Sentences with phrase «scene of a small child»

Not exact matches

By the time Stiller's character engages in a slapping fight with a pair of monkeys, Night at the Museum: Battle of the Smithsonian has incontrovertibly established itself as an endeavor designed to appeal solely to small children - which is undoubtedly a shame, given the strength of the cast and the promise of the movie's early scenes.

There are some very touching scenes where Dee is jailed for 21 days for a crime she didn't commit; including a scene where she is allowed ten minutes to see her children - through a small grimy piece of glass that is stuck high up in a doorway.

Ironically, the scenes in «In Darkness» that stay with you aren't moments of high peril but small details of survival - of how a sensory - deprived child might keep his mind active through a year and a half of night, or how a woman might cope with sexual longing in the middle of a crowd.

Allen is a drawcard, dominating every scene he's in and shepherding a small army of children across the city, and the Orthodox neighbourhood is one rarely captured so colourfully on film.

Which brings me to the heart of the film, a big family meal, served up gradually, scene by scene, as each of the characters interact in smaller portions — sisters and daughters, mothers and children, in - laws and insignificant others — gathered around a bottomless well of tragedy: breakdowns, blow ups, betrayals and a funeral.

If anything, he's an unimaginative journeyman who can be far too heavy - handed (e.g. a scene in his last picture Machine Gun Preacher where a small child gets killed by a land mine and Forster felt the need to play up this moment with a soaring bit of score).

Other than that, there's a «Get Up and Dance» feature intended for very small children, a sing - along option, and, for the adults, several deleted scenes with an explanation of why they were cut.

Those of us without the time or inclination to relive high school can choose from a small range of books published over the past several years by noneducators (usually journalists) who, provoked by events at Columbine, piqued by their own children's high - school experience, or simply in need of a job, took a semester or a year off to revisit the scene of so much youthful Sturm und Drang.