Sentences with phrase «scene of the film comes»

The opening scene of the film comes to N'Jobu and Zuri (performed through Denzel Whitaker on this scene and flashbacks, and Forest Whitaker afterward) making a plan to damage her out.

The truly memorable and most gut - wrenching scenes of the film come in the form of found - footage (truly found fooage!)

Perhaps the most memorable scene of the film comes during the exciting climax where Doyle is chasing a subway train containing his would - be assassin through the busy streets of New York City.

Not exact matches

He remarked that whenever he sees heart - rending scenes of famine victims he wonders, «How come the film crew didn't just give the kid a sandwich?

Despite the sinister scenes of this thriller, The Talented Mr. Ripley, the 1950s film set offers some serious inspiration when it comes to packing for a summer vacay.

One of the most iconic style moments from the film comes courtesy of a prom scene where Andie shows up in a pink dress she made herself.

The DVD also includes the 30 - minute «The Hidden Side of «Persepolis,»» which delves into how the comic book originally came about and how Satrapi set out to adapt it to film, and the 8.5 - minute «Behind the Scenes of «Persepolis,»» which gets up close and personal with the voice talent and animators.

The film's most joyous musical scene comes not at the big climax performance (which is definitely pretty great), but rather about halfway through, when the campus» four a cappella groups meet at the bottom of an empty swimming pool (just go with it) and have a battle.

The final scenes in the saga of Harry Potter look «right» but don't produce the awe of truly great fantasy films that comes with true artistic interpretation.

Stanley Kubrick made news a couple of years before when he filmed scenes for his Barry Lyndon only by candlelight; Malick and Almendros routinely films in pre-dawn shadow and post-sunset darkness, and come up with magical - looking footage.

The film does falter when Letts and Friedkin choose to take it outside of its theatrical origins, especially in a motorcycle scene that feels like it came from another movie, but it's a minor complaint.

Even when the film is dragging and airless, he comes into a scene and knocks it out of the park every time with a word, a gesture, a line delivery.

Mr. Kingsley gets a big, chilling scene near the end, and the film comes full circle to a concert of the Schubert quartet, where Paulina and Gerardo spot Miranda.

Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond in a dramedy that spans decades and includes scenes shot in black - and - white and color, constantly changing to match the film styles of each period.

For his elaborately choreographed fight scenes, Canutt developed a new, more realistic method of throwing punches, positioning the action so that the camera filmed over the shoulder of the actor receiving the blow, with the punch itself coming directly toward the lens.

A disastrous film that wants to be more complex than it should be, coming up with more and more unnecessary details at the expense of simple concision, and so the obvious, predictable narrative gets lost amid contrivances, implausible scenes and plot holes the size of Africa.

If you've seen «The Room» (and, yes, you should), part of the payoff of Franco's film comes in the re-creations of scenes from the source.

But given that it's easy to predict what comes next once you realize how the film's timelines work, Killing Ground is virtually suspenseless for the duration of its most harrowing scenes, as the people you suspected were going to die in terrible ways die in terrible ways, with some subtle, gut - churning intimations of sexual assault for extra impact.

From the series of pranks and stunts that are done to ruin Shack professionally throguh the scenes of A No. 1 trying to educate Cigaret all the way to the big final confrontation aboard the moving train, this film is fileld with energy, tension, and the world being presented really comes alive in all of its unsavory detail.

Here he was one of the reasons the film somewhat came alive with an energetic pace, well executed scare scenes and polished visuals.

The portrait of Lincoln that Spielberg presents — in a film that often plays like a tense, high - spirited political thriller as influence is peddled behind the scenes and votes come down to the wire — will no doubt surprise viewers raised on a more staid version of the Great Man.

In between those two scenes comes a wonderfully crude film (we're talking Superbad levels of raunchiness), but one in which the overall vibe is sweet: kids patiently waiting for their parents to grow up already.

Inspired by the lives of Lili Elbe and Gerda Wegener, this remarkable love story comes with an exclusive behind - the - scenes featurette about the making of the film.

Nicholson's come in a graveyard scene at the beginning of the film and in the long stretch after he returns to his home.

And while some scenes do portray a gratuitous amount of almost Tarantino - level violence that comes out of nowhere, most of Gangster Squad's violence feels justified, and redemptive, echoing a theme of the film that makes it more fun than your average action fare: heroism.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

And pacing problems aside, the scifi-less first third of the film was necessary setup for a Cornetto Trilogy staple: That scene that comes along and punches you right in your tear ducts.

Naomie Harris said she doesn't smoke or drink, so for the film's latter scene when Chi» ron comes to visit her and she's trying to light the cigarette, she didn't know that director Barry Jenkins had pulled Trevante Rhodes aside and told him to take the cigarette out of her hand, so what we see on screen in that moment was improvised on the spot to come to her rescue.

