Sentences with phrase «scene story in»

But current analysis methods can only re-create a crime scene story in hazy detail.

It comes as no surprise God of War would get spotlighted during this year's Tribeca Games Festival, where the game's director and cast spoke about its development and shared behind - the - scenes stories in front of a live audience.

Not exact matches

Before the White House intervened on Tuesday, Qualcomm had been working its political ties behind the scenes at least since December, according to a revealing «tick - tock,» as we call such stories in the media biz, by Wall Street Journal reporters Ted Greenwald, Kate O'Keeffe, and Tripp Mickle.

Each scene is connected to the bigger picture: the story in its entirety.

In February, Gallagher published The Airbnb Story: How Three Ordinary Guys Disrupted an Industry, Made Billions... and Created Plenty of Controversy, telling the behind - the - scenes story of the creation and rise of the online lodging platStory: How Three Ordinary Guys Disrupted an Industry, Made Billions... and Created Plenty of Controversy, telling the behind - the - scenes story of the creation and rise of the online lodging platstory of the creation and rise of the online lodging platform.

The writing is exceptional; the plot constantly twists; the dialog is crisp and clever and never fails to drive the story forward; Damian Lewis is, as always, great; Paul Giamatti is, well, he's Paul Giamatti; the moment Wags, played by David Costabile (the ill - fated Gale Boetticher on Breaking Bad), appears in a scene, you instantly smile with anticipation.

Near the end of the speech McConaughey gets the team to do the humming routine from «The Wolf Of Wall Street,» and then tells the players the story of how it ended up in the movie (Leonardo DiCaprio saw McConaughey warming up with the routine before the scene and asked him to do it on camera).

Despite the hype around a few incredible dropout success stories, the vast majority of startup founders complete college, and a whole host of tech scene veterans (with the notable exception of Peter Thiel) say that, given the huge uncertainty inherent in the startup game, it's generally wise for aspiring founders to finish their degrees.

Invariably, when we tell the story of how the band survived 10 years in the New York and New Jersey bar scene while struggling to get a record deal, people want to hear war stories about shady club owners and how we dealt with the implied «mob scene.»

The craft beer scene was up and coming there, much like here in Canada, so I decided to write a story on it.

Not only is this unfair, but it misses the real story of how today's big philanthropy is unfolding as new mega-donors enter the scene — with women in the lead.

And then in August 2016, AMI did an even more expensive favor for Trump behind the scenes, when it paid $ 150,000 for exclusive rights to Karen McDougal's story of her affair with Trump — and didn't run it.

In this multi-media event, Nicky tells the story of the NYC dance music scene from Stonewall to Studio 54.

I even got to sing five lines of solo in the opening scene, «The Story of Chess.»

«Lisac's backdrop may be the political scene, but his story is in the heart of his main characters, their flaws and aspirations.

The Daniels case has a lot in common with the unfolding story of the Trump campaign's alleged collusion with Russia — both involve allegations of campaign violations and financial malfeasance, of Trumpworld figures working behind the scenes to protect their candidate.

If you have any crypto - related stories or just love to write about what's happening in the scene, we'd love to hear from you.

It's quite the story, though Moby was always an oddity in the club scene.

Again, I really want to stress this is not about the messy never ending post divorce antics with an NPD but the culture of leaders in this publishing / speaking / minor celebrity circle that have smeared names and reputations in order to appear one way while behind the scenes another story is going on.

I am outside of the emergent scene, but it has helped me put a few things to rest in my own story, a different scenario with similar underlying destructiveness.

Such moments, nonetheless, appear» implicit though undramatized» throughout the Old Testament, and the story of Noah has at least two: Noah's own never - expressed response to the Lord's commission, and the late scene when Shem discloses Noah's drunken stupor to his brothers, who engage in a tortuous maneuver to cover their father's nakedness (which only alerts him upon wakening to what has happened).

Director Ryan Coogler explains that although the performances in this scene are stunning, it just didn't work in the overall arc of the story.

As in the Abraham stories, so too in the Jacob narratives, the sacredness and often the very name of ancient Canaanite sanctuaries are attributed to the visit of a patriarch to the scene, as witness, only for example, the stories of Bethel (28) and Peniel (32) This too contributes somewhat more subtly to the validation of Israel's claim.

The essential plot of the story of the lie is repeated a second time of Abraham in chapter 20 where the scene is Gerar, not Egypt, and where, with a greater show of moral sensitivity, the story attempts to mitigate the patriarch's lie (v. 12) and maintain the sexual integrity of his wife (vv.

Ingmar Bergman's film Scenes from a Marriage tells, like the Lenten season, a serialized story culminating in violence, dawning in a quiet denouement of fragile new life.

It argues that an author could portray, for example, a rape scene — even a scene in which a woman enjoys rape — in constructing a story that is ultimately and thoroughly feminist.

