Sentences with phrase «scene out of the streets»

Our New York chatline is always active and take the dating scene out of the streets, off the clubs, and moves it into deep and meaningful phone conversations in absolute privacy.

Our Los Angeles chatline take the singles scene out of the streets, off the clubs, and transfers it into meaningful and deep phone conversations.

Not exact matches

Although they may not be the type of humanoid robots you imagine, roaming the streets like a scene out of the movie «I, Robot»; chatbots are on the march nonetheless.

Now the trailer's out, and it's a spectacle, including massive scenes of disaster and Catwoman spouting Occupy Wall Street - type rhetoric, if OWS were a violent revolution.

As Naomi Schaefer Riley noted in the Wall Street Journal about events this year at Notre Dame: «About thirty students walked out of The Vagina Monologues in protest after the first scene.

I went out with the street preaching guys and watched them use the Way of the Master street fight skills to beat up unsuspecting patrons near the downtown scene in our nearest big city.

The sense of being outside of time did not change when they departed two days early from school, when they spent three hours on the bus to Eugene staring out the window with their Walkman headphones on, when they wandered through the swirly paisley carpeted hotel hallways, or went in street clothes to have a walk around Autzen Stadium, where a sex scene in Animal House was filmed.

A Washington Post journalist on the scene confirmed the first lady, who's made a cause out of child nutrition, ordered a ShackBurger, fries, chocolate shake and a Diet Coke while the street and sidewalk in front of the usually - packed Shake Shack were closed by security during her visit.

«People used to leave the area to go out to dinner,» says Ramadan, who points to the burgeoning nightlife scene on Dyckman Street as one of his successes.

Like a scene from the movie «French Connection», Westchester County Police pried out 210 small glassine envelopes of heroin, with a street value of more than $ 2,000, hidden under a carpeted area near the center console of a 2001 Mitsubishi Galant that had been impounded following a routine traffic stop on the Hutchinson River Parkway in New Rochelle.

That said, a new crop of style stars have infiltrated the scene, so check out this revamped list (in no particular order) of 35 street style stars you should know as we head into Fashion Month — from established editors to faces you've probably seen but can't quite place.

However, on the way to our intended destination, we caught a glimpse of the blue waters of Lake Ontario down a side street, and couldn't resist turning off and checking the scene out for ourselves.

As always there were memorable moments — awesome street style, amazing backstage scenes and beauty, out of this word amazing collections, parties, visit from Nemo blizzard and more.

There IS an audio synch issue as Mills and Summerset step out of the first murder scene and onto the new York streets.

But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string section and children's choir, intercut with scenes of Cave onstage over the years.

Michael B. Jordan, who broke out in Coogler's debut film, «Fruitvale Station,» brings scrappy, street - smart volatility to his performance as a character with whom T'Challa has a karmic connection, and Gurira steals every scene she's in as an indomitable warrior trained in the art of spearcraft.

In the next scene, older now, they have a young son, Rocco, they both adore and run a small but thriving tax return and travel agency out of a street - front office in the heart of a Turkish quarter.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

We see him in a Chicago theatre, raptly registering every scene of a gangster flick, Manhattan Melodrama (the script won an Oscar) with Clark Gable and William Powell, before stepping out into the street to meet his death.

Now that the retail version is out, thanks to broken street date, we have an apparent comparison of similar scene from the E3 2013 reveal trailer.

Whether this is true, or just fun myth to play with in interviews, Hoskin's unusual man of the cloth, just seething under the surface, has a great scene where some street bullies push him to beat the living hell out of them.

He brings the pacing of Creed's boxing matches to the longer action scenes, producing a fabulously entertaining sequence in which a shoot - out in a South Korean underground casino — presented in part as an uninterrupted long take — breaks out into a rollicking car chase through city streets.

And there are a couple of scenes that are really stunning, like the bus shooting, and an emergency room operation, and scenes where the partners try to shake up street people to get a lead out of them.

Director Harold Daniels is no visual stylist and there's a slackness to many of the scenes, but he comes to life in a nighttime murder scene that he transforms into a model of noir violence, an urban street fight in the dark of the empty city picked out in shards of light (credit likely goes to cinematographer Nicholas Musuraca, RKO's crime movie vet), and the screenplay co-written by Steve Fisher has a bite of irony in its twists.

While the erotic content stands out, McQueen creates many other, memorable scenes, such as Brandon weeping at his sister sings a slow, moving rendition of «New York, New York» in a nightclub, or a mesmerizing scene in which Brandon jogs down the streets of New York for long minutes, drowning out the noise with Glenn Gould on his headphones, and trying to re-focus himself.

The film opens with a black - and - white, La Dolce Vita-esque scene of Rome as Paul is walking down the street at night and suddenly abducted by what turns out to be a splinter group of extremists from the Italian Red Brigade, which regularly kidnaps high - profile targets.

From the opening scenes, Reed establishes a tension: strangers ominously eye their movements through the airport and a young boy on a bicycle, an otherwise unobtrusive figure of innocence playing in the streets, tails their taxi and makes lazy figure - eights outside their home, a lone building jutting out of the rubble and ruins of their sector of the city.