Both of the men are seen conversing on camera, and there comes a great scene at the very end in which the directors take turns filming a statue and explaining their technique.

Content to merely spend time with its characters as they chat, bicker and strategize, the film comes off as a lackadaisical throwback oater until it reaches its climax, at which point Bone Tomahawk veers suddenly, shockingly into outright horror, replete with what may be the most chilling, unforgettable death scene of the year.

Yet unlike those film's heroes, Richard is neither a Christ figure (in one scene he expressly denies that he is Jesus — or indeed the Devil), nor an agent of divine justice (the film's first line is «God will forgive them, He'll forgive them and allow them into heaven — I can't live with that»)-- and while there is no doubt that his judge - jury - and - executioner attitude towards vigilantism is entirely reactionary, both his morality and his sanity come to be called into question by the film.

The film makes light use of a fairly heavyweight cast: Michael Douglas and Antonio Banderas in particular come and go, act in a couple fo scenes and then leave without making much of an impression.

The 3D Blu - ray and the Blu - ray both come with a DVD of the feature film with limited features, including deleted scenes and a somewhat arrogantly proud featurette called «Re-Forging the Legend.»

Captain America: Civil War was smart enough to act as a soft origin story for Black Panther, using a handful of well - placed scenes to introduce the character among the melee of the rest of the film, so that when Black Panther proper came out, we were already more or less up to speed.

Now, following a prestigious, sold - out run across North America and Europe, this extraordinary film is coming to DVD / Blu - ray via Severin Films, with extras including deleted scenes, interviews, featurettes, and audio commentary courtesy of Nguyen and stars Alan Bagh and Whitney Moore.

The best part of the film was Cumberbatch as Strange and the end credit scene with a certain character that makes me excited for what is soon to come.

Oh, and I almost forgot Fangoria writer Michael Gringold's loving 40 - page commemorative book that also comes with this set, featuring an efficient history of the franchise and dozens of incredible, rare behind the scenes images, many of which can also be viewed within the still galleries included on the various discs for each film.

The pacing is good, but the film also comes with many obvious markers of rough editing and recuts, which makes the middle section feel muddled and disjointed; it's hard to see certain scenes as sequential and purposed, rather than stitched together from parts of what was seemingly a deeper (and longer) character study.

I'm rather jaded when it comes to horror - movie beats, but in addition to being an incredibly well - crafted little shocker, Veronika Franz and Severin Fiala's film manages to include multiple scenes of horrifically compelling imagery that caused me to avert my eyes in discomfort.

This scene was par for the course for the majority of Hollywood's existence when it came to trans men and women (see also, Bachelor Party), and is one the film community is only just beginning to buck.

But I kept telling the studio, and I kept telling Ryan, I'm like, «No, the director's cut going to come in at like 2:12,»» Leitch explained about his rough cut of the film before elaborating that the extended version contains a montage of Deadpool attempting suicide, some extra material with Domino and alternate takes of existing scenes with different dialogue.

He came onto the scene as Meathead of course in ALL IN THE FAMILY but found success in his first theater film THIS IS SPINAL TAP.

The theme of «Moonlight,» writer - director Barry Jenkins» melancholy meditation on one young man's coming - of - age, is summed up in an early scene in the film.

The film quickly traces the history of the footwear from its utilitarian beginnings up to the 1980s, when sneakers started to come into their own as a uniform of the burgeoning hip - hop scene, as evidenced by Run-D.M.C.

But the film has a real feel for the miners and their struggles, which comes through memorably in a scene in which Nighy (absolutely wonderful, as always) tells the members of LGSM that in his town, «The pit and the people are one and the same.»

There is only one battle scene — at least, of the military variety — in Steven Spielberg's Lincoln, and it comes at the very beginning of the film.

One of the best qualities of Doctor Strange is that, with the exception of a passing reference and extra scenes in the credits, there's almost nothing within the film that refers to the dozen - plus other MCU properties that have come before, which makes it a perfect one to take in for those who are uninitiated.

The scene comes in a section of the film that includes video of Mick Jagger and Brian Jones of the Rolling Stones introducing a 1965 British TV audience of screaming teenagers to «one of our greatest idols,» blues legend Howlin» Wolf, and an archival recording of Howlin» Wolf describing how he learned the guitar from his own idol, Patton.

It's somehow cyclical, how from the barren earth of winter a new harvest will come forth; over the film's closing credits we see just that, home - movie archive scenes of harvests past.

The payoff for his method comes in scenes like the film's two very long and unbroken takes, when he calls on his actors to use the disciplines of the stage as well as the screen.