(Confidential client) Lead investigations counsel representing US based non profit operating in Iraq investigating potential claims based on multiple US, Australian, and South African citizens murdered on client's compound in Iraq, post incident evidence collection and interviews conducted at
scene of murders in Iraq.
Director Franklin (Devil in a Blue Dress, High Crimes) makes great use of a subdued score, and while he doesn't really handle the main shootout well, the dramatic scenes between the characters are very realistic and riveting, with a particularly disturbing
scene of murders in the beginning.
Pat (the late Anton Yelchin) comes across
the scene of a murder in the club's green room, leading the band to be imprisoned in said room.
Not exact matches
Cell phone records reportedly placed the brothers
in the area
of the
murders on the day they were committed, and some crime
scene forensic evidence provided a match to the Tsarnaev brothers.
He and his gang
of ne'erdowell's tormented the good denizens
of Odyssey
in a variety
of ways, ranging from the mundane (framing people for
murder) to the truly wicked (suing Mr. Whitaker for having a Nativity
scene in his front yard because something, something Separation
of Church and State.)
The
scene in question featured a bereaved mother being forcibly raped by her own brother next to the lifeless body
of her recently
murdered son.
In my opinion, Breaking Bad (which I hated) and John Wick (which, full confession, I loved) do little more than glorify
murder and revenge, while The Walking Dead Netflix's Daredevil and the mega-hit Stranger Things (which dipped into moments
of full blown horror) were able to use gruesome and disturbing
scenes to push the viewer to wrestle with big questions.
It is fitting, I think, that the beginning
of the movie incorporates a court
scene where one, Rubin (Rooster) Cogburn, an officer
of the court (a «marshall») is questioned about his killing
of a family
of bushwhackers and
murders out
in the «nations».
A program on Iran's government - backed Press TV recently took a woman convicted
of adultery and
murder back to her home
in Osku «to produce a visual account»
of the death
of her husband «at the crime
scene.»
Announcing the
murder probe on Monday evening, Detective Chief Inspector Alan Dickson, from the Police Service
of Northern Ireland's Serious Crime Branch, said: «Police were called to the
scene after concerns were raised by a member
of the public
in relation to Mr Flowerday.
And as I cleaned up the great poo disaster
of 2008 yesterday I was cursing that I used a disposable
in the middle
of the night, because
in the morning his crib looked like the
scene of a
murder (just brown not red — ugh!
And just when you think things have run their course, you'll step out
of the shower to discover your bathroom floor resembles a
murder scene in the making.
In this game of Clue, instead of murder (which might be a bit too morbid for «Golden Girls» fans), players must «solve the crime of who ate the last piece cheesecake, what they left at the scene of the crime, and which room they did it in,» according to USAopol
In this game
of Clue, instead
of murder (which might be a bit too morbid for «Golden Girls» fans), players must «solve the crime
of who ate the last piece cheesecake, what they left at the
scene of the crime, and which room they did it
in,» according to USAopol
in,» according to USAopoly.
The story
of continuity also ties to perceptions
of impunity — no one
in Burundi has thus far been prosecuted for political
murder -, to lack
of progress on questions
of justice and memory, lack
of trust
in the newly established Truth and Reconciliation Commission (which interestingly only appeared on the
scene months before the election,
in December 2014), and perceptions
of corruption, abuse
of office, the sense
of being «used» by those
in authority (people speak
of being their «bridge» to other objectives).
• We should have made it clear that software analysis
of DNA from the
scene of the
murder of Meredith Kercher indicated only that Amanda Knox's DNA was not present
in one sample on a bra clasp found at the crime
scene (6 July, p 15)
Mills is married and not one for intellectual responses to
murder scenes (his response to Somerset's suggestions to read Dante comes
in the form
of Cliff's Notes); he seems to epitomize what might be generally described as the American love
of the practical over the theoretical.
The
murder involves the a friend
of the governor (an occasionally appearing Whit Bissell — he's
in lots
of posters, but rarely
in scene).
Two years later, Gazzara played arrogant
murder - trial defendant Lieutenant Manion — the one with the «irresistible impulse» — in Otto Preminger's Anatomy of a Murder, slyly stealing scenes from the film's «official» star, James St
murder - trial defendant Lieutenant Manion — the one with the «irresistible impulse» —
in Otto Preminger's Anatomy
of a
Murder, slyly stealing scenes from the film's «official» star, James St
Murder, slyly stealing
scenes from the film's «official» star, James Stewart.
