Sentences with phrase «scene selections on»

Inside with the disc is a two - sided insert with the scene selections on one side and an advertisement for The Sword in the Stone: 45th Anniversary Edition on the other.

Inside the case, a double - sided insert lists the 12 scene selections on front and promotes four Disney Channel movie DVDs on back (including this one).

The lone interior insert provides scene selections on the front and an ad for all of the available Ghibli DVDs from Disney, including this current wave, on the back.

Not exact matches

Filho obviously wants to convey the naive outlook an impressionable young girl would have on her own situation, but there's far too much manipulation involved to take her selection of scenes seriously.

The Blu - ray debut features all the supplements of that release: three commentary tracks (one by director Terry Gilliam, one by stars Johnny Depp and Benicio Del Toro, and one by producer Laila Nabulsi and author Hunter S. Thompson), deleted scenes with commentary by Gilliam, the 1978 BBC «Omnibus» documentary «Fear and Loathing on the Road to Hollywood» (with Hunter S. Thompson and artist Ralph Steadman), the ten - minute featurette «Hunter Goes to Hollywood,» an audio documentary on the controversy over the screenplay credit, a survey of the marketing campaign, selections from the correspondence between Johnny Depp and Hunter S. Thompson (read on camera by Depp), an excerpt from the 1996 audio CD «Fear and Loathing» starring Maury Chaykin, Jim Jarmusch, Harry Dean Stanton, and Glenne Headly, background notes on Oscar Zeta Acosta (the real life activist and attorney who inspired the character of Dr. Gonzo), and galleries of storyboards, stills, and Ralph Steadman art.

Outside of Vinson and some choice scoring / music selection that, along with its story, evokes some of the memorable 1970s work from John Carpenter (Assault on Precinct 13 and The Fog come to mind), You're Next is a fairly dreadful choice for a scare flick, with ineffective acting choices, a laughable premise, and no real surprises offered to anyone who actually pays attention to the poorly written dialogue that occurs between scenes of violence.

DVD Extras Anamorphic 1.85:1; incredibly atmospheric animated menus; scene selection; choice of 2.0 / Dolby digital 5.1; full audio commentary by co - writer / director Shane Meadows, co - writer / star Paddy Considine, and producer Mark Herbert (all giggling), revealing that the decision to include Anthony in scenes other than flashbacks was last - minute, that the script changed daily on - set, that the castle was a disused zoo, and that the original ending was too close to Get Carter; nine minutes of commentary out - takes (Easter egg); Optimum trailer reel; What U Sitting Oon - set, that the castle was a disused zoo, and that the original ending was too close to Get Carter; nine minutes of commentary out - takes (Easter egg); Optimum trailer reel; What U Sitting OnOn?

The supplements consist of a short featurette on the set - up of one of the scenes, the trailer, and almost an hour's worth of short interviews / sound bites from a large selection of the cast members and the director.

But because the DVD offers instant» chapter» access, the sheer pleasure of riffling through the scene - selection menus and sampling standout sequences like 45s on a jukebox can't be beat.

Three inserts are located in the case: a scene selection list / ad, a Disney Movie Rewards sheet with code and information on the heavily - promoted soon - to - end program, and a booklet which announces DVDs and other media involving Playhouse Disney fare.

Bertolucci cuts these scenes with clips from a wonderful selection of classic cinema: Garbo memorizing her room in Queen Christina, Nadine Nortier's suicide in Bresson's Mouchette, Fred Astaire waking Ginger Rogers in Top Hat, Odile, Arthur, and Franz's sprint through the Louvre in Bande á part, and so on — asking his young actors to mimic these scenes in motions that are part trance, part tango.

Though it claims chapter stops are hastily placed at every ten minutes, they are in fact fittingly anchored to commercial fadeouts (which were spread more than ten minutes apart back in» 88), but you're on your own for scene selection.

On submenus, making up for the lack of animation is the fact that the voice actors appear on virtually all of them (even «Scene Selection») to comment on what's being offereOn submenus, making up for the lack of animation is the fact that the voice actors appear on virtually all of them (even «Scene Selection») to comment on what's being offereon virtually all of them (even «Scene Selection») to comment on what's being offereon what's being offered.

