Sentences with phrase «scene near the end of the film»

There is a certain scene near the end of the film that involves the two characters waking up in sleeping bags; it's the initial words that they mutter that really caught my attention.

There's that great scene near the end of the film where Chris is showing these young musicians old records in his music shop, introducing them to Mance Lipscomb and the like.

Hanks plays a man forced into a terrifying situation and he does the role so much justice, especially in a specific scene near the end of the film, he makes you want to cry.

Marginalized in the initial sequences was Reeves, the lone actor well - known in the U.S. Universal opted to reshoot a major fight scene near the end of the film, as well as a few other scenes to sharpen the focus on Reeves» character Kai.

Outside of some memorably disturbing images, there's very little to keep one interested in the story, and even during a particularly well - crafted chase scene near the end of the film, it still remains somewhat unexciting.

Okay, how about a blow - by - blow rundown of a climactic Deadite infused fight scene near the end of the film with Shiloh Fernandez and Lou Taylor Pucci?

And there are plenty of big name cameos, particularly in a scene near the end of the film which pays tribute to the original, while also making fun of the over-abundance of TV news outlets.

Tiger Lily has a fight scene near the end of the film with Blackbeard.

The cast is great, but underused; I really wanted to see more of Ray Liotta, but after a slightly threatening scene near the end of the film, he's gone.

There is a sentimental and touching scene near the end of the film with Williams and Stiller saying goodbye which, obviously, carries much more meaning that it did when it was filmed.

Slide Eleven refers to the scene near the end of the film Notting Hill when William is trying to locate the conference Anna is in.

Not exact matches

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

Mr. Kingsley gets a big, chilling scene near the end, and the film comes full circle to a concert of the Schubert quartet, where Paulina and Gerardo spot Miranda.

It's all on the page in terms of dialogue, but the deer scene, for instance, or the scene on the phone near the end, were the moments where I felt she's allowed to be more emotional than anywhere else in the film.

There are scenes when he attempts wry humor, to be sure, but they always feel out of place (particularly a scene near the end where he literally slaps down the US surveillance drone program)-- perhaps because everyone else in the film is also really dour.

The best scene by far is the conversation between Carlos and Luis near the end of the film.

As brilliant as I find the film in its parts, as a whole I can't completely rave, as the film does falter a bit due to a lack of focus and there are some weak scenes, especially as the film nears the ending, which should have been edited out of the rather long film to make sure the storyline stays tight.

One of those falls, in particular, near the end of the movie is responsible for one of the most breathtakingly gorgeous scenes of violence I've ever witnessed and is sure to be a talking point for everyone who sees the film.

Although the film moves at a steady pace, and has some funny scenes (especially the one where the farmers sing), the writers unfortunately seem to disconnect with the characters near the end of the film.

Fans of «The Room» should stay for the end credits as Franco re-enacts several scenes from the film with a near - perfect synchronicity.

Two key scenes that exploit the surround sound experience very well: The future war scene near the beginning of the film and the «final» battle near the end of the film.

However, the biggest issue for parents of young children will be some violent scenes — especially near the end of the film.

Near the end of the film, a fireworks scene should have resulted in a jaw - dropping aural experience, and yet it's definitely dialed back, almost as if Paramount did some suppression so it wouldn't blow our system.

Because almost every scene or sequence tells an individual story and the one overriding constant is something understandable to damn near anyone (really wanting something for Christmas), the film becomes a kind of endless Moebius strip, an eternal December that can begin and end at any point but always returns to Ralphie peering in that store window and always concludes with the boy lying in bed, cradling his gun.

Writer Sorkin predictably surpasses first time director Sorkin, and never is that more obvious than a cringe - inducing father / daughter scene on a park bench near the end of the film.

As in Carol, the scene will be revisited, and completely recontextualized, near the end of the film, when we learn what was being said prior to the sudden interruption.