Sentences with phrase «scene of the movie year»

And I can't even start on Anne Hathaway's «I Dreamed a Dream» which is everything — the single best scene of the movie year.

For instance, one of the most electric scenes of the movie year occurs late in the action, when Rockwell's hapless deputy drowns his sorrows in a bar.

One of the most excruciating scenes of the movie year comes when Roberts goes off to investigate a routine homicide and finds that the victim is someone close to her.

Not exact matches

According to Entertainment Weekly «the last time a movie with a real star - on - star love scene topped the yearly box office... was 16 years ago when Jack and Rose fogged up the inside of a town car in Titanic.»

Those who were lucky enough to be pulled or pushed, a year or so ago, to the Beatles» first movie, A Hard Day's Night, will recall the enchanting scene in which the four of them escape from the prison - like television studio, where worldly men are trying to get them to perform properly, and flee to an open field for a few surrealistic moments of jumping, dancing, abandon.

I sincerely hope they make a real movie (with actors and everything) a couple of years after he retires, portraying some real untold stories of what happened behind the scenes.

Liam Neeson has become extremely popular over the years for his amazing action - packed movies and one of a kind fight scenes...

Plus, we feature a special bonus article that goes behind the scenes of the movie The Martian, which in recent years has put plans for inhabiting Mars in the limelight.

PG - 13 films account for nearly two - thirds of the smoking scenes adolescents see on the big screen, according to the two - year study, which surveyed roughly 5,000 children ages 10 to 14 about the movies they'd seen and whether they'd ever tried a cigarette.

If you're following me on Instagram and watched my stories you might know that I'm a big Star Wars fan, one who watches the entire trilogy at least 2 - 3 times a year (and the battle scenes of the prequels every now and then) and one who was skeptical when Disney first acquired the movie rights but was eventually content after watching The Force Awakens, though not completely satisfied as to why that movie was even necessary in the first place.

I remembered a lot of opera scenes from many different movies I'd watched over the years.

The speed dating scene in «The 40 - Year - Old Virgin» became one of the most memorable from the movie.

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Even bankers think it is a nice little scene: I happened to see this again recently, since it is one of my favorite World War II movies and I look at it every couple of years.

Their chemistry is a big part of what makes this movie work, especially the hotel bar scene and its continuation contains more sparks than some movie years combined.

Featuring my absolute favorite scene so far this year (set to the Starship song «Nothing's Gon na Stop Us Now»), The Skeleton Twins is a bit of a miracle of a movie.

One of the year's most unsettling movies, Shira Piven's Welcome To Me stars Kristen Wiig as Alice Klieg, an Oprah - addicted recluse who wins the lottery, goes off her meds, moves into a casino and spends fifteen million dollars to star in her very own talk show, Welcome To Me, in which she eats a cake made out of meatloaf and hires a series of women to re-enact traumatic scenes from her childhood.

Indeed, it's thanks to Kidman that one of the most astounding movie moments of 2004 occurs in what is otherwise one of the year's worst films: an expertly shifting play of emotions, from doubt to epiphany, that Kidman's Anna beautifully conveys across a lingering close - up, in a scene set in a concert hall.

The Aviator is a well made film, and one of the year's best, with enough great moments to make the three hours not seem so long, although some trimming down of certain characters and scenes could still be done (Jude Law's cameo as Errol Flynn seems to be just an excuse to get him in the movie for a few minutes).

«Bad Moms» delivered one of the most hilarious scenes in a comedy this year (yes, we're talking about the grocery store one) so we're excited about the prospect of another movie featuring the Mila Kunis - Kathryn Hahn - Kristen Bell trifecta.

I decided this year that instead of naming 10 movies, which I'm sure many of you have heard of before, I'll switch it up and make a list of the ten best moments / scenes of 2014.

Sheridan first arrived onto the movie scene in 2011 with The Tree of Life and then with Mud just a year later.

That's our convoluted way of saying that The A.V. Club looked both high and low for the best scenes of 2015, culling from a whole spectrum of films — some likely to appear on this week's best - movies - of - the - year list, others unlikely to appear on any such list, and at least one certain to get called out in our public shaming of the year's worst movies.

Except, of course, in the brilliant, bird's - eye opening shot, which is one of the great, funny, paranoid curtain - raisers of recent years — and I'd say the best movie soccer scene of all time.

Last year's blockbuster Thor: Ragnarok will be available on Blu - ray and DVD next month, and it will include a slew of bonus features, including deleted scenes, featurettes that go behind the scenes of the making of the movie, a brand new short film featuring Thor's former roommate Darryl shacking up with The Grandmaster, and much more.

I may have missed it on your list... that was definitely one of my favorite movies of the year, especially with the lip - syncing scene.

And there are a couple of effective moments: an early scene, in which we see an advancing «army» (about four men to be honest) of zombies in the WW1 trenches is well done, and it's a shame Halperin didn't concentrate on this aspect of the story — had he done so he would have beaten the first horror movies (to my knowledge) to be set in the Trenches by some sixty years.