If the guard is not precisely self - aware, he does make the act
of torture (and
murder, which becomes a natural extension) into a
scene you might recognize, not only from other movies or stories about torturers, damaged souls
in need
of punishing or saving.
Interestingly, Clive makes a wonderful - homage to Orson Welles (himself an illusionist
of high - caliber)
in the early
murder -
scene of the fortune - teller.
While filming his documentary
of Dal Dong Nae, the poverty - stricken neighborhood
in Seoul, Su - man witnesses a
murder scene where three men
in masks killing a woman.
Our serial killer this season is an older man
in his late 50's / early 60's yet the writers failed to take this into account
in some
of his
murder scenes.
A laugh - out - loud - bad stinker
of a movie
in which * you * know what Eastwood's next «discovery» will be
in the
murder case a long time before does, and every potentially powerful
scene is undermined by coarse acting, bad script and cheesy music.
Dispute still rages as to the provenance and power
of Psycho's notorious shower sequence, which has become perhaps the most iconic
murder scene in the history
of cinema.
Emile Hirsch and Brian Cox co-star as Austin and Tommy Tilden, a father - son coroner team tasked with performing an emergency autopsy on an unidentified woman found
in a shallow grave at the
scene of a
murder.
A
murder in the surf reminds so much
of Mann's climactic sequences from Manhunter that it could be a lost
scene from that film.
In the penultimate shot, dead Lincoln is lying on a small bed, nestled as a baby, his face quite calm, it is obvious that his murder has not astonished him; then in the final scene at the Capitol, Lincoln is standing erect, in action, delivering a speech to the multitude in the middle of the fram
In the penultimate shot, dead Lincoln is lying on a small bed, nestled as a baby, his face quite calm, it is obvious that his
murder has not astonished him; then
in the final scene at the Capitol, Lincoln is standing erect, in action, delivering a speech to the multitude in the middle of the fram
in the final
scene at the Capitol, Lincoln is standing erect,
in action, delivering a speech to the multitude in the middle of the fram
in action, delivering a speech to the multitude
in the middle of the fram
in the middle
of the frame.
The
scene of the crime, the first
murder in Fort Dundas
in four years, is especially grisly, as the old woman has had her head severed almost completely and her face frozen
in a state
of shock.
In some scenes she is hard, steadfast and bold like her character in «Crash» or «Murder By Numbers» which would have been an asset if «Our Brand in Crisis» were more like «Ides of March»
In some
scenes she is hard, steadfast and bold like her character
in «Crash» or «Murder By Numbers» which would have been an asset if «Our Brand in Crisis» were more like «Ides of March»
in «Crash» or «
Murder By Numbers» which would have been an asset if «Our Brand
in Crisis» were more like «Ides of March»
in Crisis» were more like «Ides
of March».
Hazel and company's investigation finds a common feature
of the
murder scenes: victims» faces have all been manipulated to endure rigor mortis
in a very deliberate fashion, something that would require great patience from the apparent psychopath at large.
And any Washington movie must have a moment
in the Oval Office
in which a major lie gets told and a chase
scene that lands us
in the black enclave
of Adams - Morgan, where the
murder rate makes Washington the
murder capitol
of the world.
In a moment
of panic, Naz flees from the
scene and is eventually captured and charged for
murder.
Twenty years after discovering her mother
murdered in her family's lighthouse home, traumatized Katelyn returns to the
scene of the crime to confront her worst fears.
The
murder and execution
scenes are shown at full length: some
of the more explicit details were removed from Dekalog V,
in consideration
of its television audience.
In addition to Mona's death and another
murder, an extended
scene depicts the speculations
of three dimwitted members
of the town's police force regarding Jeff's missing hand.
The
scene ends with Swinton's mother waking up and leaving her house to find it (and her car) splashed
in red paint by her fellow citizens, as her son, possibly stewed
in the resentment and frustration
of the mother, has grown up to become a neurotic sociopath responsible for
murdering his fellow students
in a school shooting — which
of course is young people splashed
in a different kind
of red.
Here is the story
of a man whose first pivotal memory is as a young servant picking cotton at a farm
in the South, helplessly watching his father being
murdered in cold blood for daring to call out the owner for raping and beating his mother, and whose final
scenes in the movie see him visiting the White House after voting for the first African American President
of the United States.