No trailers for this or anything else are found on a scored, static menu reproducing the Sunshiney cover art with only Play Movie, Subtitles, and Scene Selections in the way of options.

Catch The Lady Eve this week, and check out a selection of intimate glimpses of Fonda, Stanwyck, and Sturges on set in this behind - the - scenes gallery.

Inside, one finds a scene selections list that doubles as an ad and a short - lived coupon for $ 10 off Dan in Real Life on Blu - ray meant to inspire a rapid upgrade.

That's it, unless you count the newly created «Movie Showcase» on the back of the Scene Selections DVD Guide.

Inside the keepcase, there is a fold - out poster for My Scene Goes Hollywood: The Movie, a two - sided insert with chapter selections and extras overview, and a coupon booklet which predictably promotes upcoming DTVs (Bambi II, Kronk's New Groove) and offers savings on obvious (Tarzan II DVD, the new Lilo & Stitch Island Favorites CD) and not - so - obvious (Land O'Frost lunchmeats and Dole fruit bowls) products.

The Film: 1.66:1 Anamorphic Widescreen, Dolby Digital 5.1 (Disney's Enhanced Home Theater Mix), Dolby Digital 2.0 (Original Theatrical and Enhanced Mixes), Spanish and French 5.1 tracks Disc 1: Audio commentary with Julie Andrews, Dick Van Dyke, Richard Sherman, and Karen Dotrice, Poppins Pop - Up Fun Facts, Disney's song selection Disc 2: «Supercalifragilisticexpialidocious: The Making of Mary Poppins», new animated short «The Cat That Looked at a King» (based on P.L. Travers story, done chalk - drawing style), «A Magical Musical Reunion», «A Musical Journey with Richard Sherman», «I Love to Laugh» game, «Movie Magic» featurette, Gala World Premiere featurette, deleted song «Chimpanzoo», 2 scene deconstructions, galleries, trailers & TV spots, Dick Van Dyke make - up test

Warner continues to place a distant last place among the major studios in menu creativity, simply dropping an short score excerpt over poster artwork formatted to fill 16:9 screens on both discs and, as is now the case, pouring no effort into the DVD's generic submenus (which don't even include a scene selection one).

Given the film's reportedly chaotic development, there's probably five times as much fascinating footage as we get in a tantalizing selection of «Deleted Scenes» (12:22, SD), but we're given trims that compliment the finished product: CIA Director Ezra Kramer (Scott Glenn) testifying before Congress and firing Landy, a slaying on the streets of Spain, Ross getting a point in the right direction, Bourne attempting to squeeze information from a contact, extra footage from the Waterloo Station sequence, two strategic pow - wows between Landy and Vosen, and Bourne seeing off Parsons.

Its insert folds out to six pages and contains a scene selection list, a two - page map of bonus features, and previews of the supplements on Discs 1 and 2.

It features artwork from the film, an overview of bonus features, a list of scene selections, and the obligatory ad for Shyamalan's other «record - setting thrillers» on DVD.

In one scene, a so - called sommelier (Peter Serafinowicz, in a pitch - perfect performance) advises Wick on weapon selection as though walking him through a multi-course dinner.

Scene selections are on back and that's all that's inside the case.

DVD Review: The single - disc release of «Eagle vs. Shark» probably won't win over any new fans on DVD, but those that do intend on adding the indie comedy to their collections can expect a decent selection of extras including an audio commentary with writer / director Taika Waititi and star Loren Horsley (via phone), deleted scenes and outtakes.

Featuring three separate audio commentaries with director Ron Howard, co-writer Akiva Goldsman, and co-writer Cliff Hollingsworth, the single - disc release also includes a nice selection of deleted scenes, a casting featurette («The Fight Card»), and a short profile on legendary trainer and film consultant Angelo Dundee («The Record: The History of Boxing»).

