground.

Neve Campbell as Ellen, Affleck's fiancée and DeVito's daughter, provides a nice, stable presence between the two men in her life until a great scene near the end where she absolutely loses it.

There's a scene near the end of Call Me By Your Name, which premiered this week at the Sundance Film Festival, where Michael Stuhlbarg's character delivers some of the most touching and heartfelt advice to his son, Elio (Timothée Chalamet), that I've ever seen on a movie screen.

The other high point is a scene near the end when all the women with any connection to Porter wind up in the same public restroom.

Sully is about the scene near the end when, after listening to the flight recorder, Sully says to his co-pilot that he was proud of them for doing their jobs.

There are scenes when he attempts wry humor, to be sure, but they always feel out of place (particularly a scene near the end where he literally slaps down the US surveillance drone program)-- perhaps because everyone else in the film is also really dour.

There's also a relatively minor scene near the end where Brett tries to apologize to his director for the business the previous episode with the authentic coyote sound effects, only to have the drunken director humiliate him.

Michael Stuhlbarg (who seems to be everywhere these days) has an extraordinary father / son scene near the end which reminds us that each one of us has a story on how life may or may not have turned out as planned.

There's that great scene near the end of the film where Chris is showing these young musicians old records in his music shop, introducing them to Mance Lipscomb and the like.

There's a scene near the end where Aron, splendidly played by James Franco, has a vision of his future that could be.

Hanks plays a man forced into a terrifying situation and he does the role so much justice, especially in a specific scene near the end of the film, he makes you want to cry.

It becomes so excruciatingly campy that you'll literally cringe watching scenes near the end.

The Hubcap flying off the car during the chase scene near the end of the movie was accidental.

Marginalized in the initial sequences was Reeves, the lone actor well - known in the U.S. Universal opted to reshoot a major fight scene near the end of the film, as well as a few other scenes to sharpen the focus on Reeves» character Kai.

While that's a big element of it — and one scene near the end is just heartbreaking — it's a deeply engrossing portrait of one woman and all her experiences that spans at least five years or so (Kechiche recently said he'd be open to a sequel and he could have easily continued her story into the future if he wanted.

There isn't exactly a happy ending, but there is a satisfying one thanks to a sweet - sad scene near the end that suggests that Ines has learned to at least appreciate her father's «make «em laugh» point of view of the world.

Outside of some memorably disturbing images, there's very little to keep one interested in the story, and even during a particularly well - crafted chase scene near the end of the film, it still remains somewhat unexciting.

I had admired the scene near the end where they show what happened to the maid.

«Disfruta Mexico» — translation: enjoy Mexico — a prominently placed billboard reads in the background of a scene near the end of «Gringo.»

Okay, how about a blow - by - blow rundown of a climactic Deadite infused fight scene near the end of the film with Shiloh Fernandez and Lou Taylor Pucci?

And there are plenty of big name cameos, particularly in a scene near the end of the film which pays tribute to the original, while also making fun of the over-abundance of TV news outlets.

When the tale's simmering resentments detonate (notably in a scene near the end that takes pretty big liberties with the book) the result is a more powerful experience than crowd scenes and CGI panoramas can deliver.

The film also had a pretty firm emotion grip throughout and especially in a scene near the end that takes place in a mall.

That makes a scene near the end of the movie, in which the roles of who is seeking acceptance from whom are reversed, feel like an attempt to raise an argument where there is none.

In a scene near the end, Andrew addresses a writing class and tells them that his suffering and that of his brother and mother can't begin to compare to the people who were wiped out by Madoff's scheme.

But there are wonderful sequences strewn throughout, like the moment when Lazhar, at a school dance, begins to slowly sway to the music as if in a trance, and the scene near the end when Simon's pent - up guilt and rage and sadness frighteningly erupt.

Tiger Lily has a fight scene near the end of the film with Blackbeard.

But it lacks some of the reckless abandon of Anderson's most memorable work — Joaquin Phoenix running from wall to wall at Philip Seymour Hoffman's command in The Master, the «I drink your milkshake» bowling alley scene in There Will Be Blood, the brilliantly unhinged «Sister Christian» scene near the end of Boogie Nights, Tom Cruise's jarring turn as a proto - MRA motivational speaker in Magnolia.

Oscar winner Marcia Gay Harden is back as Christian's mom, but her role has been reduced to one superfluous scene near the end, nothing as juicy as the stuff she got to do with Kim Basinger in the last film.

The two have an electric scene near the end, but it's too little, too late: «Aloft,» an icy film in every sense, has already gone adrift.

The cast is great, but underused; I really wanted to see more of Ray Liotta, but after a slightly threatening scene near the end of the film, he's gone.

There is a sentimental and touching scene near the end of the film with Williams and Stiller saying goodbye which, obviously, carries much more meaning that it did when it was filmed.

There are a couple of badly judged scenes near the end — in one, John takes a gun into an old folks home looking for Ella's high school sweetheart, a dreadfully flat bit of slapstick that also undercuts the valiant efforts of Mirren and Sutherland to sell us on the depth and sweetness of their long relationship.

There's a scene near the end in which the quartet is conversing on a train in which I realized how well - rounded and developed all four performers were in that moment.

I'll take one crystallized scene near the end as catharsis enough: Bigfoot takes Doc's joint, inhales deeply, and frog and scorpion are momentarily friends.

After watching the scene near the end of the movie where Fagin and Dodger meet, how do you think Dickens would answer that question?

There are even a couple of scenes near the end featuring Meryl Streep (her daughter Grace Gummer plays one of the 3 insane women).

There's a graphically violent scene near the end that the director, Francis Lawrence, stages well.

Slide Eleven refers to the scene near the end of the film Notting Hill when William is trying to locate the conference Anna is in.

There's a scene near the end of that book where Anna is so desperate to absorb the solidness of Sam and, frankly, his entire family that she shows up at his house when he's sick and feverish and basically sits on top of him so she can to get him to bone her.

Particularly in a certain, highly pivotal scene near the end of the game.

One pivotal scene near the end of the game has Johnny's twin brother, Joey, get run over by a car.