Sentences with phrase «scene story segments»

The cut scene story segments are corny, but fun to watch.

Not exact matches

Oliva proved his mettle in hand - to - hand combat scenes with the «Laira» segment of Green Lantern: Emerald Knights last year, and at times in the story's exposition, it's like he hungers to get to the beatdowns.

There's also a making - of documentary, plus three behind - the - scenes segments, which focus on the story, the influences, and the practical FX.

«All right, here's where we are in the story...» begins one segment, and «I feel a dissolve coming on» makes Garry all woozy in a scene transition.

Seminal films like Woodstock, Gim me Shelter, and The Last Waltz interweave concert clips, behind - the - scenes footage, and interview segments as they strive to locate the larger story beyond the performances they document.

I gladly did, although I was fooled more than once about which scene would conclude their story in the final New Orleans segment.

0:00 — «Street Fighter II Opening Theme» by Alph Lyra 0:25 — Intro, Non Street Fighter segment (Dishonored, The Last Story, PlayStation All - Stars Battle Royale) 15:17 — Intermission - «Theme of Ryu» by Alph Lyra 16:13 — Street Fighter, Street Fighter II and its many editions, the live - action films 30:50 — Intermission - «Theme of M.Bison» by Alph Lyra 31:50 — Street Fighter III, Street Fighter IV and the competitive scene 42:13 — Intermission - «Theme of Cammy» by Alph Lyra 43:13 — Interview with Cross Counter Asia video producer / Tough Cookie owner / prominent Singapore FGC contributor Yongde 1:24:42 — Intermission — «Theme of Guile» by Alph Lyra (which goes with everything) 1:25:50 — Miscellaneous Street Fighter stuff, Hong Kong SF comics 1:33:44 — Outro — «True Ending Theme» by Alph Lyra

Mark and Kameron's exchange in our last round about the lack of explicit gay sex scenes in Call Me by Your Name, and what that «omission» (or, as Mark more precisely identifies it, deliberate aesthetic choice) has meant to different segments of the film's queer audience, brought to mind BPM, a brainy but also wrenchingly heartfelt film whose story in part revolves around those very questions: how much to show, to whom, and for what purpose.

Also ported over are features on the history and development of «Tarzan,» among them segments on the Deep Canvas Process, Production Progression Demonstration, three publicity trailers, From Burroughs to Disney, an Early Presentation Reel, a short feature on the Research Trip to Uganda, six segments on creating The Characters of Tarzan, a three - minute bit on The Making of the Music, Building the Story and Storyboard to Film featurettes, 10 minutes of deleted and alternate scenes, and a couple tidbits on the international / intercontinental aspects of «Tarzan.»

As with the film's earlier segments, these scenes are ably staged and benefit from Gerwig's smart, appealing performance, but they add nothing either to the story or the character.

BLU - RAY ™: Everything on the DVD, plus... Filmmaker Annotations — This interactive in - movie feature is a viewing mode with 12 different segments that allows consumers to watch behind - the - scenes footage of the production process and hear stories from the filmmakers and conservationists who spent several years making the film.

The cut scenes are well paced and spread pretty far apart, although I assume a speed run would push them more together since you're ignoring all the stuff to do, which pushing towards each new story segment.

It also helps that each story stage is based on a segment on the film and builds on them, adding more sections and areas not seen in the movie to lengthen the whole experience, and includes scenes straight from the motion picture.

They use a variety of different tunes for the conversations to set the mood and the music used cut scenes helps to emphasise the tone of each story segment of the game.

One big gripe that I had was the staccato nature of gameplay segments to story scenes, or even just random conversations.