It is like a play in which the scene and the general outline of the story is fixed by the author, but certain minor details are left for the actors to improvise.

Mark may have allowed himself some imaginative freedom in depicting the scene - the story of the young man, for instance.

It has been observed that where we have more than one version of a scene, the different versions generally agree rather closely in the report of what Jesus said, but use more freedom in telling the story which provides the occasion for it.

But taken together, these stories, told from many different points of view, converge to give a distinct impression of a real person in action upon a recognizable scene.

Symbols and images of this kind cluster thickly in the scenes of the «Christmas story» which in Matthew and Luke is the prelude to their account of the public career of Jesus: visits of angels, prophetic dreams, the marvelous star in the east, the miraculous birth greeted with songs from the heavenly choir, all the appealing incidents so familiar in the appropriate setting of Christmas carol and nativity play.

The fusion of the two ideal figures of Messiah and Servant of the Lord in the historical person of Jesus is dramatically represented in the scene which in all gospels prefaces the story of his public career.

What we find is a series of separate scenes — snapshots rather than a movie — and the four writers, who in the closing scenes were constrained to follow a fixed order of events, use a large liberty in arranging the separate stories they tell, and the arrangement comes out differently in each of them.

The gospel account looms behind every scene in the lengthy midsection of the film, an unfilmable story, written in poetic, metaphorical, passionate, committed language.

But, what about the thief on the cross who was going to meet Jesus in paradise that very day and yet had no knowledge about the resurrection scene of Jesus» story?

Within the Protestant ecclesiastical scene in California there are not many contrasts more colorful than that between Berkeley and Orange County: the University of California and Disneyland, an adult class using Bread for the World material and one deep into the Bethel Bible Series, a Georgian church building hosting the Earl Lectures (Tillich, Niebuhr, Bennett, Marty, Lehman et al.) and a 14 - story Tower of Hope hosting preachers and teachers of «possibility thinking.»

Meanwhile for Singer, until the day of the coming there is the vivid passing scene, full of interest even when also full of tragedy, worth taking part in, worth telling stories about.

We still have to ask ourselves what the story says about how God deals with humans, and what is going on behind the scenes in some (but not all) of the tragedies and difficulties of human life.

Sometimes it is by a revealing incident, commonly, however, by a telling analysis of what the subject of the story «thought in his heart» — but, by whatever means, the writers succeed in portraying the inmost nature of the men and women who under their hands move across the scene before us.

Given the line of questioning that opens the story, a shameful but universal lie fingers in the air throughout its several scenes.

It is a combination of historical story, with the scene laid in the time of King Nebuchadnezzar, and a new type of writing, the apocalyptic literature.

And it's not as if that message is tacked onto the movie in an arbitrary way; it's really placed at the core of the story, and it bleeds through every scene, almost to the point of overkill.

The last scene of the story anticipates the last scene of the Gospel: just as later the disciples are «continually in the Temple, blessing God,» so here the former demoniac proclaims throughout the city how much Jesus has done for him.

As for specialties in the individual narratives, Matthew alone records the sealing and guarding of the tomb and he alone introduces an earthquake; Luke expands the story of the revelation on the road to Emmaus, which Mark's addition suggests, and introduces the meal of broiled fish partaken of by Jesus to prove the reality of his resuscitation; John alone, at the end of the century, narrates at length the conversation between Jesus and Mary Magdalene and records the scene between Jesus and Thomas and the appearance by the Sea of Galilee.

For the story I'm writing, well - known published writers in our critique group, who were getting their stuff published in paper by CBA publishers commented, among other things: - «The scene where Tammy throws her bikini up into the tree would never get published by a CBA publisher.»

One notes the weird night scene, the underground setting, the fact that only the witch is reported to have seen Samuel, the complete credulity of Saul, Samuel's rising out of Sheol in bodily form, clothed in a robe and physically recognizable, and, implied in the whole story, the popular prevalence of such necromancy in making use of the still - existent dead.

(So that when you read a news story, for instance, you might also get a composite assessment value that was assigned directly from other readers without them ever having to express such assessment via speaking, writing, etc. if a group of people are on the scene of some event covered by the news, then obviously there would be great value in knowing some directly transferred assessment values from their brains, rather than what today we get as a summary from a few reporters plus maybe a few witnesses that still have to express what they saw.)

Luke tells the story in such a way as to make the whole of Palestine the locale of Jesus» ministry: as in Acts 10:37, the scene is «all Judea.»

Kurtis sees this scene repeated in almost any courtroom where «two lead actors — the prosecuting and defense attorneys» face off in an effort to create a persuasive story» that will «make the jury think the way [they] think.»

Long story short, on a drive to take his cousin somewhere, they come across a beautiful scene of cattle grazing on a hillside with the sun setting in the background.