Aside from offering a choice between theatrical and extended versions of the film, with extra deleted scenes and improvisations on top of that, the DVD extras boast a sizable selection of making - of featurettes, the chronicles of Kate and John Cena's Pazuzu, a video of cast members reading the teenage diary of screenwriter Paula Pell, a VFX breakdown of the one spectacular shot in the film in which an outdoor pool sinks into the ground, and more.

Inside the case there is a scene selections insert with an advertisement for other DVDs on the backside.

The same selection of deleted scenes and Stone's introductions to them are taken directly from the tape version, as is the behind - the - scenes documentary on the film.

Apart from a 26 - minute retrospective on the film («Out of the Office»), a meager selection of deleted scenes, a pop - up trivia track, and some interactive games, this is by far one of the worst special editions ever produced.

A selection of brief and understandably deleted scenes (most viewable with or without commentary by Hardwick), the film's theatrical trailer (along with those for a few other films), and the music video for the Eric Benet's main title tune round out the supplements, but such features are just gravy on what is a satisfying presentation of the very enjoyable main feature.

Not only does the Jeep Wrangler Unlimited offer a selection of four - wheel drive systems and hardcore suspension and axle options, but it also seats as many as five passengers with a respectable level of comfort, making it a rarity on the convertible scene.

Apple was hindered by (a) being late on the e-book scene, (b) the fact that reading on a backlit LCD screen just isn't as «magical» as Apple wants you to believe, and (c) the iBook Store doesn't have the selection of other e-book stores, with no Random House titles and only about 30,000 total in - copyright titles (compared to Amazon's 800,000 or so).

- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend

Battles take place on a 3 - D landscape, with an immersive player controlled camera, while episode and scene selection is made through a detailed 3 - D world map.

The team will talk about the inspiration for the Toy Box, show behind - the - scenes images and concept art from game and figure development, discuss the character selection process and tell stories on working with Disney's greatest storytellers.

Los Angeles» growing gallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works on view.

Mirror Tenses presents a selection of works by eight artists that focus on the interactive loop that can occur between the spectator / scene and the reflective surface thus highlighting a conceptually never - ending and always present moment.

MACUF - Museo de Arte Contemporáneo Gas Natural Fenosa, La Coruña Under the title «Almost Anything», the exhibition of the american artist Alex Katz at the Contemporary Art Museum Gas Natural Fenosa, MACUF, presents a selection of 22 paintings of landscapes, scenes and portraits, mostly of them large size, with the plain style of this author of flat compositions, silhouettes and «cutouts», as well as portraits on cut out wood he has been made since the sixties.

On offer was a diverse selection ranging from Rembrandt's etched genre scenes, J.J. Audebon's ornithological drawings to earthenware pieces by Pablo Picasso, and a shirt by Roy Lichtenstein.

The group exhibition «Time Will Tell — A selection of artists from the Ricard Foundation Prize» is based on the history of the Ricard Prize, which was inaugurated in 1999, and since has distinguished an emerging artist on the young French art scene each year, invites us to think beyond the very logic of what a prize does, which is to single out a personae at a given time.

Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea

Kawase Hasui (Japanese, 1883 - 1957), Daigokuden, Kyoto, from the series Selection of Scenes of Japan, 1922, woodblock print, ink and color on paper.

The selection of works reflects the growing importance of post-conceptual, mostly figurative painting, which now holds an extraordinary position on the British art scene.

1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL

A supplementary component of this exhibition is a selection of documentation on the Washington / Baltimore art scene from 1949 - 2012.

True to its original vocation to support the French art scene, the Fair will be juxtaposing the subjective, historical and critical perspective of a Curator, with a selection of specific projects focusing on artists in France who, both in the past and today, have managed to preserve their independence from dominant trends, or were situated on the margin of mainstream art history.

The exhibition features a selection of approximately 10 works including distorted new canvas piece that combine two circular forms reminiscent of scenes viewed through binoculars, and painting on pyramid - shaped canvas.

This spotlight on Switzerland promotes the wealth and diversity of the young Swiss scene through a selection of galleries and artists that are completely unknown or seldom seen in France.