In an early scene, after Nick has saved the life of a yakuza in prison and has been rewarded with his freedom, he encounters a corrupt and loudly racist American bureaucrat (Rory Cochrane) still in Japan after the War (have I mentioned that we're supposed to be only a handful of years post-Hiroshima in this movie, even though the aesthetics all scream contemporary?).

«The past year has seen the rise of the Time's Up and #MeToo movements, which have transformed the conversation in the industry and among the movie - going public, and are driving change behind the scenes and in the media,» said Sarah Kate Ellis, GLAAD's president, in the study.

The tsunami sequence in The Impossible is likely to get most of the attention — and rightfully so, since it's ten of the most harrowing minutes most moviegoers are likely to see this year — but the movie is actually filled with smaller but no less gripping scenes of these family members scrambling to find each other amid of landscape of wreckage and strangers.

But with these two movies — one set against the backdrop of the movie biz, the other in the music scene — shooting last year back - to - back, we can only imagine the unbelievable stack of footage Malick's teams of editors are sorting through, as they cut half the cast out and help him find the movie and tone he wants.

Kids today, perhaps the prime audience for «Max,» could be troubled by some aspects of the movie, but ultimately they will acquire a real - life, vicarious experience involving the death of a 14 - year - old boy's brother (shown graphically in a scene from Afghanistan) and the violence involving gun smugglers, one of whom violates the Marine code of behavior by being involved in the theft and sale of AK - 47's and a bazooka.

The idea behind the scene is funny, because what can we expect from a movie like Cop Out, which quickly establishes a nine - year partnership between two cops played by a straight - up straight man like Willis and an absurdist, stream - of - consciousness comedian like Morgan, except the formulas and clichés to which we've become accustomed?

It's based on the famous scifi novel of the same name by Jeff VanderMeer and though it's not expected to hit theaters until next year, a few behind - the - scenes photos show the movie is going to be seriously beautiful.

Directed by Wayne Wang, it's companion film, shot on the set during downtime while filming the movie, is very funny, has a cast of dozens (including some great scenes with Jim Jarmusch and Lou Reed) and ranks # 44 this year.

It's based on the famous scifi novel of the same name by Jeff VanderMeer and though it's not expected to hit theaters until next year, a few behind - the - scenes photos show the movie is going...

Outside of an impressive overall ensemble (Betty's wife Annette Bening, Steve Coogan, Oliver Platt, Alec Baldwin, Haley Bennett, Ed Harris, etc.) the scenes in the trailer showcase a movie feels a bit dated (and not just because it took place almost 60 years ago).

The documentary answers why GoodFellas is still so enthralling 25 years later, and the answer is because of the details and authenticity Scorsese poured into every shot of the movie, from adjusting Liotta's tie just right in every scene, to having the song «Layla» by Derek and the Dominoes play at an exact time in the film.

However, there are always a few surprises, a few movies that feel less inspired by Richard Linklater and more inspired by something unexpected, and such is the case with a pair of flicks from this year's fest that owe more to European horror from the «60s and «70s than anything from the modern independent scene.

One of the more bone - headed moves within the scene of U.S. film criticism this year was Manhattan alternative weekly, New York Press «inexplicable firing of movie critic Godfrey Cheshire, to my mind the most intelligent and interesting writer in his field.

The scene where she hops out of her van to run after the Mustang has to be one of the funniest movie moments of the year.

Marvel's Howard the Duck all but disappeared after his eponymous 1986 film failed miserably and entered the pantheon of terrible comic book movies, but the character is primed to make a triumphant return, thanks in no small part to a funny post-credits scene in this year's runaway hit, Guardians of the Galaxy.

That's why, every year, The A.V. Club finds room not just to count down our favorite whole films but also to highlight the strongest standout, stand - alone scenes — some of them pulled from those aforementioned best movies of the year (which we'll unveil later this month), others most definitely not.

Catching on that traditional animated movies» days may be numbered and cashing in on the public's fascination with the CG process the whole scene looks positively crowded this year: 2004 sees the release of four entirely digital films - Shrek 2 and Shark Tale from DreamWorks, The Polar Express from Warner Bros., and of course The Incredibles.

«It has a level of sophistication in its physiological unraveling that you don't see very often, especially in horror movies,» the 33 - year - old English actress expressed in her just released behind - the - scenes interview — Check it out below!

It hasn't been a particularly memorable year at the movies, especially for those in search of a good comedy, so it's a relief to see a film like «We're the Millers» arrive in theaters, because although it's not as funny as its behind - the - scenes talent might suggest, it's one of the better comedies released thus far.

This is The End is one of the funnier movies of the year, partially due to this scene alone.

In celebration of The Disaster Artist movie release and The Room's 15 year anniversary, Co-star, line producer and former Wiseau roommate Greg Sestero is coming to town to present an exclusive behind the scenes documentary about the making of The Room, a live reading of this first edition of Tommy's screenplay, which features settings, dialogue and plot devices that never made it on screen!