Tsui sets his avoidance dances in confined spaces (tiny apartments, backstage dressing rooms), but To's are set out in the open: a fountain in a public park, a street corner, a sidewalk (a similarly choreographed scene plays out as well early in Romancing in Thin Air, itself a kind of compendium of all of To's romantic comedies, where Sammi Cheng and Louis Koo wander outside the grounds of the hotel, oblivious to each others» presence despite occupying the same film frame).

In the time before then, Time Out of Mind uses an excessive amount short scenes that illustrate daily life on the streets to highlight societal indifference towards the homeless.

21 Jump Street also made fun of the actors looking nothing like high schoolers, but its best jokes concerned exposing how socially out - of - date they were; a scene where Schmidt calls Molly (Brie Larson) and she is mildly nonplussed to be actually called on a phone instead of texted is one of the smartest and subtlest jokes in the whole film.

Slipping into the world of his novel, he spent the next six weeks laughing and arguing with his characters, acting out scenes like a madman on the streets of London for hours on end.

Set to Italian pop hits of the eighties, this nearly wordless gem plays both like a perfectly choreographed extended dance piece and a deliriously woozy wander into the nocturnal heat, with entire relationships playing out in brief street - corner scenes.

Scott Porter, seated in wheelchair, who plays Jason Street yells out to his teammates as they film a scene during the filming of the season finale for Friday Night Lights at Texas Stadium in Irving on March 10, 2007.

Already, with his first feature, Saturo displays an uncanny sense for finding just the right place for his camera, and a knack for bringing out the unexpected in every scene, as he follows a lonely high - school student's mysterious, quixotic search for the identity of a homeless man who's apparently been killed by young street thugs.

Setting up his scenes in the crowded streets of New York, Director Richard Donner keeps the reins on this production by mixing tense, action - packed scenarios with moments of quiet desperation as the worn - out detective and his nervous sidekick attempt to elude the inevitable.

Directed by the great Tomas Alfredson (Let the Right One In, Tinker Tailor Soldier Spy), with a screenplay written by the talented trio of Peter Straughan (The Debt), Hossein Amini (Drive) and Søren Sveistrup («The Killing»), featuring behind - the - scenes work from the likes of editor Thelma Schoonmaker (Raging Bull), cinematographer Dion Beebe (Chicago), composer Marco Beltrami (The Hurt Locker) and production designer Maria Djurkovic (The Imitation Game), and listing Martin Scorsese (Silence, The Wolf of Wall Street) as one of its primary producers, how things turned out so disastrously I have no idea.

Crowd scenes abound, particularly on the streets of New York as Lee and Kyle head out to meet this CEO followed by the entire New York police force and half of the people previous strolling casually through New York's financial district.

Instead, Arthur's intelligence fits purely within the «street - smart» rubric, best evidenced in Legend of the Sword's most outwardly Ritchian scene, in which Arthur plays out an entire negotiation in hypothetical terms as the images show his detailed forecast of how a scheme will go.

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In the vilest scene, a drunk Jason pistol - whips the signs» owner (Caleb Landry Jones), throws him out of a second - story window, punches his secretary, walks downstairs and then kicks the bleeding Red once again in the middle of the street.

This is a discussion on SCOOP: 2015 Land Rover Discovery Sport spotted undisguised within The Indian Car Scene, part of the BHP India category; The 2015 Land Rover Discovery Sport has been snapped while being tested out in the open, on the streets of...

When a dozen or so girls and mothers gather on an Echo Park street corner to act out a scene from a Madonna music video, they find themselves caught in the crossfire of a drive - by shooting.

The good news is that the word of the HSUS sell out barely hit the streets and The Puppy Mill Project and other groups mobilized behind the scenes.

Experience the thrill of shopping on Oxford Street or browsing Portobello Road Market, dine in one of London's most romantic restaurants, then check out the vibrant bar and club scene at night — there's never a dull moment in the energetic British capital.

At the heart of DTSM is the world - famous Third Street Promenade, an open - air pedestrian mall featuring three blocks of vibrant street scenes with outdoor dining, throngs of local and out - of - town visitors, street performers and the best shopping avaiStreet Promenade, an open - air pedestrian mall featuring three blocks of vibrant street scenes with outdoor dining, throngs of local and out - of - town visitors, street performers and the best shopping avaistreet scenes with outdoor dining, throngs of local and out - of - town visitors, street performers and the best shopping avaistreet performers and the best shopping available.

Cruise the city's canals lined with stilted houses, shimmering temples and fascinating scenes of everyday life before venturing out to explore Bangkok's many bars, restaurants and teeming street stalls.

The downtown Coronado scene on main street is hip, low - key and filled with posh shops, cool eateries and of course brew pubs to hang out in.

When you want to take a break from sipping and swirling, check out the Funk Zone's galleries and studios, as well as its ever - changing murals on Mason Street, part of an ongoing project by AMASS (Artists Making A Street Scene).

Take pleasure in the sweeping views of Melbourne or soak your worries away in the eight - seater balcony spa while looking out over Chapel Street's thriving art, fashion and culture scene.

If you'd like to check out some more of the Darwin dining scene, our hotel is situated adjacent to the Mitchell Street dining hub, offering plenty of dining options within easy walking distance.