Other significant personal preems,
in order
of original release, included: Buster Keaton's Go West (1925) and College (directed by James V. Horne, 1927); Howard Hughes's and James Whale's Hell's Angels (1928 - 30), featuring (sorry, other Howard) the most awesome aerial
scenes I've ever witnessed; John Ford's Up the River (1930) and Airmail (1932); Michael Curtiz's The Kennel
Murder Case (1933), utterly silly but quite beguiling as an empty exercise
in directorial pizzazz; Gordon Wiles's — and Daniel Fuchs's — The Gangster (1947), an archetypal arty film noir; Val Lewton's Apache Drums; (directed by Hugo Fregonese, 1951); Richard Fleischer's The Narrow Margin (1952); Robert Bresson's Quâtre Nuits d'un rêveur (1971); Tobe Hooper's The Texas Chainsaw Massacre (1974); Phil Karlson's Framed (1975); Clint Eastwood's The Gauntlet (1977); and Robert Mulligan's Bloodbrothers (1978), which returned to Seattle (after a five - day first run
in» 78) only via Showtime.
His
murder of Supreme Leader Snoke and the subsequent throne room
scene was one
of the best parts
of the film and we hope that Abrams can conclude this character arc
in a proper way.
It turns out Gidi is the father
of the girl that had just been
murdered (he can be seen
in an early
scene but little attention is specifically paid to him).
Yet, the film plays out with little sense
of requisite suspense that made the first Psycho such a great film, and many
of the
scenes, including the
murders, play out as if they were made for a psychological drama, rather than
in a scary horror flick or tense, nail - biting thriller.
Rosi uses the same montage style from the «baptism
murder» sequence
in Coppola's film, cutting from a lavish dinner held
in Luciano's honour to
scenes of bosses being shot to death
in various locations, mostly
in Peckinpah-esque slow - motion.
Except for a well - staged
scene depicting the attack on the marchers on the Edmund Pettus Bridge, the best
scenes in «Selma» are the small - scale ones: Oprah Winfrey (also one
of the film's producers) as an bedraggled activist denied the opportunity to vote; a
scene where King's wife, Coretta (Carmen Ejogo), confronts him about his philandering; a cameo involving the father (portrayed by that marvelous actor Henry G. Sanders)
of a
murdered man
in Selma.
Where this single soundtrack selection
of Aileen 2 is pointed, even prophetic, the music
in Monster is strictly prosaic (a love
scene following a
murder scene is banally accompanied by Tommy James & The Shondells» «Crimson And Clover») and illustrative
of the movie's tendency to take the path
of less resistance.
Director Harold Daniels is no visual stylist and there's a slackness to many
of the
scenes, but he comes to life
in a nighttime
murder scene that he transforms into a model
of noir violence, an urban street fight
in the dark
of the empty city picked out
in shards
of light (credit likely goes to cinematographer Nicholas Musuraca, RKO's crime movie vet), and the screenplay co-written by Steve Fisher has a bite
of irony
in its twists.
Set
in 1962 during the height
of the Los Angeles jazz
scene, «The Spoils Before Dying» follows Rock (Michael Kenneth Williams) as he becomes the Prime Suspect
in the double
murder of singer and his occasional lover Fresno Foxglove (Maya Rudolph) who is found dead
in a car with another man.
And
in a truly bizarre move, Van Sant delves into Oliver Stone's bag
of tricks, arbitrarily slipping
in subliminal shots
of storm clouds and deer (among other things) during the
murder scenes.
Though most behind - the -
scenes features showcase the production process once filming is underway, The Player gives us a glimpse
of what goes on behind the
scenes of the behind - the -
scenes process, where the only dreams that come true are for the people up top — the people who feel that anyone can make a story that will entertain millions, while the lowly creators that nurtured the initial ideas are seen as little more then expendable goods hardly worth receiving input from once the studio handlers squeeze their foots
in the door, symbolically getting away with
murder — the figurative death
of the writer
in the Hollywood production process.
After side - stepping a number
of plausibility issues (like speeding from a
murder scene right
in front
of the arriving police without attracting any suspicion), Nightcrawler tries to combat them with climactic conflict.
Many expectant moviegoers had been describing McTeigue's Poe film as Se7en
in 19th Century Baltimore but, sadly, The Raven lacks nearly all the aspects that made David Fincher's serial killer film so captivating — i.e. jaw - dropping reveals, smart twists, and — despite loads
of Poe stories to pull from — intriguing
murder scenes are all
in short supply.